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CREDITS:
Directed by Giovanni Bucci
Filmed and Edited by Giovanni Bucci
Design & Animation: Giovanni Bucci, Paola Rocchetti
Styling & Make Up: Paola Rocchetti
Filmed at Strani Rumori Studio
Audio Design & Music Production by Marco Morano
Written by Giovanni Bucci and Marco Morano
c 2011 Hoxtonlab and Giovanni Bucci Ltd
p 2011 Hoxtonlab and Giovanni Bucci Ltd

Links to artists’s personal website
Giovanni Bucci: giovannibucci.com
Paola Rocchetti: urdigital.net
Marco Morano: hoxtonlab.com

AWARDS / SCREENINGS: LAMA - Los Angeles Movie Awards - 2011 Los Angeles, US Category: Music Video Winner: Award of Excellence and Best Costume Design
Las Vegas Film Festival - 2012 Las Vegas, US Winner: Golden Ace Award
4th Annual Zero Film Festival - 2011 New York, US Official Selection
Pause Fest - 2012 Melbourne, Australia Screening
UK Film Festival - 2012 London, UK Official Selection
NXNE - North by Northeast Festivals and Conference - 2012 Toronto, Canada Official Selection
New York International Film Festival in LA - 2011 Sherman Oaks, US Official Selection
3rd Annual New Media FIlm Festival - 2011 San Francisco Bay Area, US Official Selection
Shockfest Film Festival of Hollywood - 2011 Los Angeles, US Official Selection - Opening Nightmare Screening
X FEST Film Festival - 2011 Cape Town, South Africa Official Selection
Bideodromo - 2011 Bilbao, Spain Official Selection
Kinofest - 2011 Bucharest, Romania Official Selection
Prix Ars Electronica - 2012 Linz, Austria Official Selection
IMF - International Motion Festival - 2012 Nicosia, Cyprus Official Selection
Visioneca - Festival of Experimental Film - 2012 Freshwater, Isle Of Wight, UK Official Selection
ECU' - The European Independent Film Festival - 2012 Category: Featured, Music Video Paris, France Official Selection
8th Cologne International Videoart Festival - 2012 Cologne, Germany Official Selection
Carnival of e-Creativity 2013 Sattal, India Official Selection
Festival Internacional de Videoarte - 2012 Madrid, Spain Official Selection
Ex Teresa Arte Actual -Museum of experimenta Art -2012 Mexico City, Mexico Screening
FIVA II - Festival Internacional de Video Arte - 2012 Buenos Aires, Brazil Official Selection
CHANNELS // Horror  Clips 
Added: 1534 days ago by reservoirfilms
Runtime: 120.00 | Views: 29147 | Comments: 0
Not yet rated
Synopsis: A fortune teller tries to work his magic in order to get up close & personal with Betty. He shows her the days of her youth in his crystal ball as well as her being stranded on a deserted island. Then he shows himself rescuing her from the island, but also inadvertently releases an unsavory group of ghosts who chase the pair through a jungle that also magically appeared. The pair loses the ghosts using the hollow-log-over-the-cliff trick.
Array // Betty  Boop  jungle  island  ghosts  fortune  teller 
CHANNELS // Betty Boop  Classics 
Added: 2983 days ago by reservoirfilms
Runtime: 394.83 | Views: 27409 | Comments: 0
Not yet rated
I know, I know it’s a utopia and everything but just image a perfect world in which each person on the face of the earth had one bullet. And you had the power to shoot whoever you wanted to, legally. Right? When you use your bullet you couldn’t shoot anyone else. That would mean there would be a series of drastic changes. There wouldn’t be any wars, for example, because if there were, there would be soldiers who couldn’t shoot more that one person and so it would be a stupid war. Politicians would have to be even more careful when stepping out into the street to talk since they’d be risking anyone shooting at them to use their bullet. They’d have to be even more careful about lying. It’d be like the bees who have to be absolutely sure about who they’re gonna sting since they can’t ever do it again. License creative commons.
Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0)
creativecommons.org/licenses/by-nc-sa/3.0/


UNA FUSION DE MAL GUSTO Y HUMOR NEGRO.
Locus y Nerviozzo, dos raperos cansados de la industría discográfica deciden convertirse en estrellas mediáticas por sus propios medios. Para ello no tendrán que firmar contratos ni agachar la cabeza ante las multinacionales, tan solo comparar multitud de armas y entrar en la más grande de las compañías discográficas para regalar un poco de plomo a sus empleados. A punta de pistola y con gatillo fácil llevarán su disco personalmente hasta el mismísimo presidente de la compañía.
CHANNELS // Comedy  Action  Thriller 
Added: 883 days ago by Jota_Aronak
Runtime: 860.00 | Views: 8233 | Comments: 0
Not yet rated
Aici, veti gasi cuvinte de apreciere din partea unor persoane pe care Eugen Ungureanu i-a ajutat in cariera artistica, sau oameni cu care Casa de Productie Electro Star colaboreaza.. Daca vrei si tu sa fii promovat pe Radio si Televiziune, atunci suna la 0745.503.350 sau viziteaza www.musik.ro Eugen Ungureanu promoveaza vedetele, atat in emisiunile proprii(StarMusik-OTV) si Radio Star Musik, dar si pe televiziunile de folclor, respectiv, ETNO, FAVORIT si TARAF TV. Nela Duhu este o personalitate a muzicii populare si de petrecere din zona Vaii Trotusului, cunoscand foarte bine obiceiurile si cantecele populare, mai ales din Manastirea Casin. Are o voce clara, placuta si mare priza la public, asa cum declara Directorul Casei de Productie Electro Star-Eugen Ungureanu, in interviurile pentru Cronica Romana si Evenimentul Zilei. Asadar, daca iubesti folclorul si esti talentat atunci ia legatura urgent cu noi la telefoanele 0745.503.350 sau 0722.410.597
Added: 3427 days ago by electrostar
Runtime: 22.16 | Views: 28402 | Comments: 0
    
Get the item that adds to your personal comfort. Production Year: 1960
Array // Cigarettes 
CHANNELS // Drive-in Ads  Classics 
Added: 3631 days ago by reservoirfilms
Runtime: 13.49 | Views: 7972 | Comments: 0
Not yet rated
Synopse: What if you watch a film and whenever you pause it, you face a painting? This idea inspired Reza Dolatabadi to make Khoda. Over 6000 paintings were painstakingly produced during two years to create a five minutes film that would meet high personal standards. Khoda is a psychological thriller; a student project which was seen as a ‘mission impossible’ by many people but eventually proved possible..
CHANNELS // Horror  Animation 
Added: 1365 days ago by reservoirfilms
Runtime: 293.00 | Views: 24072 | Comments: 0
Not yet rated
Director: Ari Allansson | Technical Team: Production, Image, Scenario, Editing - Ari Allansson Son - Jimena Castaneda Scripte - Vera Sölvadóttir | Actors: Helen Tange, Benjamin Salinger | Synopsis: A short film about euthanasia. An elderly woman wants her personal assistant to help her to die.
Array // Ari  Allansson  Helen  Tange  Benjamin  Salinger 
CHANNELS // Drama 
Added: 2972 days ago by aallanz
Runtime: 728.97 | Views: 27797 | Comments: 0
Not yet rated
Synopsis This is the tale of Left-brained Larry & Right-brained Rachel, a Siamese twin couple, stuck together by the head and thus resulting in them sharing only one brain. Using exactly fifty percent each, their separate personalities are kept intact and following the theory, being either left- or rightbrained, Larry and Rachel are complete opposites. They have a hard time being stuck together with their counterpart, but not only do they hate each other, their abnormality also makes them dislikable to the people around them, leaving them with a melancholy life of bullying and parental neglect. One thing the couple shares though is a common hatred and a longing for revenge. The opportunity arrives when they find out that using the whole brain at once might give them supernatural powers that can help rid them of their enemies. But the tragic lesson is learned: Being so opposite their team work is doomed to go terribly wrong.
CHANNELS // Animation  Fantastic 
Added: 1476 days ago by reservoirfilms
Runtime: 520.00 | Views: 26414 | Comments: 0
Not yet rated
Synopsis: A woman regularly runs through a wooded area where bizarre things start to happen. She encounters a few unusual sights just as personal elements of her life are coming to a head and her communication to the outside world via cell phone is cut off.
Synopsis (fr): Une femme fait son jogging dans les bois tandis que des choses bizarres se produisent.
CHANNELS // Drama 
Added: 812 days ago by John_Panton
Runtime: 468.00 | Views: 8388 | Comments: 0
Not yet rated
Synopsis: A psychological portrait of two women: one cannot forget what she'd experienced – the other is forgetting against her will. The former is a Polish woman who runs away to the UK from her husband, taking their two daughters with her; the latter is a wealthy Englishwoman , who offers her a job. Each is going through a deeply personal trauma: Teresa is trying to give up the role of a victim and a co-dependent alcoholic wife, while Elizabeth is struggling against memory loss and being abused by her useless son, who lies and steals from her. A sudden visit of Teresa’s husband to the UK will completely change the course of events and cause that their life will not stay the way as it used to be.
CHANNELS // Drama 
Added: 721 days ago by Marcin_Kot_Bastkowski
Runtime: 639.00 | Views: 5998 | Comments: 0
Not yet rated
PostPanic director Mischa Rozema's new short film, Stardust, is a story about Voyager 1 (the unmanned spacecraft launched in 1977 to explore the outer solar system). The probe is the furthest man-made object from the sun and witnesses unimaginable beauty and destruction. The film was triggered by the death of Dutch graphic designer Arjan Groot, who died aged 39 on 16th July 2011 from cancer.
The entire team at PostPanic (the Amsterdam-based creative company) pushed themselves in their own creative post techniques to produce a primarily CG short film crafted with love.
The film's story centers on the idea that in the grand scheme of the universe, nothing is ever wasted and it finds comfort in us all essentially being Stardust ourselves. Voyager represents the memories of our loved ones and lives that will never disappear.
From a creative standpoint, Rozema wanted to explore our preconceived perceptions of how the universe appears which are fed to us by existing imagery from sources such NASA or even sci-fi films. By creating a generated universe, Rozema was able to take his own 'camera' to other angles and places within the cosmos. Objects and experiences we are visually familiar with are looked at from a different point of view. For example, standing on the surface of the sun looking upwards or witnessing the death and birth of a star - not at all scientifically correct but instead a purely artistic interpretation of such events.
Rozema says, 'I wanted to show the universe as a beautiful but also destructive place. It's somewhere we all have to find our place within. As a director, making Stardust was a very personal experience but it's not intended to be a personal film and I would want people to attach their own meanings to the film so that they can also find comfort based on their own histories and lives.'
Rozema turned to his regular audio partner, Guy Amitai, to create the music for the film. 'I approached Guy to make the music because I trust him and knew he would instinctively understand what I wanted to communicate with this film.' Their long-term collaboration over the years helped them explore different musical approaches before finally settling on a musical journey featuring analogue instruments. Amitai explains, 'Once we started working on this project and I told people about Stardust and what Arjan meant to us all, the offers started pouring in. Musician friends and friends-of-friends all wanting to join in and record even the smallest parts. It was an incredibly emotional and personal journey for us all - not something you can professionally detach yourself from.'
Array // stardust  space  voyager  1  broadcast  reservoir  films 
CHANNELS // Clips  Science Fiction 
Added: 1379 days ago by reservoirfilms
Runtime: 240.00 | Views: 25607 | Comments: 0
Not yet rated
Synopsis (fr): Une caméra, un ring, un boxeur et cette voix rauque qui retranscrit, au travers de ce film, ce boxeur prisonnier de ses souvenirs et qui se pose cette simple question : "Combien faut-il de jours à son âme pour pardonner ?". Une métaphore sur la vengeance et la rédemption où les coups tutoient le diable et l’âme les anges. Un film personnel et symbolique qui vient en prolongement de mon précédent court-métrage "Vindictam".
Synopsis (en): A camera, a ring, a boxer and that hoarse voice that transcribes, through this film prisoner boxer of his memories and who pose this simple question: "How does it take days to forgive her soul?". A metaphor about revenge and redemption where the shots flirt with the devil and soul angels. Personal and symbolic film that is an extension of my previous short film "Vindictam".
CHANNELS // Drama  Art & Experimental 
Added: 484 days ago by okma
Runtime: 216.00 | Views: 4816 | Comments: 0
Not yet rated
Réalisateur: Jarama | Equipe_Technique: Jarama, Romana | Acteurs: Trexua, Josu, Jarama | Synopsis: A bored family without communication reach the personal fredom thanks to a TV program.
Array // TV  home   
CHANNELS // Comedy  Drama  Clips 
Added: 2866 days ago by Jarama
Runtime: 906.00 | Views: 6544 | Comments: 0
Not yet rated
The Vision:
Back in October of 2009, I set out to make a film that would push my talents as both a storyteller and a filmmaker. I wanted to create a film that would challenge myself and my audience, meshing both classical and experimental storytelling techniques from music, books, & films that have inspired me in one way or another. I wanted to make a film that didn’t do any spoon-feeding, where my audience would leave with questions as well as answers. It was a long a difficult road to get to this point and there were days where I felt that I was in way over my head but eight months later, I can proudly say I’ve finally completed my film “The Bridge” and it was an experience I would never forget.

The Inspiration:
The story of The Bridge was a story a cousin had told me when I was eight years old. It was a ghost story about two siblings on a bridge. I remember it haunting me for weeks and causing many sleepless nights under my sheets. Obviously, it had a lasting influence in my life. It had always been one of those stories that I wanted to adapt into a short film so when the opportunity finally came one day, I decided to pull to trigger.
When I was in film school, I would constantly fantasize about making some sort of epic period piece, especially one that took place during WW2. So when I decided I was going to make The Bridge, I instantly followed it up with “hell, why not make it into a WW2 movie”? I could have easily made this film as a contemporary piece but where would the fun be in that? I never do things because it’s easy; I do it because it’s hard. I love a challenge. I figured I could keep the same characters, themes, motifs, style, and wrap it around a WW2 setting. So I did.

Pre-production:
So it began. After a quick outline, I started writing the screenplay and, being a one-man crew at the time, I also started doing work on costumes and props. I lived and breathed WW2 24/7. I watched every WW2 movie and documentary I could get my hands on. I even got my hands some real WW2 letters to get a grasp on the era’s language. I felt like a student again and I loved it. I scoured eBay for every WW2 field gear I could afford to buy and the stuff I couldn’t get, I had them custom made cheaply in China. I wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down. I remember coming home one day and having almost a couple dozen eBay packages on front door. It looked like the front door of the post office.

Casting:
The casting of The Bridge was actually one of the smoothest aspects of the entire process. I first went to my good friend Amy and asked her if she would like to help me produce the film. Having worked with each other before, I didn’t really have to ask twice. She was happy to be my first recruit.
For the leading role, I asked my good friend Pablo Soriano to take the part. Having worked with him before, we have a good understanding of each other. He is just a naturally gifted actor and he makes my job as a director so much easier. Plus, his puppy dog eyes make him a perfect protagonist.
For the leading female role, I went looking for a girl who had beautiful, almost hypnotic eyes. That’s when I spotted Leah in one my good friend’s music video. I called up Carlos and basically told him, “I need to have that girl for movie”. A few days later, she was on board.
I owe the discovery of Mike, the character who plays James Connolly, to my producer Amy. She had read the script and recommended him. I remember her telling me “Mike IS James”. Words that any director would love to hear and as usual, Amy was right. So a couple months later, the script was complete, the costumes and props were ready, and the cast was cast. We were ready to shoot!

Production:
With our extremely limited budget, I knew right from day one that we were going to shoot “The Bridge” on DSLRs, specifically the Canon 7D and 5D Mark II. With this in mind, I knew (as also the DP of the film), I was going to push these cameras to its limits. I wasn’t going to let my equipment limit my vision of the film. I knew at the very beginning that I may or may not have a crappy movie in the end but hell, it’s gonna look damn good! We all know about the camera’s limitations but I wasn’t going to bitch and moan about it, I was going to work around it. I took it as a personal challenge to make these cameras work and I did. About 75% of the film was shot with the 7D and the rest with the 5DM2. The main reason I shot with the 7D more was the 24p firmware update wasn’t available for the 5DM2 during the bulk of the shooting. I prefer the 5DM2’s full frame sensor the 7D cropped sensor. Production, like any other shoot, had its ups and downs. Ours was mainly San Francisco’s unpredictable weather. You can blink and the bay area can go from miserable foggy weather (which is what I wanted for the film) to perfect summer beach party weather.
Also, being a guerilla production also has its own set of problems. I remember an actor and I almost getting arrested at a national park because a tourist reported seeing “some soldier carrying a rifle”. We got patted down and escorted off the premises. Before the ranger let us go, she handed me a business card for film permits. I thought that was hilarious.

Post-production:
There wasn’t really a “post-production” for The Bridge. I did post simultaneously during production. I would shoot on a weekend and then do visual effects or picture and sound editing on the weekdays. It was a very indie film workflow. The upside was I always had very polished dailies to show my cast and that kept them motivated to give me their best.
I spent my first two years out of film school as a CG artist. Being able to do my own 3d animation, modeling, surfacing, lighting, and rendering definitely upped the production value of my film. CG artists aren’t cheap and I calculated that if I had paid someone else to do my visual effects, it would have been double the entire budget of the film.
I hate ADR and foleying but if you don’t have a budget, you have to do it yourself. We had two whole scenes where sound was completely unusable (the tunnel scenes) so we had to redo it from scratch. I remember ADR sessions inside automobiles and 2 A.M. foley when my neighborhood is quiet and I don’t have to deal with traffic and barking dogs.
I discovered my composer Justin browsing through some filmmaking forums. He is such a talented musician. He added so much emotion to my film. Being a super control-freak, it’s very difficult for me to hand off any aspect of my film to someone else unless I have 100 percent confidence in that person. Justin is one of those people. In fact, Justin was the only other person who had a hand in post aside from me.
It was tough being a “one man studio” for this film. I acted as DP and director on Sunday, editor on Monday, sound editor on Tuesday, visual effects artist on Wednesday and Thursday, and compositor on Friday. I got some rest on Saturday (while my two computer farm renders). But in the end, when it all comes together… nothing feels more rewarding than seeing the art you’ve created. I can safely say that I created something I’m very proud of.

Full Circle:
So here it is. 8 months work compressed into a 30-minute narrative short. The film I set out to create back in October of 2009. I would like to thank everyone who was a part of it. I couldn’t have done it without you. To my viewers, I hope this film challenges you like it challenged me. Enjoy.
Array // bridge  war 
CHANNELS // Drama 
Added: 1469 days ago by reservoirfilms
Runtime: 1800.00 | Views: 5725 | Comments: 0
Not yet rated

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