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Results 1-13 of 13 for ' visual ' (0 seconds)
CREDITS:
Directed by Giovanni Bucci
Filmed and Edited by Giovanni Bucci
Design & Animation: Giovanni Bucci, Paola Rocchetti
Styling & Make Up: Paola Rocchetti
Filmed at Strani Rumori Studio
Audio Design & Music Production by Marco Morano
Written by Giovanni Bucci and Marco Morano
c 2011 Hoxtonlab and Giovanni Bucci Ltd
p 2011 Hoxtonlab and Giovanni Bucci Ltd

Links to artists’s personal website
Giovanni Bucci: giovannibucci.com
Paola Rocchetti: urdigital.net
Marco Morano: hoxtonlab.com

AWARDS / SCREENINGS: LAMA - Los Angeles Movie Awards - 2011 Los Angeles, US Category: Music Video Winner: Award of Excellence and Best Costume Design
Las Vegas Film Festival - 2012 Las Vegas, US Winner: Golden Ace Award
4th Annual Zero Film Festival - 2011 New York, US Official Selection
Pause Fest - 2012 Melbourne, Australia Screening
UK Film Festival - 2012 London, UK Official Selection
NXNE - North by Northeast Festivals and Conference - 2012 Toronto, Canada Official Selection
New York International Film Festival in LA - 2011 Sherman Oaks, US Official Selection
3rd Annual New Media FIlm Festival - 2011 San Francisco Bay Area, US Official Selection
Shockfest Film Festival of Hollywood - 2011 Los Angeles, US Official Selection - Opening Nightmare Screening
X FEST Film Festival - 2011 Cape Town, South Africa Official Selection
Bideodromo - 2011 Bilbao, Spain Official Selection
Kinofest - 2011 Bucharest, Romania Official Selection
Prix Ars Electronica - 2012 Linz, Austria Official Selection
IMF - International Motion Festival - 2012 Nicosia, Cyprus Official Selection
Visioneca - Festival of Experimental Film - 2012 Freshwater, Isle Of Wight, UK Official Selection
ECU' - The European Independent Film Festival - 2012 Category: Featured, Music Video Paris, France Official Selection
8th Cologne International Videoart Festival - 2012 Cologne, Germany Official Selection
Carnival of e-Creativity 2013 Sattal, India Official Selection
Festival Internacional de Videoarte - 2012 Madrid, Spain Official Selection
Ex Teresa Arte Actual -Museum of experimenta Art -2012 Mexico City, Mexico Screening
FIVA II - Festival Internacional de Video Arte - 2012 Buenos Aires, Brazil Official Selection
CHANNELS // Horror  Clips 
Added: 1507 days ago by reservoirfilms
Runtime: 120.00 | Views: 28445 | Comments: 0
Not yet rated
Synopsis: A traumatized woman is shadowed by a mysterious other in this award-winning psychological thriller in the Twilight Zone tradition.

"Great story, great performances, top level production values, thoughtful. Great film."
– Frazer Churchill, filmmaker, visual effects supervisor (CHILDREN OF MEN, SCOTT PILGRIM VS. THE WORLD)

Cast: Brenda Banet, Jaclyn Carmichael, Susan Charalambous, Avery Clyde, Cameron Covell, Brahm Gallagher, Theresa Ravnikar
CHANNELS // Drama  Thriller 
Added: 961 days ago by Keith_Putman
Runtime: 1020.00 | Views: 15081 | Comments: 0
Not yet rated
South African born Daniel Levi has a background in creative design and his experience of the visual arts, multi-media and post-production supported his transition in to directing. Daniel was featured in the Saatchi and Saatchi’s young directors showcase and won best new director at Kinsale. Daniel has directed campaigns for clients such as VW, HSBC, X-Box, Mercedes, Nike and Playstation.

Daniel’s music videos for Massive Attack, LFO, The Concretes and Plan B often come up on many all time best lists. In May 2004 LFO Freak won the prestigious Music Video Production Association Award (MVPA) for Directorial Debut.

After taking a couple of years off to focus on his other artistic endeavours; painting, photography and design, he is now back in the director chair and his branded content film Henry made in collaboration with Ogilvy & Mather and IBM received critical acclaim and debuted at the Vancouver Film Festival in the short film category even though it was made for a brand.

Daniel is currently in development for his debut feature film to be shot in 2014.
CHANNELS // Drama  Fantastic 
Added: 1192 days ago by daniel_levi
Runtime: 240.00 | Views: 19730 | Comments: 0
Not yet rated
Director: DANIELE CARRER | Synopsis: A visual and metaphoric vision on inexplicable moments of the modern life.
Array // My  Own  World  Reservoir  Films 
CHANNELS // Horror  Animation  Gore 
Added: 3624 days ago by reservoirfilms
Runtime: 156.00 | Views: 17965 | Comments: 0
Not yet rated
When opened, Hala Stulecia was the largest reinforced concrete structure in the world. With a diameter of 65m it was home to the largest dome built since the Pantheon in Rome eighteen centuries earlier. The Centennial Hall was listed as a UNESCO World Heritage Site in 2006. Taking the 1910’s as a starting point (the dome was erected in 1913), historical and artistic references were used to reveal the architecture of the space, its timeless and, more surprisingly, very modern dimension.
A deliberately minimalist visual aesthetic allowed to highlight the very architecture of Hala Stulecia’s dome and re-affirm its place at the core of the piece.
Read more about the project on the ANTIVJ BLOG: blog.antivj.com/2012/o/
CHANNELS // Documentary  Clips 
Added: 1547 days ago by reservoirfilms
Runtime: 317.00 | Views: 20335 | Comments: 0
Not yet rated
Producer: Famous Studios | Audio/Visual: sound, color | Synopsis: Popeye is planting his spinach bed. But just as he finishes, the plants start disappearing. He discovers a gopher filching the little baby plants and starts battling it. They tussle for a while until Popeye gets fed up and fetches his shotgun. He chases the rodent, running past a bull and cornering it, but he doesn't have the heart to shoot. He throws away his gun, hitting the bull, who attacks. The gopher rushes to the spinach patch, eats a plant, and hurls the bull into a ravine. He teams up with Popeye to plant more spinach
Array // popeye  gopher  spinach  Reservoir  Films 
CHANNELS // Animation  Cartoon  Classics 
Added: 3255 days ago by reservoirfilms
Runtime: 387.22 | Views: 38169 | Comments: 0
  
The Reservoir Films trailer, with new effects, to show a few categories.
Le nouveau trailer de Reservoir Films avec de nouveaux effets visuels.
Présentation de plusieurs catégories.
CHANNELS // Trailers  Festivals 
Added: 1406 days ago by reservoirfilms
Runtime: 90.00 | Views: 24890 | Comments: 0
Not yet rated
PostPanic director Mischa Rozema's new short film, Stardust, is a story about Voyager 1 (the unmanned spacecraft launched in 1977 to explore the outer solar system). The probe is the furthest man-made object from the sun and witnesses unimaginable beauty and destruction. The film was triggered by the death of Dutch graphic designer Arjan Groot, who died aged 39 on 16th July 2011 from cancer.
The entire team at PostPanic (the Amsterdam-based creative company) pushed themselves in their own creative post techniques to produce a primarily CG short film crafted with love.
The film's story centers on the idea that in the grand scheme of the universe, nothing is ever wasted and it finds comfort in us all essentially being Stardust ourselves. Voyager represents the memories of our loved ones and lives that will never disappear.
From a creative standpoint, Rozema wanted to explore our preconceived perceptions of how the universe appears which are fed to us by existing imagery from sources such NASA or even sci-fi films. By creating a generated universe, Rozema was able to take his own 'camera' to other angles and places within the cosmos. Objects and experiences we are visually familiar with are looked at from a different point of view. For example, standing on the surface of the sun looking upwards or witnessing the death and birth of a star - not at all scientifically correct but instead a purely artistic interpretation of such events.
Rozema says, 'I wanted to show the universe as a beautiful but also destructive place. It's somewhere we all have to find our place within. As a director, making Stardust was a very personal experience but it's not intended to be a personal film and I would want people to attach their own meanings to the film so that they can also find comfort based on their own histories and lives.'
Rozema turned to his regular audio partner, Guy Amitai, to create the music for the film. 'I approached Guy to make the music because I trust him and knew he would instinctively understand what I wanted to communicate with this film.' Their long-term collaboration over the years helped them explore different musical approaches before finally settling on a musical journey featuring analogue instruments. Amitai explains, 'Once we started working on this project and I told people about Stardust and what Arjan meant to us all, the offers started pouring in. Musician friends and friends-of-friends all wanting to join in and record even the smallest parts. It was an incredibly emotional and personal journey for us all - not something you can professionally detach yourself from.'
Array // stardust  space  voyager  1  broadcast  reservoir  films 
CHANNELS // Clips  Science Fiction 
Added: 1352 days ago by reservoirfilms
Runtime: 240.00 | Views: 25156 | Comments: 0
Not yet rated
Synopse: A man receive a box right on his door. Something is going to turn strange...
16mm, B&W.
Best Film Award: 16 mm Short Film Festival - School of Visual Arts. New York.
April, 2010
Array // box  door  man  date  broadcasting  reservoir  films 
CHANNELS // Fantastic 
Added: 1157 days ago by tresvampiros
Runtime: 0.00 | Views: 15876 | Comments: 0
Not yet rated
The Vision:
Back in October of 2009, I set out to make a film that would push my talents as both a storyteller and a filmmaker. I wanted to create a film that would challenge myself and my audience, meshing both classical and experimental storytelling techniques from music, books, & films that have inspired me in one way or another. I wanted to make a film that didn’t do any spoon-feeding, where my audience would leave with questions as well as answers. It was a long a difficult road to get to this point and there were days where I felt that I was in way over my head but eight months later, I can proudly say I’ve finally completed my film “The Bridge” and it was an experience I would never forget.

The Inspiration:
The story of The Bridge was a story a cousin had told me when I was eight years old. It was a ghost story about two siblings on a bridge. I remember it haunting me for weeks and causing many sleepless nights under my sheets. Obviously, it had a lasting influence in my life. It had always been one of those stories that I wanted to adapt into a short film so when the opportunity finally came one day, I decided to pull to trigger.
When I was in film school, I would constantly fantasize about making some sort of epic period piece, especially one that took place during WW2. So when I decided I was going to make The Bridge, I instantly followed it up with “hell, why not make it into a WW2 movie”? I could have easily made this film as a contemporary piece but where would the fun be in that? I never do things because it’s easy; I do it because it’s hard. I love a challenge. I figured I could keep the same characters, themes, motifs, style, and wrap it around a WW2 setting. So I did.

Pre-production:
So it began. After a quick outline, I started writing the screenplay and, being a one-man crew at the time, I also started doing work on costumes and props. I lived and breathed WW2 24/7. I watched every WW2 movie and documentary I could get my hands on. I even got my hands some real WW2 letters to get a grasp on the era’s language. I felt like a student again and I loved it. I scoured eBay for every WW2 field gear I could afford to buy and the stuff I couldn’t get, I had them custom made cheaply in China. I wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down. I remember coming home one day and having almost a couple dozen eBay packages on front door. It looked like the front door of the post office.

Casting:
The casting of The Bridge was actually one of the smoothest aspects of the entire process. I first went to my good friend Amy and asked her if she would like to help me produce the film. Having worked with each other before, I didn’t really have to ask twice. She was happy to be my first recruit.
For the leading role, I asked my good friend Pablo Soriano to take the part. Having worked with him before, we have a good understanding of each other. He is just a naturally gifted actor and he makes my job as a director so much easier. Plus, his puppy dog eyes make him a perfect protagonist.
For the leading female role, I went looking for a girl who had beautiful, almost hypnotic eyes. That’s when I spotted Leah in one my good friend’s music video. I called up Carlos and basically told him, “I need to have that girl for movie”. A few days later, she was on board.
I owe the discovery of Mike, the character who plays James Connolly, to my producer Amy. She had read the script and recommended him. I remember her telling me “Mike IS James”. Words that any director would love to hear and as usual, Amy was right. So a couple months later, the script was complete, the costumes and props were ready, and the cast was cast. We were ready to shoot!

Production:
With our extremely limited budget, I knew right from day one that we were going to shoot “The Bridge” on DSLRs, specifically the Canon 7D and 5D Mark II. With this in mind, I knew (as also the DP of the film), I was going to push these cameras to its limits. I wasn’t going to let my equipment limit my vision of the film. I knew at the very beginning that I may or may not have a crappy movie in the end but hell, it’s gonna look damn good! We all know about the camera’s limitations but I wasn’t going to bitch and moan about it, I was going to work around it. I took it as a personal challenge to make these cameras work and I did. About 75% of the film was shot with the 7D and the rest with the 5DM2. The main reason I shot with the 7D more was the 24p firmware update wasn’t available for the 5DM2 during the bulk of the shooting. I prefer the 5DM2’s full frame sensor the 7D cropped sensor. Production, like any other shoot, had its ups and downs. Ours was mainly San Francisco’s unpredictable weather. You can blink and the bay area can go from miserable foggy weather (which is what I wanted for the film) to perfect summer beach party weather.
Also, being a guerilla production also has its own set of problems. I remember an actor and I almost getting arrested at a national park because a tourist reported seeing “some soldier carrying a rifle”. We got patted down and escorted off the premises. Before the ranger let us go, she handed me a business card for film permits. I thought that was hilarious.

Post-production:
There wasn’t really a “post-production” for The Bridge. I did post simultaneously during production. I would shoot on a weekend and then do visual effects or picture and sound editing on the weekdays. It was a very indie film workflow. The upside was I always had very polished dailies to show my cast and that kept them motivated to give me their best.
I spent my first two years out of film school as a CG artist. Being able to do my own 3d animation, modeling, surfacing, lighting, and rendering definitely upped the production value of my film. CG artists aren’t cheap and I calculated that if I had paid someone else to do my visual effects, it would have been double the entire budget of the film.
I hate ADR and foleying but if you don’t have a budget, you have to do it yourself. We had two whole scenes where sound was completely unusable (the tunnel scenes) so we had to redo it from scratch. I remember ADR sessions inside automobiles and 2 A.M. foley when my neighborhood is quiet and I don’t have to deal with traffic and barking dogs.
I discovered my composer Justin browsing through some filmmaking forums. He is such a talented musician. He added so much emotion to my film. Being a super control-freak, it’s very difficult for me to hand off any aspect of my film to someone else unless I have 100 percent confidence in that person. Justin is one of those people. In fact, Justin was the only other person who had a hand in post aside from me.
It was tough being a “one man studio” for this film. I acted as DP and director on Sunday, editor on Monday, sound editor on Tuesday, visual effects artist on Wednesday and Thursday, and compositor on Friday. I got some rest on Saturday (while my two computer farm renders). But in the end, when it all comes together… nothing feels more rewarding than seeing the art you’ve created. I can safely say that I created something I’m very proud of.

Full Circle:
So here it is. 8 months work compressed into a 30-minute narrative short. The film I set out to create back in October of 2009. I would like to thank everyone who was a part of it. I couldn’t have done it without you. To my viewers, I hope this film challenges you like it challenged me. Enjoy.
Array // bridge  war 
CHANNELS // Drama 
Added: 1443 days ago by reservoirfilms
Runtime: 1800.00 | Views: 5575 | Comments: 0
Not yet rated
Synopsis: In this Visual Poem of Contentment, a young book lover tries desperately to get the book everyone else has.
CHANNELS // Animation 
Added: 555 days ago by John_Mervin
Runtime: 330.00 | Views: 4819 | Comments: 0
Not yet rated
Directed by Greg Tosolini | Produced by Ludovic Roussaux | Written by William Ribe | Camera Operator Ludovic Roussaux | Director of photography Quentin Gremaux | Grip Julien Tosolini | Make-up and prosthetics Gaston Altmeish Karl Bouveret | Visual special effects Alexandre Lerouge | Production design Greg Tosolini Ludovic Roussaux | Music by Greg Tosolini | Edited by Greg Tosolini grading Ludovic Roussaux | Sound editor Ludovic Roussaux | Sound mixer Kevin Andre | Assistants Director Sophie Daniels Raphael Vaillant | Acteurs: Thomas Bouchet, Morgan Dargent | Synopsis: Nothing remains of Man, this specie who has managed to annihilate itself. Machines run by a flawless Artificial Intelligence have continued to operate for a long time. Until the day the AI became aware that Man may be necessary for its own survival. Thus begins the silent journey of a lone android, and its mission. | L'humanité a disparu. Il ne reste rien de cette race qui a réussi à s’annihiler sans l’aide de personne. Les machines, elles, ont continué de fonctionner pendant longtemps, dirigées par une intelligence artificielle sans faille. Jusqu’à aujourd’hui; où celle-ci prend conscience que l’Homme est peut-être nécessaire à sa propre survie. Ainsi débute le voyage silencieux d'un androïde solitaire, et sa mission.
CHANNELS // Science Fiction 
Added: 2509 days ago by Greg.T
Runtime: 469.00 | Views: 37703 | Comments: 0
     
Eusong Lee (director) Visual Development, Story, Animation
Julian Kleiss (composer & musician)
Dario Barrera(Voice)
Paul Fraser (Sound Designer)
Tomio Ueda (co-arrangement & mixing)

OPEN SHOW (2012)
PRODUCERS' SHOW (2012 WALTER AND GRACIE LANTZ ANIMATION PRIZE)
San Diego Asian Film Festival 2012
TAAFI 2012
Array // will  9  11  september  flight  broacasting  reservoir  films 
CHANNELS // Animation 
Added: 1465 days ago by reservoirfilms
Runtime: 270.00 | Views: 22736 | Comments: 0
Not yet rated

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