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Official Selection 2013 Albuquerque Film and Media Experience, Mile High Horror Festival 'Best of 2012', Official Selection 2012 Mile High Horror Festival, Official Selection 2012 Denver Indie Fest, Official Selection Taos Shortz Fest 2012, Screened at the Cannes Film Festival 2011, Best of the 48 Hour Film Project 2011, Filmapalooza 2011 Runner Up, Best Film 48 Hour Film Project Denver 2010.
'46 Miles' was made as part of the 48 Hour Film Project Denver 2010 and won Best Writing, Best Acting, and Best Film in the Denver competition and was first runner up and won Best Writing against 80 other city winners internationally. The film then screened at the 64th Annual Cannes Film Festival in May of 2011!
Competing in the 48 Hour Film Project means that all aspects of the film, from scripting to shooting and editing, were done in one weekend over 48 hours. The genre we pulled from the hat at the beginning of the competition was 'Road Movie', and we had to include the character 'Sherman Woods'. Also required was the a lamp for a prop and the line of dialogue, "He told me not to tell anyone."
Array // 46  miles  serial  killer  road  movie  broadcasting  reservoir  films 
CHANNELS // Horror  Drama  Gore 
Added: 1255 days ago by reservoirfilms
Runtime: 464.00 | Views: 25922 | Comments: 0
    
CREDITS:
Directed by Giovanni Bucci
Filmed and Edited by Giovanni Bucci
Design & Animation: Giovanni Bucci, Paola Rocchetti
Styling & Make Up: Paola Rocchetti
Filmed at Strani Rumori Studio
Audio Design & Music Production by Marco Morano
Written by Giovanni Bucci and Marco Morano
c 2011 Hoxtonlab and Giovanni Bucci Ltd
p 2011 Hoxtonlab and Giovanni Bucci Ltd

Links to artists’s personal website
Giovanni Bucci: giovannibucci.com
Paola Rocchetti: urdigital.net
Marco Morano: hoxtonlab.com

AWARDS / SCREENINGS: LAMA - Los Angeles Movie Awards - 2011 Los Angeles, US Category: Music Video Winner: Award of Excellence and Best Costume Design
Las Vegas Film Festival - 2012 Las Vegas, US Winner: Golden Ace Award
4th Annual Zero Film Festival - 2011 New York, US Official Selection
Pause Fest - 2012 Melbourne, Australia Screening
UK Film Festival - 2012 London, UK Official Selection
NXNE - North by Northeast Festivals and Conference - 2012 Toronto, Canada Official Selection
New York International Film Festival in LA - 2011 Sherman Oaks, US Official Selection
3rd Annual New Media FIlm Festival - 2011 San Francisco Bay Area, US Official Selection
Shockfest Film Festival of Hollywood - 2011 Los Angeles, US Official Selection - Opening Nightmare Screening
X FEST Film Festival - 2011 Cape Town, South Africa Official Selection
Bideodromo - 2011 Bilbao, Spain Official Selection
Kinofest - 2011 Bucharest, Romania Official Selection
Prix Ars Electronica - 2012 Linz, Austria Official Selection
IMF - International Motion Festival - 2012 Nicosia, Cyprus Official Selection
Visioneca - Festival of Experimental Film - 2012 Freshwater, Isle Of Wight, UK Official Selection
ECU' - The European Independent Film Festival - 2012 Category: Featured, Music Video Paris, France Official Selection
8th Cologne International Videoart Festival - 2012 Cologne, Germany Official Selection
Carnival of e-Creativity 2013 Sattal, India Official Selection
Festival Internacional de Videoarte - 2012 Madrid, Spain Official Selection
Ex Teresa Arte Actual -Museum of experimenta Art -2012 Mexico City, Mexico Screening
FIVA II - Festival Internacional de Video Arte - 2012 Buenos Aires, Brazil Official Selection
CHANNELS // Horror  Clips 
Added: 1507 days ago by reservoirfilms
Runtime: 120.00 | Views: 28445 | Comments: 0
Not yet rated
Synopse: Azureus Rising is an action adventure epic chronicling the origin of the freedom fighter known as Azureus. Based on the award winning short film, Azureus Rising is a 3D animated feature film concept that is unlike anything ever produced for the screen. A passion project of director David Weinstein, the concept was inspired by The Lion King and the original Star Wars trilogy.
Array // azureus  animation 
CHANNELS // Animation  Science Fiction 
Added: 1227 days ago by david_weinstein
Runtime: 336.00 | Views: 18984 | Comments: 0
Not yet rated
Director: Fabrice Poirier | Production: UNIFILMS Production | Screenplay Consultant: Edith Saint Germain | Photography : Laurent Sales | Editing: Fabrice Poirier | Editing assistant : Didier Feldmann Music/Soundtrack: MAC (Pravda) | Calibration : Didier Feldmann | Pool Decor: Jean-Louins Priou | Production Assistant: Stéphanie Vacqué | With Dounia Coesens, Sarah Sediki, Danielle Mazel, Antoine Coesens, Jean-Louis Mazel, Patrick Vacqué Storyboard: Eva Garczynski | Synopse: An naive, angelic young girl walks along the roadside. The men she meets disappear one after the other. In the background, there's a steady man, who will never disappear...
CHANNELS // Drama  Art & Experimental 
Added: 2513 days ago by Fabrice_Poirier
Runtime: 435.00 | Views: 33293 | Comments: 0
 
Producer: Ton Roosendaal, Director: Bassam Kurdali, Art Director: Andreas Goralczyk, Lead Artist: Matt Ebb, Bastian Salmela, Lee Salvemini, Technical Director: Toni Alatalo, Music/Sound Designer: Jan Morgenstern Screenplay: Pepijn Zwanenburg, Original Concept & Scenario: Andreas Goralczyk, Bassam Kurdali, Bassam Kurdali Ton Roosendaal, Additional Artwork and Animation: Enrico Valenza, D. Roland Hess, Robert Ives, Joeri Kassenaar, Texture Photography: Andrea Weikert, Campbell Barton, Charles Wardlaw, D. Roland Hess, Dan LeFebvre, Daniel Freeman, Fintan Boyle, Gez, Kernon Dillon, Lozeta, Matthijs Zwinderman, Noah Wiswell, Stephen Chan | Synopsis: The film tells the story of Emo and Proog, two people with different visions of the surreal world in which they live. Viewers are taken on a journey through that world, full of strange mechanical birds, stunning technological vistas and machinery that seems to have a life of its own.
Array // elephant  dream 
CHANNELS // Animation 
Added: 2694 days ago by reservoirfilms
Runtime: 600.00 | Views: 25908 | Comments: 0
Not yet rated
Screenplay J. Searle Dawley | Directed by J. Searle Dawley, 1910. | Synopsis: Frankenstein, a young medical students, trying to create the perfect human being, instead creates a misshapen monster. Based on Mary Shelley's classic novel.
Array // Frankenstein  Searle  Dawley  medical    Mary  Shelley 
CHANNELS // Silent Films  Horror  Classics 
Added: 3443 days ago by reservoirfilms
Runtime: 761.15 | Views: 23935 | Comments: 0
Not yet rated
Director: Sergiu Lupse | Synopsis:A man finds himself inexorably drawn by the TV screen. A force is compelling him to get closer and interact with the screen. He manages to get inside the TV set and to his misfortune meets the one who was calling him.
Array // tv  evil  remote  white  death  pyramid  head  Reservoir  Films 
Added: 3392 days ago by keinezung
Runtime: 154.32 | Views: 37781 | Comments: 0
     
Production: Carol Aplogan, Francesco Virgilio & Michael Guerraz | Réalisation, montage & vfx : Michael Guerraz | Animation des squelettes 3D : Benjamin Deschamps | Photographies de nuit: Carol Aplogan | Chefs opérateurs : Nathalie Lao & Michael Guerraz | Assistant caméra : Laurent Ferrière | Maquillage : Claire Arnou | Stylisme : Dominique Demoniere | Corset : Marion B. Wuthier | Photographe de plateau : Christophe Alvarez-Luego | Groupe: mokroie.com | Synopsis : Une femme raconte ses nuits d'insomnie
CHANNELS // Clips 
Added: 2206 days ago by MiK
Runtime: 226.00 | Views: 33782 | Comments: 0
Not yet rated
At the age of seventeen, I made an independent feature-length film called Oceania.
With the help of friends and family, we filmed in the San Francisco Bay Area on a budget less than $4,000.
I learned about cinematography and editing on-the-spot over many long nights and weekends.
We used a volunteer cast and crew and lots of donated equipment and help.
The film finally hit the big screen at the 2008 Cinequest Film Festival, closing with a sold-out audience.
Oceania has since been released for free under a Creative Commons license.
CHANNELS // Drama  Thriller 
Added: 1562 days ago by reservoirfilms
Runtime: 3240.00 | Views: 22307 | Comments: 0
Not yet rated
Directed by Alfred Hitchcock | Starring: Laurence Olivier, Joan Fontaine, Judith Anderson | Music by Franz Waxman | Cinematography: George Barnes | Editing by W. Donn Hayes | Studio: The Selznick Studio | Produced by David O. Selznick | Screenplay by Philip MacDonald, Michael Hogan | Synopsis: The film is a gothic tale about the lingering memory of the title character, Maxim de Winter's dead first wife, which continues to haunt Maxim, his new bride, and Mrs. Danvers.
CHANNELS // Trailers  Drama  Thriller 
Added: 2373 days ago by reservoirfilms
Runtime: 140.00 | Views: 29728 | Comments: 0
Not yet rated
“Sintel” is an independently produced short film, initiated by the Blender Foundation as a means to further improve and validate the free/open source 3D creation suite Blender. With initial funding provided by 1000s of donations via the internet community, it has again proven to be a viable development model for both open 3D technology as for independent animation film. This 15 minute film has been realized in the studio of the Amsterdam Blender Institute, by an international team of artists and developers. In addition to that, several crucial technical and creative targets have been realized online, by developers and artists and teams all over the world. “Sintel” commenced in May 2009, with producer Ton Roosendaal establishing a core team consisting of Colin Levy (director), David Revoy (concept art), Martin Lodewijk (story) and Jan Morgenstern (composer). In August script writer Esther Wouda was approached as a consultant, which resulted in her taking the responsibility for the entire screenplay. Esther then worked in close cooperation with Colin, David and Ton to deliver the final script early November. Meanwhile, Colin and David realized the first storyboards. Based on a public call for artists – with over 150 respondents – the Durian artist team got established in July 2009. They first met in a pre-production week in Amsterdam in August, and all decided to join the project per October 1st. With the final movie budget still unknown, the target then still was to finish the film within 7 months, with a team of 6 artists and 2 developers. At that time the team still had the hopes to be able to realize the script in a 6-8 minute film.
Array // Sintel 
CHANNELS // Animation 
Added: 1684 days ago by reservoirfilms
Runtime: 888.00 | Views: 14437 | Comments: 0
     
Directed by Alfred Hitchcock | Produced by David O. Selznick | Screenplay by Angus MacPhail, Ben Hecht | Story by Hilary Saint George Saunder, John Palmer | Starring: Ingrid Bergman, Gregory Peck, Michael Chekhov, Leo G. Carroll, Rhonda Fleming | Music by Miklós Rózsa | Synopsis: Spellbound is a psychological mystery thriller film directed by Alfred Hitchcock in 1945. It tells the story of the new head of a mental asylum who turns out not to be what he claims. The film stars Ingrid Bergman, Gregory Peck, Michael Chekhov and Leo G. Carroll. It is an adaptation by Angus MacPhail and Ben Hecht of the novel The House of Dr. Edwardes (1927) by Hilary Saint George Saunders and John Palmer (writing as "Francis Beeding").
Array // spellbound  bergman  peck  hitchcock 
CHANNELS // Trailers  Classics 
Added: 2243 days ago by reservoirfilms
Runtime: 123.00 | Views: 21913 | Comments: 0
Not yet rated
The Vision:
Back in October of 2009, I set out to make a film that would push my talents as both a storyteller and a filmmaker. I wanted to create a film that would challenge myself and my audience, meshing both classical and experimental storytelling techniques from music, books, & films that have inspired me in one way or another. I wanted to make a film that didn’t do any spoon-feeding, where my audience would leave with questions as well as answers. It was a long a difficult road to get to this point and there were days where I felt that I was in way over my head but eight months later, I can proudly say I’ve finally completed my film “The Bridge” and it was an experience I would never forget.

The Inspiration:
The story of The Bridge was a story a cousin had told me when I was eight years old. It was a ghost story about two siblings on a bridge. I remember it haunting me for weeks and causing many sleepless nights under my sheets. Obviously, it had a lasting influence in my life. It had always been one of those stories that I wanted to adapt into a short film so when the opportunity finally came one day, I decided to pull to trigger.
When I was in film school, I would constantly fantasize about making some sort of epic period piece, especially one that took place during WW2. So when I decided I was going to make The Bridge, I instantly followed it up with “hell, why not make it into a WW2 movie”? I could have easily made this film as a contemporary piece but where would the fun be in that? I never do things because it’s easy; I do it because it’s hard. I love a challenge. I figured I could keep the same characters, themes, motifs, style, and wrap it around a WW2 setting. So I did.

Pre-production:
So it began. After a quick outline, I started writing the screenplay and, being a one-man crew at the time, I also started doing work on costumes and props. I lived and breathed WW2 24/7. I watched every WW2 movie and documentary I could get my hands on. I even got my hands some real WW2 letters to get a grasp on the era’s language. I felt like a student again and I loved it. I scoured eBay for every WW2 field gear I could afford to buy and the stuff I couldn’t get, I had them custom made cheaply in China. I wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down. I remember coming home one day and having almost a couple dozen eBay packages on front door. It looked like the front door of the post office.

Casting:
The casting of The Bridge was actually one of the smoothest aspects of the entire process. I first went to my good friend Amy and asked her if she would like to help me produce the film. Having worked with each other before, I didn’t really have to ask twice. She was happy to be my first recruit.
For the leading role, I asked my good friend Pablo Soriano to take the part. Having worked with him before, we have a good understanding of each other. He is just a naturally gifted actor and he makes my job as a director so much easier. Plus, his puppy dog eyes make him a perfect protagonist.
For the leading female role, I went looking for a girl who had beautiful, almost hypnotic eyes. That’s when I spotted Leah in one my good friend’s music video. I called up Carlos and basically told him, “I need to have that girl for movie”. A few days later, she was on board.
I owe the discovery of Mike, the character who plays James Connolly, to my producer Amy. She had read the script and recommended him. I remember her telling me “Mike IS James”. Words that any director would love to hear and as usual, Amy was right. So a couple months later, the script was complete, the costumes and props were ready, and the cast was cast. We were ready to shoot!

Production:
With our extremely limited budget, I knew right from day one that we were going to shoot “The Bridge” on DSLRs, specifically the Canon 7D and 5D Mark II. With this in mind, I knew (as also the DP of the film), I was going to push these cameras to its limits. I wasn’t going to let my equipment limit my vision of the film. I knew at the very beginning that I may or may not have a crappy movie in the end but hell, it’s gonna look damn good! We all know about the camera’s limitations but I wasn’t going to bitch and moan about it, I was going to work around it. I took it as a personal challenge to make these cameras work and I did. About 75% of the film was shot with the 7D and the rest with the 5DM2. The main reason I shot with the 7D more was the 24p firmware update wasn’t available for the 5DM2 during the bulk of the shooting. I prefer the 5DM2’s full frame sensor the 7D cropped sensor. Production, like any other shoot, had its ups and downs. Ours was mainly San Francisco’s unpredictable weather. You can blink and the bay area can go from miserable foggy weather (which is what I wanted for the film) to perfect summer beach party weather.
Also, being a guerilla production also has its own set of problems. I remember an actor and I almost getting arrested at a national park because a tourist reported seeing “some soldier carrying a rifle”. We got patted down and escorted off the premises. Before the ranger let us go, she handed me a business card for film permits. I thought that was hilarious.

Post-production:
There wasn’t really a “post-production” for The Bridge. I did post simultaneously during production. I would shoot on a weekend and then do visual effects or picture and sound editing on the weekdays. It was a very indie film workflow. The upside was I always had very polished dailies to show my cast and that kept them motivated to give me their best.
I spent my first two years out of film school as a CG artist. Being able to do my own 3d animation, modeling, surfacing, lighting, and rendering definitely upped the production value of my film. CG artists aren’t cheap and I calculated that if I had paid someone else to do my visual effects, it would have been double the entire budget of the film.
I hate ADR and foleying but if you don’t have a budget, you have to do it yourself. We had two whole scenes where sound was completely unusable (the tunnel scenes) so we had to redo it from scratch. I remember ADR sessions inside automobiles and 2 A.M. foley when my neighborhood is quiet and I don’t have to deal with traffic and barking dogs.
I discovered my composer Justin browsing through some filmmaking forums. He is such a talented musician. He added so much emotion to my film. Being a super control-freak, it’s very difficult for me to hand off any aspect of my film to someone else unless I have 100 percent confidence in that person. Justin is one of those people. In fact, Justin was the only other person who had a hand in post aside from me.
It was tough being a “one man studio” for this film. I acted as DP and director on Sunday, editor on Monday, sound editor on Tuesday, visual effects artist on Wednesday and Thursday, and compositor on Friday. I got some rest on Saturday (while my two computer farm renders). But in the end, when it all comes together… nothing feels more rewarding than seeing the art you’ve created. I can safely say that I created something I’m very proud of.

Full Circle:
So here it is. 8 months work compressed into a 30-minute narrative short. The film I set out to create back in October of 2009. I would like to thank everyone who was a part of it. I couldn’t have done it without you. To my viewers, I hope this film challenges you like it challenged me. Enjoy.
Array // bridge  war 
CHANNELS // Drama 
Added: 1443 days ago by reservoirfilms
Runtime: 1800.00 | Views: 5575 | Comments: 0
Not yet rated
Director: George Pal | Writers: David Duncan (screenplay), H.G. Wells (novel) | Stars:Rod Taylor, Alan Young and Yvette Mimieux | Synopsis: A Victorian Englishman travels to the far future and finds that humanity has divided into two hostile species.
CHANNELS // Thriller  Science Fiction  Classics 
Added: 2352 days ago by reservoirfilms
Runtime: 151.00 | Views: 30291 | Comments: 0
Not yet rated
Visit us often and enjoy our screen attractions in the comfort of your own car. You will be glad to know we provide bottle Warming Service at the Refreshment Center. Production Year: 1960
Array // Visit  us 
CHANNELS // Drive-in Ads  Classics 
Added: 3604 days ago by reservoirfilms
Runtime: 19.90 | Views: 8125 | Comments: 0
Not yet rated

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