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Search // park
Results 1-12 of 12 for ' park ' (0 seconds)
DIRECTOR: Philippe Tran SYNOPSIS: Un homme mysterieux marche dans un parking souterrain. Il appelle la police pour témoigner du meurtre de son voisin et de sa femme...
Array // 22  metres  plus  bas 
CHANNELS // Drama  Thriller 
Added: 3645 days ago by reservoirfilms
Runtime: 299.80 | Views: 10929 | Comments: 0
Synopsis: Une jeune femme se sent pourchassée au coeur de la nuit. Durant son périple, elle rencontre un étrange personnage qui l'amènera faire face à ses plus grandes peurs.
CHANNELS // Horror 
Added: 845 days ago by HUGO_LE_GOURRIEREC
Runtime: 608.00 | Views: 14207 | Comments: 0
Not yet rated
Realisateur: Mick Bulle |Production: Boite a Bulles |Equipe Technique: Scenario: Mick Bulle Assistant: Bruno Crespin | Scripte: Angelique Allion | Cadre: Mick Bulle Montage & etalonnage: Ravensheep | Musique & Sound design: Pierre Pascual | Photographe de playeau: Samuel Sangleboeuf | Acteurs: Bertrand Mollois, Candice Perthuis, Claude Massicot, Lou-Anne Vandelannoitte, Vincent Dudkiewicz | Synopsis: "Il existe un endroit ou disparaitre devient une renaissance". Pour vous y rendre fermez seulement les yeux et faites sonner une cloche... Le gardien vous attend justement. Vous etes dans son registre? Alors avancez... Vous etes attendu pour accomplir un dernier acte a l interieur de "Bubble Park" avant de vous faire disparaitre.
Added: 2553 days ago by mick
Runtime: 108.39 | Views: 33443 | Comments: 0
Not yet rated
A dog... An electric collar... And plenty to bark at... Sparks will fly!
CHANNELS // Animation 
Added: 1339 days ago by reservoirfilms
Runtime: 280.00 | Views: 24295 | Comments: 0
Not yet rated
One might be tempted to polish the thing, arrangements and background music by Miss Parker are no less tense. And even if guitars blow a melody, the voice is dark and the bass is melancholic.
Almost Like if Manchester's sky was fallen on Marseille insidiously.
CHANNELS // Clips 
Added: 561 days ago by Esse
Runtime: 291.00 | Views: 5983 | Comments: 0
Not yet rated
Réalisateur: THIBAUT BOUCHET | Equipe_Technique: Scripte - Ming FAN | 1ere Assistante Réalisation - Elodie LEYNE | Chef Opérateur - Nicolas LEFIÈVRE | Electricien - Nicolas CHRISTIN | Ingénieur du Son - Emmanuel GUILLET | Perchman - Laurent MICHAUD | Concepteur Effets Speciaux - David SCHERER | Accessoiriste Effets Spéciaux - Mickaël VOGEL | Régisseurs - Morgan SEMENT & Iago LARUE | Maquilleuse - Pascaline LOPEZ | Costumière - Corinne LAGADEC | Monteur - Elodie LEYNE | Monteur Son - Laurent MICHAUD | Compositeur / Mixeur - Yann Bernard | Acteurs: Raphaëlle ALEXANDRE - Loïc LEFEBVRE - Ivan HERBEZ - Cedrick SPINASSOU | Synopsis: Au fin fond d'un parking souterrain, personne ne vous entend hurler.
CHANNELS // Horror 
Added: 3136 days ago by leeloowarrior
Runtime: 471.28 | Views: 39243 | Comments: 1
Réalisé par: RAMON AND PEDRO (Antoine Tinguely et Laurent Fauchère)
Produit par: Xavier Derigo et Isabelle Pasini

Louis I: Zacharie Destraz
LouisII: Jules Martinet
Louis III: Pierrick Destraz
Louis IV: Henri Destraz (dit Henri Dès)
Bébé: Zoé Tinguely
Fille sous la douche: Patricia Rodrigues

Doublures: Danaé Destraz
Cédric Dayen
Eddy Kupper
Pierrick Destraz
Hans Meier

Coach enfant: Sylvia Fardel
Chef Opérateur: Hans Meier
1er assistant caméra: Fabrizio Dorig
2ème assistant caméra: Hugo Veludo
1ère assistante de réalisation: Sonia Rossier
2ème assistante de réalisation: Antonin Schopfer
Scripte: Marie Chaduc
Assistante scripte: Aurélie Aeberhard
Régisseur général: Christophe Chiesa
Régisseur plateau: Adrienne Bovet
Assistant régie: Quentin Bocksberger
Maquillage: Leticia Rochaux-Ortis
Coiffure, implants: Véronique Jaggi, Emanuelle Olivet Pellegrin
Prothésiste dentaire: Stéphane Villeneuve
Chef Déco: Nicolas Imhof
Accessoiriste: Marie-Jo Saxod
Constructeur: Pascal Baillods
Peintre: Benoît Fontaine
Chef électricien: Samy Emery (Luxan SA)
Machiniste: Alberico Dos Santos (Luxan SA)
Photographes de plateau: Simon Wannaz, Guillaume Mégroz, Montage: Water NYC
Effets spéciaux: Moka Studio et Water NYC
Superviseur effets spéciaux: Nicolas Elsig
Compositing: Simon Wannaz, Yoann ponti, Arnaud Savoy
Colorimétrie: Buxum Studio
Coloriste: Eun Song
Coordinateur: Chan Wong Park
Sound Design: Capitaine Plouf
Producteur: Frédérique Doll
Bruiteur: Alexandre Le Mouroux
Sound Design/Mixage: Gabriel Guérin
Supervision Musicale: Bryan Ray Trucotte
Musique composée par: Topper Headon; Mick Jones; Joe Strummer
Interprétée par: The Clash
Courtesy: Epic Records and Sony Music Entertainment (UK) LTD by arrangement with Sony Music Licensing

Remerciements: Toute la famille Destraz
Georges Berman
Serge Musy
Jean Blaise Perrin
Serge Nidegger
Patrick Magnin
Daniel Balmat
Matthias Urban et sa montre
Anne-Rose Schwaab et Chucky
Tali Hyman
Francesco Solari
François Musy
Gabriel Hafner
Array // miroir  brosse  a  dent  radio  douche  diffusion  reservoir  films 
CHANNELS // Fantastic 
Added: 1325 days ago by ramon&pedro
Runtime: 0.00 | Views: 26234 | Comments: 0
Not yet rated
Director: David FRECINAUX Synopsis: le combat à mort entre un gardien de parking et une souris récalcitrante. Première diffusion le 14-10-2005
CHANNELS // Comedy  Super Heros 
Added: 3783 days ago by reservoirfilms
Runtime: 201.79 | Views: 15033 | Comments: 0
Directed by Alfred Hitchcock | Produced by Frank Lloyd, Jack H. Skirball (associate producer) | Written by Peter Viertel, Joan Harrison, Dorothy Parker | Starring: Robert Cummings, Priscilla Lane, Otto Kruger, Norman Lloyd Music by Frank Skinner | Synopsis: Aircraft factory worker Barry Kane (Cummings) is wrongly accused of starting a fire at a Glendale, California airplane plant during World War II, an act of fifth columnist sabotage that killed his best friend. Kane becomes a fugitive when he decides to run from the authorities to find the real saboteur.
CHANNELS // Trailers  Action  Classics 
Added: 2395 days ago by reservoirfilms
Runtime: 115.00 | Views: 30200 | Comments: 0
Not yet rated
The Vision:
Back in October of 2009, I set out to make a film that would push my talents as both a storyteller and a filmmaker. I wanted to create a film that would challenge myself and my audience, meshing both classical and experimental storytelling techniques from music, books, & films that have inspired me in one way or another. I wanted to make a film that didn’t do any spoon-feeding, where my audience would leave with questions as well as answers. It was a long a difficult road to get to this point and there were days where I felt that I was in way over my head but eight months later, I can proudly say I’ve finally completed my film “The Bridge” and it was an experience I would never forget.

The Inspiration:
The story of The Bridge was a story a cousin had told me when I was eight years old. It was a ghost story about two siblings on a bridge. I remember it haunting me for weeks and causing many sleepless nights under my sheets. Obviously, it had a lasting influence in my life. It had always been one of those stories that I wanted to adapt into a short film so when the opportunity finally came one day, I decided to pull to trigger.
When I was in film school, I would constantly fantasize about making some sort of epic period piece, especially one that took place during WW2. So when I decided I was going to make The Bridge, I instantly followed it up with “hell, why not make it into a WW2 movie”? I could have easily made this film as a contemporary piece but where would the fun be in that? I never do things because it’s easy; I do it because it’s hard. I love a challenge. I figured I could keep the same characters, themes, motifs, style, and wrap it around a WW2 setting. So I did.

So it began. After a quick outline, I started writing the screenplay and, being a one-man crew at the time, I also started doing work on costumes and props. I lived and breathed WW2 24/7. I watched every WW2 movie and documentary I could get my hands on. I even got my hands some real WW2 letters to get a grasp on the era’s language. I felt like a student again and I loved it. I scoured eBay for every WW2 field gear I could afford to buy and the stuff I couldn’t get, I had them custom made cheaply in China. I wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down. I remember coming home one day and having almost a couple dozen eBay packages on front door. It looked like the front door of the post office.

The casting of The Bridge was actually one of the smoothest aspects of the entire process. I first went to my good friend Amy and asked her if she would like to help me produce the film. Having worked with each other before, I didn’t really have to ask twice. She was happy to be my first recruit.
For the leading role, I asked my good friend Pablo Soriano to take the part. Having worked with him before, we have a good understanding of each other. He is just a naturally gifted actor and he makes my job as a director so much easier. Plus, his puppy dog eyes make him a perfect protagonist.
For the leading female role, I went looking for a girl who had beautiful, almost hypnotic eyes. That’s when I spotted Leah in one my good friend’s music video. I called up Carlos and basically told him, “I need to have that girl for movie”. A few days later, she was on board.
I owe the discovery of Mike, the character who plays James Connolly, to my producer Amy. She had read the script and recommended him. I remember her telling me “Mike IS James”. Words that any director would love to hear and as usual, Amy was right. So a couple months later, the script was complete, the costumes and props were ready, and the cast was cast. We were ready to shoot!

With our extremely limited budget, I knew right from day one that we were going to shoot “The Bridge” on DSLRs, specifically the Canon 7D and 5D Mark II. With this in mind, I knew (as also the DP of the film), I was going to push these cameras to its limits. I wasn’t going to let my equipment limit my vision of the film. I knew at the very beginning that I may or may not have a crappy movie in the end but hell, it’s gonna look damn good! We all know about the camera’s limitations but I wasn’t going to bitch and moan about it, I was going to work around it. I took it as a personal challenge to make these cameras work and I did. About 75% of the film was shot with the 7D and the rest with the 5DM2. The main reason I shot with the 7D more was the 24p firmware update wasn’t available for the 5DM2 during the bulk of the shooting. I prefer the 5DM2’s full frame sensor the 7D cropped sensor. Production, like any other shoot, had its ups and downs. Ours was mainly San Francisco’s unpredictable weather. You can blink and the bay area can go from miserable foggy weather (which is what I wanted for the film) to perfect summer beach party weather.
Also, being a guerilla production also has its own set of problems. I remember an actor and I almost getting arrested at a national park because a tourist reported seeing “some soldier carrying a rifle”. We got patted down and escorted off the premises. Before the ranger let us go, she handed me a business card for film permits. I thought that was hilarious.

There wasn’t really a “post-production” for The Bridge. I did post simultaneously during production. I would shoot on a weekend and then do visual effects or picture and sound editing on the weekdays. It was a very indie film workflow. The upside was I always had very polished dailies to show my cast and that kept them motivated to give me their best.
I spent my first two years out of film school as a CG artist. Being able to do my own 3d animation, modeling, surfacing, lighting, and rendering definitely upped the production value of my film. CG artists aren’t cheap and I calculated that if I had paid someone else to do my visual effects, it would have been double the entire budget of the film.
I hate ADR and foleying but if you don’t have a budget, you have to do it yourself. We had two whole scenes where sound was completely unusable (the tunnel scenes) so we had to redo it from scratch. I remember ADR sessions inside automobiles and 2 A.M. foley when my neighborhood is quiet and I don’t have to deal with traffic and barking dogs.
I discovered my composer Justin browsing through some filmmaking forums. He is such a talented musician. He added so much emotion to my film. Being a super control-freak, it’s very difficult for me to hand off any aspect of my film to someone else unless I have 100 percent confidence in that person. Justin is one of those people. In fact, Justin was the only other person who had a hand in post aside from me.
It was tough being a “one man studio” for this film. I acted as DP and director on Sunday, editor on Monday, sound editor on Tuesday, visual effects artist on Wednesday and Thursday, and compositor on Friday. I got some rest on Saturday (while my two computer farm renders). But in the end, when it all comes together… nothing feels more rewarding than seeing the art you’ve created. I can safely say that I created something I’m very proud of.

Full Circle:
So here it is. 8 months work compressed into a 30-minute narrative short. The film I set out to create back in October of 2009. I would like to thank everyone who was a part of it. I couldn’t have done it without you. To my viewers, I hope this film challenges you like it challenged me. Enjoy.
Array // bridge  war 
CHANNELS // Drama 
Added: 1471 days ago by reservoirfilms
Runtime: 1800.00 | Views: 5738 | Comments: 0
Not yet rated
Synopsis: Carter Moore (@iamcartermoore) and Brooke Howe (@brookehowe) had been dating for a few years when Carter decided he wanted to propose by asking Brooke to “start an adventure for a lifetime.” He decided to surprise her with a trip to Portland, but there was one problem—neither of them had ever been to Portland before. Carter turned to Instagram friends in Oregon for ideas. With their help, Carter was able to plan the entire trip and even find the spot where he would ask Brooke to marry him.
Even though they’d never met the couple in person, two of Carter’s Instagram friends in Portland, Branden Harvey and his friend Colin Cabalka, decided to take Carter and Brooke’s visit to the next level and surprise them with an engagement party. When Carter and Brooke arrived back from Ecola State Park, they were greeted with music, balloons and a whole lot of love.
The video above is about the touching story of their engagement, told for the first time at that party. A warm congratulations to Carter and Brooke on National Proposal Day!
CHANNELS // Comedy 
Added: 1562 days ago by reservoirfilms
Runtime: 317.00 | Views: 21793 | Comments: 0
Not yet rated
Synopsis (en): "Ivor’s life is turned upside down after a falling plant pot sparks a series of paranoid reactions."

Synopsis (fr): La vie d'Ivor est bouleversée suite à un pot de plante qui tombe et qui provoque une série de réactions paranoïdes
CHANNELS // Animation 
Added: 751 days ago by Joseph_Wallace
Runtime: 268.00 | Views: 7575 | Comments: 0
Not yet rated

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