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Search // sun
Results 1-13 of 13 for ' sun ' (0 seconds)
The Three Suns
Array // The  Three  Suns 
CHANNELS // Soundies  Classics 
Added: 3606 days ago by reservoirfilms
Runtime: 141.51 | Views: 13488 | Comments: 0
Not yet rated
Aici, veti gasi cuvinte de apreciere din partea unor persoane pe care Eugen Ungureanu i-a ajutat in cariera artistica, sau oameni cu care Casa de Productie Electro Star colaboreaza.. Daca vrei si tu sa fii promovat pe Radio si Televiziune, atunci suna la 0745.503.350 sau viziteaza www.musik.ro Eugen Ungureanu promoveaza vedetele, atat in emisiunile proprii(StarMusik-OTV) si Radio Star Musik, dar si pe televiziunile de folclor, respectiv, ETNO, FAVORIT si TARAF TV. Nela Duhu este o personalitate a muzicii populare si de petrecere din zona Vaii Trotusului, cunoscand foarte bine obiceiurile si cantecele populare, mai ales din Manastirea Casin. Are o voce clara, placuta si mare priza la public, asa cum declara Directorul Casei de Productie Electro Star-Eugen Ungureanu, in interviurile pentru Cronica Romana si Evenimentul Zilei. Asadar, daca iubesti folclorul si esti talentat atunci ia legatura urgent cu noi la telefoanele 0745.503.350 sau 0722.410.597
Added: 3427 days ago by electrostar
Runtime: 22.16 | Views: 28402 | Comments: 0
    
O melodie de mare success atat la lansarile de albume, pe televiziune, radio dar si in salile de spectacole. Eugen Ungureanu confirma inca odata ca este un maestru al hit-ului dar si un mare iubitor de frumos. Un text pe masura dedicate tuturor doamnelor si domnisoarelor. Pentru a lua legatura cu artistul sunati la 0745.503.350 sau 0722.410.597. Relatii suplimentare pe www.musik.ro sau trimiteti e-mail la tvbucuresti@yahoo.com
Added: 3427 days ago by electrostar
Runtime: 222.96 | Views: 29218 | Comments: 0
Not yet rated
Este cea mai ascultata melodie de pe albumul Regasire a cantautorului Eugen Ungureanu care este si directorul Casei de Productie Electro Star. Aceasta melodie a fost difuzata de nenumarate ori pe postul de televiziune OTV unde Eugen Ungureanu este si prezentator.Daca doresti sa vii si tu in emisiune suna la telefon 0745.503.350-Casa de Productie Electro Star.
Added: 3427 days ago by electrostar
Runtime: 215.96 | Views: 27755 | Comments: 0
     
Réalisateur: Arnold de Parscau | Directeurs de la photographie: Jonathan Bertin, Antoine Bon Premier | Assistant réalisateur: Edouard Paoli | Cameramen: Martin Keruzoré, Pierre Bourras | Maquillage SFX: David Scherer |Maquillage: Mathilde Passeri | Montage: Arnold de Parscau | Artiste: David Lynch | Producteur: Sunday Best records | Acteurs: Elia Blanc, Jean-Christophe Bouvet, Brigitte Aubry, Sarah Barzyk | Synopsis: A little boy is having dinner with his family, playing with a little wooden boat he's just made. He imagines his father, mother and sister like he would like them to be, before coming back to a sad reality./ Lors d’un dîner en famille, le jeune cadet de 9 ans se met imaginer une famille idéale. Ces étranges règlements de compte avec son père, sa sœur et sa mère le ramèneront brusquement à la triste réalité.
CHANNELS // Clips  Fantastic 
Added: 2318 days ago by adod
Runtime: 278.00 | Views: 36335 | Comments: 1
Not yet rated
Official Selection for "Best Music video" at ANIMA - Córdoba International Animation Festival.
Official Selection at Clermont-Ferrand International Short Film Festival 2012

When an extremely dangerous and highly secretive pair of undergarments with the power to destroy the world fall into the wrong hands, the call goes out to the only team who can stop the villain in her tracks Yuki 7 and the Gadget Girls! Can they recover the lethal lingerie in time, or will world succumb to the evil will of this fashion fiend?

PRE-ORDER THE BOOK + DVD NOW!
yuki7.bigcartel.com/product/looks-that-kill

Brand new short film we finished early March 2011. like "A kiss from Tokyo" it's all 2D and All After Effects (we've got some precious help from Sung-Jin Ahn who produced some amazing dance animations in flash) . Cyrille Marchesseau created a great score inspired by an old Japanese pop song.

This release goes along with the opening of the pre-ordering of the new book "Looks that kill" by Kevin Dart and Elizabeth Ito.

yuki-7.com
twitter.com/GoYuki7
facebook.com/GoYuki7
Array // Looks  that  kill  animation  Yuki  7  and  the  Gadget  Girls  broadcasting  reservoir  films 
CHANNELS // Animation  Action 
Added: 1540 days ago by reservoirfilms
Runtime: 142.00 | Views: 24419 | Comments: 0
Not yet rated
Synopsis: Susannah is living a typically quiet and dusty life in the suburbs with her husband Paul, when an unexpected visit from her son, Piers, surfaces a dark secret that has been brewing since he left the nest 15 years ago. As Susannah struggles to come to terms with Piers' relationship with his new girlfriend, her typical mediocre existence is slowly stripped away to reveal an obsession that is anything but typical...or secret.
Marigolds won BEST DIRECTOR at Underwire Film Festival and received rave reviews in Little White Lies, Best for Film and Varsity online at the London Short Film Festival.
CHANNELS // Drama 
Added: 524 days ago by Stephanie_Zari
Runtime: 972.00 | Views: 5637 | Comments: 0
Not yet rated
PostPanic director Mischa Rozema's new short film, Stardust, is a story about Voyager 1 (the unmanned spacecraft launched in 1977 to explore the outer solar system). The probe is the furthest man-made object from the sun and witnesses unimaginable beauty and destruction. The film was triggered by the death of Dutch graphic designer Arjan Groot, who died aged 39 on 16th July 2011 from cancer.
The entire team at PostPanic (the Amsterdam-based creative company) pushed themselves in their own creative post techniques to produce a primarily CG short film crafted with love.
The film's story centers on the idea that in the grand scheme of the universe, nothing is ever wasted and it finds comfort in us all essentially being Stardust ourselves. Voyager represents the memories of our loved ones and lives that will never disappear.
From a creative standpoint, Rozema wanted to explore our preconceived perceptions of how the universe appears which are fed to us by existing imagery from sources such NASA or even sci-fi films. By creating a generated universe, Rozema was able to take his own 'camera' to other angles and places within the cosmos. Objects and experiences we are visually familiar with are looked at from a different point of view. For example, standing on the surface of the sun looking upwards or witnessing the death and birth of a star - not at all scientifically correct but instead a purely artistic interpretation of such events.
Rozema says, 'I wanted to show the universe as a beautiful but also destructive place. It's somewhere we all have to find our place within. As a director, making Stardust was a very personal experience but it's not intended to be a personal film and I would want people to attach their own meanings to the film so that they can also find comfort based on their own histories and lives.'
Rozema turned to his regular audio partner, Guy Amitai, to create the music for the film. 'I approached Guy to make the music because I trust him and knew he would instinctively understand what I wanted to communicate with this film.' Their long-term collaboration over the years helped them explore different musical approaches before finally settling on a musical journey featuring analogue instruments. Amitai explains, 'Once we started working on this project and I told people about Stardust and what Arjan meant to us all, the offers started pouring in. Musician friends and friends-of-friends all wanting to join in and record even the smallest parts. It was an incredibly emotional and personal journey for us all - not something you can professionally detach yourself from.'
Array // stardust  space  voyager  1  broadcast  reservoir  films 
CHANNELS // Clips  Science Fiction 
Added: 1379 days ago by reservoirfilms
Runtime: 240.00 | Views: 25607 | Comments: 0
Not yet rated
The Vision:
Back in October of 2009, I set out to make a film that would push my talents as both a storyteller and a filmmaker. I wanted to create a film that would challenge myself and my audience, meshing both classical and experimental storytelling techniques from music, books, & films that have inspired me in one way or another. I wanted to make a film that didn’t do any spoon-feeding, where my audience would leave with questions as well as answers. It was a long a difficult road to get to this point and there were days where I felt that I was in way over my head but eight months later, I can proudly say I’ve finally completed my film “The Bridge” and it was an experience I would never forget.

The Inspiration:
The story of The Bridge was a story a cousin had told me when I was eight years old. It was a ghost story about two siblings on a bridge. I remember it haunting me for weeks and causing many sleepless nights under my sheets. Obviously, it had a lasting influence in my life. It had always been one of those stories that I wanted to adapt into a short film so when the opportunity finally came one day, I decided to pull to trigger.
When I was in film school, I would constantly fantasize about making some sort of epic period piece, especially one that took place during WW2. So when I decided I was going to make The Bridge, I instantly followed it up with “hell, why not make it into a WW2 movie”? I could have easily made this film as a contemporary piece but where would the fun be in that? I never do things because it’s easy; I do it because it’s hard. I love a challenge. I figured I could keep the same characters, themes, motifs, style, and wrap it around a WW2 setting. So I did.

Pre-production:
So it began. After a quick outline, I started writing the screenplay and, being a one-man crew at the time, I also started doing work on costumes and props. I lived and breathed WW2 24/7. I watched every WW2 movie and documentary I could get my hands on. I even got my hands some real WW2 letters to get a grasp on the era’s language. I felt like a student again and I loved it. I scoured eBay for every WW2 field gear I could afford to buy and the stuff I couldn’t get, I had them custom made cheaply in China. I wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down. I remember coming home one day and having almost a couple dozen eBay packages on front door. It looked like the front door of the post office.

Casting:
The casting of The Bridge was actually one of the smoothest aspects of the entire process. I first went to my good friend Amy and asked her if she would like to help me produce the film. Having worked with each other before, I didn’t really have to ask twice. She was happy to be my first recruit.
For the leading role, I asked my good friend Pablo Soriano to take the part. Having worked with him before, we have a good understanding of each other. He is just a naturally gifted actor and he makes my job as a director so much easier. Plus, his puppy dog eyes make him a perfect protagonist.
For the leading female role, I went looking for a girl who had beautiful, almost hypnotic eyes. That’s when I spotted Leah in one my good friend’s music video. I called up Carlos and basically told him, “I need to have that girl for movie”. A few days later, she was on board.
I owe the discovery of Mike, the character who plays James Connolly, to my producer Amy. She had read the script and recommended him. I remember her telling me “Mike IS James”. Words that any director would love to hear and as usual, Amy was right. So a couple months later, the script was complete, the costumes and props were ready, and the cast was cast. We were ready to shoot!

Production:
With our extremely limited budget, I knew right from day one that we were going to shoot “The Bridge” on DSLRs, specifically the Canon 7D and 5D Mark II. With this in mind, I knew (as also the DP of the film), I was going to push these cameras to its limits. I wasn’t going to let my equipment limit my vision of the film. I knew at the very beginning that I may or may not have a crappy movie in the end but hell, it’s gonna look damn good! We all know about the camera’s limitations but I wasn’t going to bitch and moan about it, I was going to work around it. I took it as a personal challenge to make these cameras work and I did. About 75% of the film was shot with the 7D and the rest with the 5DM2. The main reason I shot with the 7D more was the 24p firmware update wasn’t available for the 5DM2 during the bulk of the shooting. I prefer the 5DM2’s full frame sensor the 7D cropped sensor. Production, like any other shoot, had its ups and downs. Ours was mainly San Francisco’s unpredictable weather. You can blink and the bay area can go from miserable foggy weather (which is what I wanted for the film) to perfect summer beach party weather.
Also, being a guerilla production also has its own set of problems. I remember an actor and I almost getting arrested at a national park because a tourist reported seeing “some soldier carrying a rifle”. We got patted down and escorted off the premises. Before the ranger let us go, she handed me a business card for film permits. I thought that was hilarious.

Post-production:
There wasn’t really a “post-production” for The Bridge. I did post simultaneously during production. I would shoot on a weekend and then do visual effects or picture and sound editing on the weekdays. It was a very indie film workflow. The upside was I always had very polished dailies to show my cast and that kept them motivated to give me their best.
I spent my first two years out of film school as a CG artist. Being able to do my own 3d animation, modeling, surfacing, lighting, and rendering definitely upped the production value of my film. CG artists aren’t cheap and I calculated that if I had paid someone else to do my visual effects, it would have been double the entire budget of the film.
I hate ADR and foleying but if you don’t have a budget, you have to do it yourself. We had two whole scenes where sound was completely unusable (the tunnel scenes) so we had to redo it from scratch. I remember ADR sessions inside automobiles and 2 A.M. foley when my neighborhood is quiet and I don’t have to deal with traffic and barking dogs.
I discovered my composer Justin browsing through some filmmaking forums. He is such a talented musician. He added so much emotion to my film. Being a super control-freak, it’s very difficult for me to hand off any aspect of my film to someone else unless I have 100 percent confidence in that person. Justin is one of those people. In fact, Justin was the only other person who had a hand in post aside from me.
It was tough being a “one man studio” for this film. I acted as DP and director on Sunday, editor on Monday, sound editor on Tuesday, visual effects artist on Wednesday and Thursday, and compositor on Friday. I got some rest on Saturday (while my two computer farm renders). But in the end, when it all comes together… nothing feels more rewarding than seeing the art you’ve created. I can safely say that I created something I’m very proud of.

Full Circle:
So here it is. 8 months work compressed into a 30-minute narrative short. The film I set out to create back in October of 2009. I would like to thank everyone who was a part of it. I couldn’t have done it without you. To my viewers, I hope this film challenges you like it challenged me. Enjoy.
Array // bridge  war 
CHANNELS // Drama 
Added: 1469 days ago by reservoirfilms
Runtime: 1800.00 | Views: 5725 | Comments: 0
Not yet rated
This is the first short film movie project by Prebeo Animation Studios. The short film is released under the CC-BY License. The film was created with the help of all the early book supporters which made this film even more possible, so a big thank you to them!
CHANNELS // Animation 
Added: 475 days ago by Nick_Brunner
Runtime: 274.00 | Views: 5761 | Comments: 0
Not yet rated
Synopsis: I was walking along a path with two friends – the sun was setting – suddenly the sky turned blood red – I paused, feeling exhausted, and leaned on the fence – there was blood and tongues of fire above the blue-black fjord and the city – my friends walked on, and I stood there trembling with anxiety – and I sensed an infinite scream passing through nature.” Edvard Munch, 1893
CHANNELS // Animation  Drama 
Added: 742 days ago by Safe_Frame
Runtime: 202.00 | Views: 5811 | Comments: 0
Not yet rated
Synopsis: A balloon dog is lost in a world of danger. One wrong step and his dancing days are done. Only love, and tango, can possibly save him.
CHANNELS // Animation 
Added: 876 days ago by Humble_Postal
Runtime: 195.00 | Views: 6927 | Comments: 0
Not yet rated
Production and Directing: Guillaume Bergère / Guillaume Coudert / Maria Glinyanova / Bruno Guerra / Charlotte Jammet | Synopse: It is a dead, lightless world, where a little girl, despite her father's renunciation and despair facing the death of his wife, maintains their dream of building a machine powered by magic winds to fly and reach the sun./ Synopsis: C'est un monde mort, sans lumière où une petite fille, en dépit du renoncement de son père face à la mort de sa femme, a toujours le rêve de construire une machine volante (qui fonctionne avec des vent magiques) pour atteindre le soleil.
CHANNELS // Animation 
Added: 2103 days ago by WindMills
Runtime: 440.00 | Views: 26272 | Comments: 0
    

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