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Search // surf
Results 1-12 of 12 for ' surf ' (0 seconds)
AWAY is a short documentary film that looks at the subculture of NYC surfing through the lens of three women that surf at Rockaway Beach.
Official Selection in: New York Surf Film Festival, Newport Beach Film Festival, Queens World Film Festival, Aotearoa Surf Film Festival, San Diego Surf Film Festival, Board Shorts Film Festival, Pop-up Surf Film Festival, Never Stop Surf Film Festival, New York Open Film Festival
CHANNELS // Documentary 
Added: 732 days ago by Elisa_Bates
Runtime: 840.00 | Views: 11911 | Comments: 0
Not yet rated
Synopse: Box explores the synthesis of real and digital space through projection-mapping onto moving surfaces. The short film documents a live performance, captured entirely in camera
CHANNELS // Science Fiction 
Added: 1369 days ago by reservoirfilms
Runtime: 314.00 | Views: 26868 | Comments: 0
Not yet rated
Réalisateur: Stéphane Esse et Audrey Lange Equipe_Technique: Chef opératrice - cadreuse AUDREY LANGE Création des personnages et des costumes STEPHANE ESSE & AUDREY LANGE Montage et post-production STEPHANE ESSE Effets spéciaux 3D VINVENT BUI & DAVID LECORVEC Animation 2D THOMAS PENIN Musique – sound design & mixage ANTHONY « JAK » GICQUEL & ROMAIN DUBOIS Assistant réalisateur JEROME CASSIGNOL Régisseur VINCENT VERDIER Photographe de plateau CYRIL WULGUE Produit par L’agence EVE - STEPHANE ESSE & AUDREY LANGE Remerciements à Mr ROUVELLAT de la SEMIP ART-TEASER DANIELLE SABATHE SAMUEL BEN HAIM NACIM ZAOUANI Acteurs: STEPHANE ESSE, CHLOE GREGORIO, SAMUEL BEN HAIM | Synopsis: Dans un futur lointain, la surface de la Terre est recouverte d’un gaz toxique. Trois survivants, équipés de masques de protection - sorte de seconde peau - errent dans cet enfer qui n’est plus que désolation. Ils fouillent le béton à la recherche de résidus végétaux, de nourriture quand soudain, ils font une découverte des plus inattendue…
Array // fleur  de  beton 
CHANNELS // Drama  Science Fiction  Fantastic 
Added: 2813 days ago by Esse
Runtime: 600.00 | Views: 33488 | Comments: 0
Réalisateur: Nicolas Hugon | Equipe_Technique: Réalisation, scénario, montage image: Nicolas Hugon Lumières: Mathieu Lesueur SFX | plateau/décoration/accessoires: Hugo Ouhioun, Livia Herman et David Chokomert | SFX numériques: Yoan Zerbit Montage et mixage son: Thomas Romani | Acteurs: Alain Lucas, David Chokomert, Benjamin Gouardo, MHT, Julio et Proffessor Wonderful | Synopsis: 2019. Le monde en ruine crache son dernier soupir, étranglé par la pénombre. Les rues se figent, les lumières se consument. La pandémie qualifiée initialement par les scientifiques de " virus neurasthénique " embrasse maintenant l'intégralité de la surface du globe. Et là, plongés dans leur isolement funeste, les derniers survivants tentent vainement de tuer le temps... à leur manière. "En enfer aussi on s'fend la gueule!
Array // zombis  zombies  goregarden 
CHANNELS // Comedy  Horror  Gore 
Added: 2751 days ago by nicohugon
Runtime: 330.00 | Views: 30117 | Comments: 0
Not yet rated
Réalisateur: Nicolas Hugon Equipe_Technique: Realisation, scenario, montage image: Nicolas Hugon Lumières: Mathieu Lesueur SFX plateau/decoration/accessoires: Hugo Ouhioun, Livia Herman et David Chokomert SFX numeriques: Yoan Zerbit Montage et mixage son: Thomas Romani Acteurs: Alain Lucas, David Chokomert, Benjamin Gouardo, MHT, Julio et Proffessor Wonderful | Synopsis: 2019. Le monde en ruine crache son dernier soupir, étranglé par la pénombre. Les rues se figent, les lumières se consument. La pandémie qualifiée initialement par les scientifiques de " virus neurasthénique " embrasse maintenant l'intégralité de la surface du globe. Et là, plongés dans leur isolement funeste, les derniers survivants tentent vainement de tuer le temps... à leur manière."
Array // virus  survivants  pandemie  game  dead  reservoir  films 
CHANNELS // Horror  Trailers  Gore 
Added: 3118 days ago by nicohugon
Runtime: 37.24 | Views: 41139 | Comments: 0
Not yet rated
Synopsis: Susannah is living a typically quiet and dusty life in the suburbs with her husband Paul, when an unexpected visit from her son, Piers, surfaces a dark secret that has been brewing since he left the nest 15 years ago. As Susannah struggles to come to terms with Piers' relationship with his new girlfriend, her typical mediocre existence is slowly stripped away to reveal an obsession that is anything but typical...or secret.
Marigolds won BEST DIRECTOR at Underwire Film Festival and received rave reviews in Little White Lies, Best for Film and Varsity online at the London Short Film Festival.
CHANNELS // Drama 
Added: 521 days ago by Stephanie_Zari
Runtime: 972.00 | Views: 5612 | Comments: 0
Not yet rated
PostPanic director Mischa Rozema's new short film, Stardust, is a story about Voyager 1 (the unmanned spacecraft launched in 1977 to explore the outer solar system). The probe is the furthest man-made object from the sun and witnesses unimaginable beauty and destruction. The film was triggered by the death of Dutch graphic designer Arjan Groot, who died aged 39 on 16th July 2011 from cancer.
The entire team at PostPanic (the Amsterdam-based creative company) pushed themselves in their own creative post techniques to produce a primarily CG short film crafted with love.
The film's story centers on the idea that in the grand scheme of the universe, nothing is ever wasted and it finds comfort in us all essentially being Stardust ourselves. Voyager represents the memories of our loved ones and lives that will never disappear.
From a creative standpoint, Rozema wanted to explore our preconceived perceptions of how the universe appears which are fed to us by existing imagery from sources such NASA or even sci-fi films. By creating a generated universe, Rozema was able to take his own 'camera' to other angles and places within the cosmos. Objects and experiences we are visually familiar with are looked at from a different point of view. For example, standing on the surface of the sun looking upwards or witnessing the death and birth of a star - not at all scientifically correct but instead a purely artistic interpretation of such events.
Rozema says, 'I wanted to show the universe as a beautiful but also destructive place. It's somewhere we all have to find our place within. As a director, making Stardust was a very personal experience but it's not intended to be a personal film and I would want people to attach their own meanings to the film so that they can also find comfort based on their own histories and lives.'
Rozema turned to his regular audio partner, Guy Amitai, to create the music for the film. 'I approached Guy to make the music because I trust him and knew he would instinctively understand what I wanted to communicate with this film.' Their long-term collaboration over the years helped them explore different musical approaches before finally settling on a musical journey featuring analogue instruments. Amitai explains, 'Once we started working on this project and I told people about Stardust and what Arjan meant to us all, the offers started pouring in. Musician friends and friends-of-friends all wanting to join in and record even the smallest parts. It was an incredibly emotional and personal journey for us all - not something you can professionally detach yourself from.'
Array // stardust  space  voyager  1  broadcast  reservoir  films 
CHANNELS // Clips  Science Fiction 
Added: 1375 days ago by reservoirfilms
Runtime: 240.00 | Views: 25577 | Comments: 0
Not yet rated
Synopsis: There is this space dragons, reaching earth, a long time after the collapse of humanity. They are not interested by any of earth remaining ressources, as they can mine anywhere in space, but they are immensely interested by the history of tech civilisation that appeared here, for the impact that can have on their own philosophies.
They already found many planets sheltering lifeforms, but finding tech remains of a completely different civilisation that started to reverse engineer the universe itself, it is indeed for them, priceless.
They want to know how humanity appeared, what it discovered, and how it ended. To be able to explore the surface, they've been xeno-forming slightly the atmosphere, with minimal impact on the biosphere, with immense self building structures made of an alloy mixing earth less exotic mineral, called bauxite, and artificial nano organisms.
Now they are able to breath, the structures are entering a phase of controlled molecular decay, that will leave the earth untouched, as the sanctuary it is for them.
As they are cold blooded beings, and after evolving free from the reptilian brain, they did not developed death fearing religions, but rather a bunch of philosophies, aiming for the connexion of everything, and the decryption of the world.
That's why our little buddy, chose to study evolution of buddhism, trough its relation with human brain."
CHANNELS // Animation 
Added: 669 days ago by liok
Runtime: 100.00 | Views: 5476 | Comments: 0
Not yet rated
Written and Directed by Greg Tosolini | Produced by Farcaster Films | Director of Photography: Ludovic Roussaux | Original Music by Julien Diaz | Editing By Sophie Daniels | Sound Director: Stéphane Blanchardon | Cast: Darcy Ruscio, Guillaume Clément, Michael Macqueen | Synopsis: It's been years since the life on Earth became unbearable. Survivors of the World War III were buried in fallout shelters, listening to the NATO radio news from the surface. But one day, the Reticuli 7 shelter is suddenly cut off from the network. A mission is set up to investigate the communication breakdown.
CHANNELS // Trailers  Science Fiction 
Added: 2194 days ago by Greg.T
Runtime: 40.00 | Views: 29654 | Comments: 0
Not yet rated
Synopsis: Une veuve rencontre un medium qui prétend lui permettre de rentrer en contact avec son défunt mari. Mais le séduisant escroc semble avoir d'autres projets en tête...

Synopse: Two years after her husband's death, Christine Faber (Lynn Bari) thinks she hears her late husband (Donald Curtis) calling out of the surf on the beach one night.

Array // medium  amazing  mr  x  mari  defunt  mort  diffusion  reservoir  films 
CHANNELS // Horror 
Added: 1593 days ago by reservoirfilms
Runtime: 60.00 | Views: 25699 | Comments: 0
Not yet rated
The Vision:
Back in October of 2009, I set out to make a film that would push my talents as both a storyteller and a filmmaker. I wanted to create a film that would challenge myself and my audience, meshing both classical and experimental storytelling techniques from music, books, & films that have inspired me in one way or another. I wanted to make a film that didn’t do any spoon-feeding, where my audience would leave with questions as well as answers. It was a long a difficult road to get to this point and there were days where I felt that I was in way over my head but eight months later, I can proudly say I’ve finally completed my film “The Bridge” and it was an experience I would never forget.

The Inspiration:
The story of The Bridge was a story a cousin had told me when I was eight years old. It was a ghost story about two siblings on a bridge. I remember it haunting me for weeks and causing many sleepless nights under my sheets. Obviously, it had a lasting influence in my life. It had always been one of those stories that I wanted to adapt into a short film so when the opportunity finally came one day, I decided to pull to trigger.
When I was in film school, I would constantly fantasize about making some sort of epic period piece, especially one that took place during WW2. So when I decided I was going to make The Bridge, I instantly followed it up with “hell, why not make it into a WW2 movie”? I could have easily made this film as a contemporary piece but where would the fun be in that? I never do things because it’s easy; I do it because it’s hard. I love a challenge. I figured I could keep the same characters, themes, motifs, style, and wrap it around a WW2 setting. So I did.

So it began. After a quick outline, I started writing the screenplay and, being a one-man crew at the time, I also started doing work on costumes and props. I lived and breathed WW2 24/7. I watched every WW2 movie and documentary I could get my hands on. I even got my hands some real WW2 letters to get a grasp on the era’s language. I felt like a student again and I loved it. I scoured eBay for every WW2 field gear I could afford to buy and the stuff I couldn’t get, I had them custom made cheaply in China. I wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down. I remember coming home one day and having almost a couple dozen eBay packages on front door. It looked like the front door of the post office.

The casting of The Bridge was actually one of the smoothest aspects of the entire process. I first went to my good friend Amy and asked her if she would like to help me produce the film. Having worked with each other before, I didn’t really have to ask twice. She was happy to be my first recruit.
For the leading role, I asked my good friend Pablo Soriano to take the part. Having worked with him before, we have a good understanding of each other. He is just a naturally gifted actor and he makes my job as a director so much easier. Plus, his puppy dog eyes make him a perfect protagonist.
For the leading female role, I went looking for a girl who had beautiful, almost hypnotic eyes. That’s when I spotted Leah in one my good friend’s music video. I called up Carlos and basically told him, “I need to have that girl for movie”. A few days later, she was on board.
I owe the discovery of Mike, the character who plays James Connolly, to my producer Amy. She had read the script and recommended him. I remember her telling me “Mike IS James”. Words that any director would love to hear and as usual, Amy was right. So a couple months later, the script was complete, the costumes and props were ready, and the cast was cast. We were ready to shoot!

With our extremely limited budget, I knew right from day one that we were going to shoot “The Bridge” on DSLRs, specifically the Canon 7D and 5D Mark II. With this in mind, I knew (as also the DP of the film), I was going to push these cameras to its limits. I wasn’t going to let my equipment limit my vision of the film. I knew at the very beginning that I may or may not have a crappy movie in the end but hell, it’s gonna look damn good! We all know about the camera’s limitations but I wasn’t going to bitch and moan about it, I was going to work around it. I took it as a personal challenge to make these cameras work and I did. About 75% of the film was shot with the 7D and the rest with the 5DM2. The main reason I shot with the 7D more was the 24p firmware update wasn’t available for the 5DM2 during the bulk of the shooting. I prefer the 5DM2’s full frame sensor the 7D cropped sensor. Production, like any other shoot, had its ups and downs. Ours was mainly San Francisco’s unpredictable weather. You can blink and the bay area can go from miserable foggy weather (which is what I wanted for the film) to perfect summer beach party weather.
Also, being a guerilla production also has its own set of problems. I remember an actor and I almost getting arrested at a national park because a tourist reported seeing “some soldier carrying a rifle”. We got patted down and escorted off the premises. Before the ranger let us go, she handed me a business card for film permits. I thought that was hilarious.

There wasn’t really a “post-production” for The Bridge. I did post simultaneously during production. I would shoot on a weekend and then do visual effects or picture and sound editing on the weekdays. It was a very indie film workflow. The upside was I always had very polished dailies to show my cast and that kept them motivated to give me their best.
I spent my first two years out of film school as a CG artist. Being able to do my own 3d animation, modeling, surfacing, lighting, and rendering definitely upped the production value of my film. CG artists aren’t cheap and I calculated that if I had paid someone else to do my visual effects, it would have been double the entire budget of the film.
I hate ADR and foleying but if you don’t have a budget, you have to do it yourself. We had two whole scenes where sound was completely unusable (the tunnel scenes) so we had to redo it from scratch. I remember ADR sessions inside automobiles and 2 A.M. foley when my neighborhood is quiet and I don’t have to deal with traffic and barking dogs.
I discovered my composer Justin browsing through some filmmaking forums. He is such a talented musician. He added so much emotion to my film. Being a super control-freak, it’s very difficult for me to hand off any aspect of my film to someone else unless I have 100 percent confidence in that person. Justin is one of those people. In fact, Justin was the only other person who had a hand in post aside from me.
It was tough being a “one man studio” for this film. I acted as DP and director on Sunday, editor on Monday, sound editor on Tuesday, visual effects artist on Wednesday and Thursday, and compositor on Friday. I got some rest on Saturday (while my two computer farm renders). But in the end, when it all comes together… nothing feels more rewarding than seeing the art you’ve created. I can safely say that I created something I’m very proud of.

Full Circle:
So here it is. 8 months work compressed into a 30-minute narrative short. The film I set out to create back in October of 2009. I would like to thank everyone who was a part of it. I couldn’t have done it without you. To my viewers, I hope this film challenges you like it challenged me. Enjoy.
Array // bridge  war 
CHANNELS // Drama 
Added: 1466 days ago by reservoirfilms
Runtime: 1800.00 | Views: 5708 | Comments: 0
Not yet rated
Réalisateur: Pierre Zandrowicz | Equipe_Technique: Antoine Cayrol Pierre Zandrowicz Tim Khorn Timea Gerber Louise Gigon | Acteurs: Jeffrey Danneman, Delfine Paolini | Synopsis: Pendant les fêtes de Noël, Elie, journaliste chevronné, est envoyé en reportage par son magazine à travers les USA. Le sujet de son enquête est à dormir debout : un passeur d’âmes qui permettrait de retrouver pour un court instant, des personnes aimées et disparues. Mais une fois arrivé à New York, sa dernière étape, les choses changent...Cette histoire se révèle plus crédible qu’elle n’y paraît. During Christmas, Elie, a veteran journalist, is sent on assignment by his newspaper to New York City. The subject of his investigation seems to be nonsense: a smuggler of souls has been sighted by many people who are missing loved ones. However, once he has arrived in New York, he quickly finds that there is much more beyond the surface of this seemingly ridiculous story. suite
Array // fatcat  fat  cat  the  ferryman  new  york  NYC  movie  short 
CHANNELS // Horror  Drama  Science Fiction 
Added: 2948 days ago by fatcat Films
Runtime: 761.22 | Views: 37981 | Comments: 0
Not yet rated

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