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Search // light
Results 1-23 of 23 for ' light ' (0 seconds)
Director: Nathan Juran | Synopsis: When the first manned flight to Venus returns to Earth, the rocket crash-lands in the Mediterranean near a small Italian fishing village. The locals manage to save one of the astronauts Colonel Calder, the mission commander. A young boy also recovers what turns out to be a specimen of an alien creature. Growing at a fantastic rate, it manages to escape and eventually threatens the city of Rome forcing the military to take drastic action.
Array // 20  milion  miles  earth  venus  crash  lands  alien  creature  escape 
CHANNELS // Trailers  Classics 
Added: 3303 days ago by reservoirfilms
Runtime: 114.07 | Views: 29360 | Comments: 0
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A film by Fabrice Poirier & Philippe Macaigne (2010) | Real world image shooting & direction: Fabrice Poirier | Computer Graphics design & storyboarding: Philippe Macaigne | Editing : Fabrice Poirier | Technical advisor : Pascal Macaigne | Actors : Nina Roberts , Pascal Macaigne | Camera : Didier Feldmann | Lights : Adrien Gontier | Director Assistant : Luc Tison | Script : Leslie Lazzara | Catering : David Blumen | Special thanks to the SNCF Vaires/Marne yards staff. To enjoy this clip in its stereoscopic glory, use RED/CYAN glasses. Free 3D glasses here: fabrice.poirier (AT) gmail.com
Array // poirier  nina  roberts  mac  macaigne  space  soyuz  pravda  sue 
CHANNELS // Clips  Science Fiction 
Added: 2372 days ago by Fabrice_Poirier
Runtime: 189.96 | Views: 26894 | Comments: 0
Not yet rated
Synopsis: Après une dure journée de travail, deux voyageurs de commerce réunis par le hasard, attendent le bus au bord d’une route départementale déserte. La nuit tombe. Les lampadaires s’allument puis s’éteignent. Sauf un. Sous son halo de lumière qui rétrécit aussi inexplicablement qu’inexorablement, les deux hommes entreprennent une lutte sourde et absurde pour savoir qui restera dans cette lumière. Et le bus n’arrive toujours pas.

Synopse: After a hard working day, two men meet on a desert street in the middle of the night, both waiting for the bus to take them home. The night falls. The lampposts light up and go off again. Except one. Under a halo of light, which inexplicably and inexorably is vanishing, the two men begin an absurd and brutal fight to survive in the light.
CHANNELS // Fantastic 
Added: 1634 days ago by ASM
Runtime: 660.00 | Views: 22431 | Comments: 0
Not yet rated
Received a Honorable Mention on the Aimee Allen Genero.tv 's contest ans SPOTLIGHT on ARTE Creative | Aimee Allen - Calling the maker (SWEATSHOP REMIX) | Synopse: An unusual Geisha wants to be desired by a Hu-Man Object.
CHANNELS // Clips  Art & Experimental 
Added: 1854 days ago by Hadi Moussally
Runtime: 240.00 | Views: 23939 | Comments: 0
     
Synopse: One night at 10:30 in a typical, cosmopolitan city, Janet Bradley goes to the apartment of Walter Bard, a private investigator who specializes in blackmail. Bard holds letters that would be damaging to someone close to Janet, and when he laughs at her admission that she could not raise enough money to get them back, she steals his gun and takes the evidence by force. As she leaves, she throws the revolver into Bard's car.

CHANNELS // Thriller  Classics 
Added: 1442 days ago by reservoirfilms
Runtime: 365.00 | Views: 24148 | Comments: 0
Not yet rated
Light fears Dark.
Dark resents Light.
Always at odds.
Always in conflict.
Pushing borders.
Losing ground.
Never ending.
But what is one without the other?
The stronger the light, the darker the shadow.
CHANNELS // Animation 
Added: 371 days ago by animade
Runtime: 377.00 | Views: 3135 | Comments: 0
Not yet rated
written & directed by Sasha C. Damjanovski
WINNER BEST SCI-FI, LIMELIGHT FILM AWARDS 2013
CINEMATIC ACHIEVEMENT AWARD, THESSALONIKI INT. SHORT FILM FESTIVAL 2014
VIDEO OF THE WEEK, by AWARDO.TV, 25. May, 2015
CHANNELS // Science Fiction 
Added: 284 days ago by Sasha_Damjanovski
Runtime: 590.00 | Views: 3051 | Comments: 0
Not yet rated
Synopsis: A traumatized woman is shadowed by a mysterious other in this award-winning psychological thriller in the Twilight Zone tradition.

"Great story, great performances, top level production values, thoughtful. Great film."
– Frazer Churchill, filmmaker, visual effects supervisor (CHILDREN OF MEN, SCOTT PILGRIM VS. THE WORLD)

Cast: Brenda Banet, Jaclyn Carmichael, Susan Charalambous, Avery Clyde, Cameron Covell, Brahm Gallagher, Theresa Ravnikar
CHANNELS // Drama  Thriller 
Added: 841 days ago by Keith_Putman
Runtime: 1020.00 | Views: 12443 | Comments: 0
Not yet rated
Behind-the- scenes look at some of the best bloopers and light hearted moments during the production of the INVINCIBLE IRON MAN. THE INVINCIBLE IRON MAN is a non commercial fanfilm inspired by the famous Marvel Comic character   and directed by David Guivant with the help of a few friends and with practically No Budget. | ---- IRON MAN CAST & CREW ----- Iron Man............................Iron Man # 569 Anthony Stark.......................Paul Lasserre Virginia Potts......................Tiphaine Bousquet Harold Hogan........................Olivier Houdan Natasha Romanoff....................Rosanne Ringenbach Nicholas Fury.......................Fabrice Wenger Carol Danvers.......................Emilie Denis Gene Khan...........................Jean Pierre Perreira Director............................David Guivant Producer..................................David Guivant Storyboard Artist..............................David Guivant Script.....................................David Guivant Special Effects.....................David Guivant Puppeteer...........................Jean-Claude Liou Puppeteer...........................Amandine Pillaut Puppeteer...........................Julien Leconte Director's Assistant....................Julien Leconte Director's Assistant................Stéphane Rigal Drapesmaster........................Marie-Thérèse Chung Drapesmaster........................Jeremy Chung Music...............................Texas
Added: 3322 days ago by DAVID
Runtime: 234.17 | Views: 28956 | Comments: 0
Not yet rated
Synopsis: Un Homme est séquestré dans son dressing. Un fusil, relié à la porte de son placard, le tient en joue. Qui sera la première à l’ouvrir, sa femme ou sa fille?
CHANNELS // Horror  Drama  Thriller 
Added: 1818 days ago by ASM
Runtime: 417.00 | Views: 22889 | Comments: 0
Not yet rated
Synopse: Lights out tells the story of a couple that just broke up.
Array // lights  out  couple  broke  up  car  buried  broadcasting  reservoir  films 
CHANNELS // Drama 
Added: 981 days ago by wesley_versteeg
Runtime: 461.00 | Views: 11580 | Comments: 0
Not yet rated
When opened, Hala Stulecia was the largest reinforced concrete structure in the world. With a diameter of 65m it was home to the largest dome built since the Pantheon in Rome eighteen centuries earlier. The Centennial Hall was listed as a UNESCO World Heritage Site in 2006. Taking the 1910’s as a starting point (the dome was erected in 1913), historical and artistic references were used to reveal the architecture of the space, its timeless and, more surprisingly, very modern dimension.
A deliberately minimalist visual aesthetic allowed to highlight the very architecture of Hala Stulecia’s dome and re-affirm its place at the core of the piece.
Read more about the project on the ANTIVJ BLOG: blog.antivj.com/2012/o/
CHANNELS // Documentary  Clips 
Added: 1427 days ago by reservoirfilms
Runtime: 317.00 | Views: 18107 | Comments: 0
Not yet rated
Synopsis: There is this space dragons, reaching earth, a long time after the collapse of humanity. They are not interested by any of earth remaining ressources, as they can mine anywhere in space, but they are immensely interested by the history of tech civilisation that appeared here, for the impact that can have on their own philosophies.
They already found many planets sheltering lifeforms, but finding tech remains of a completely different civilisation that started to reverse engineer the universe itself, it is indeed for them, priceless.
They want to know how humanity appeared, what it discovered, and how it ended. To be able to explore the surface, they've been xeno-forming slightly the atmosphere, with minimal impact on the biosphere, with immense self building structures made of an alloy mixing earth less exotic mineral, called bauxite, and artificial nano organisms.
Now they are able to breath, the structures are entering a phase of controlled molecular decay, that will leave the earth untouched, as the sanctuary it is for them.
As they are cold blooded beings, and after evolving free from the reptilian brain, they did not developed death fearing religions, but rather a bunch of philosophies, aiming for the connexion of everything, and the decryption of the world.
That's why our little buddy, chose to study evolution of buddhism, trough its relation with human brain."
CHANNELS // Animation 
Added: 526 days ago by liok
Runtime: 100.00 | Views: 2660 | Comments: 0
Not yet rated
The Vision:
Back in October of 2009, I set out to make a film that would push my talents as both a storyteller and a filmmaker. I wanted to create a film that would challenge myself and my audience, meshing both classical and experimental storytelling techniques from music, books, & films that have inspired me in one way or another. I wanted to make a film that didn’t do any spoon-feeding, where my audience would leave with questions as well as answers. It was a long a difficult road to get to this point and there were days where I felt that I was in way over my head but eight months later, I can proudly say I’ve finally completed my film “The Bridge” and it was an experience I would never forget.

The Inspiration:
The story of The Bridge was a story a cousin had told me when I was eight years old. It was a ghost story about two siblings on a bridge. I remember it haunting me for weeks and causing many sleepless nights under my sheets. Obviously, it had a lasting influence in my life. It had always been one of those stories that I wanted to adapt into a short film so when the opportunity finally came one day, I decided to pull to trigger.
When I was in film school, I would constantly fantasize about making some sort of epic period piece, especially one that took place during WW2. So when I decided I was going to make The Bridge, I instantly followed it up with “hell, why not make it into a WW2 movie”? I could have easily made this film as a contemporary piece but where would the fun be in that? I never do things because it’s easy; I do it because it’s hard. I love a challenge. I figured I could keep the same characters, themes, motifs, style, and wrap it around a WW2 setting. So I did.

Pre-production:
So it began. After a quick outline, I started writing the screenplay and, being a one-man crew at the time, I also started doing work on costumes and props. I lived and breathed WW2 24/7. I watched every WW2 movie and documentary I could get my hands on. I even got my hands some real WW2 letters to get a grasp on the era’s language. I felt like a student again and I loved it. I scoured eBay for every WW2 field gear I could afford to buy and the stuff I couldn’t get, I had them custom made cheaply in China. I wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down. I remember coming home one day and having almost a couple dozen eBay packages on front door. It looked like the front door of the post office.

Casting:
The casting of The Bridge was actually one of the smoothest aspects of the entire process. I first went to my good friend Amy and asked her if she would like to help me produce the film. Having worked with each other before, I didn’t really have to ask twice. She was happy to be my first recruit.
For the leading role, I asked my good friend Pablo Soriano to take the part. Having worked with him before, we have a good understanding of each other. He is just a naturally gifted actor and he makes my job as a director so much easier. Plus, his puppy dog eyes make him a perfect protagonist.
For the leading female role, I went looking for a girl who had beautiful, almost hypnotic eyes. That’s when I spotted Leah in one my good friend’s music video. I called up Carlos and basically told him, “I need to have that girl for movie”. A few days later, she was on board.
I owe the discovery of Mike, the character who plays James Connolly, to my producer Amy. She had read the script and recommended him. I remember her telling me “Mike IS James”. Words that any director would love to hear and as usual, Amy was right. So a couple months later, the script was complete, the costumes and props were ready, and the cast was cast. We were ready to shoot!

Production:
With our extremely limited budget, I knew right from day one that we were going to shoot “The Bridge” on DSLRs, specifically the Canon 7D and 5D Mark II. With this in mind, I knew (as also the DP of the film), I was going to push these cameras to its limits. I wasn’t going to let my equipment limit my vision of the film. I knew at the very beginning that I may or may not have a crappy movie in the end but hell, it’s gonna look damn good! We all know about the camera’s limitations but I wasn’t going to bitch and moan about it, I was going to work around it. I took it as a personal challenge to make these cameras work and I did. About 75% of the film was shot with the 7D and the rest with the 5DM2. The main reason I shot with the 7D more was the 24p firmware update wasn’t available for the 5DM2 during the bulk of the shooting. I prefer the 5DM2’s full frame sensor the 7D cropped sensor. Production, like any other shoot, had its ups and downs. Ours was mainly San Francisco’s unpredictable weather. You can blink and the bay area can go from miserable foggy weather (which is what I wanted for the film) to perfect summer beach party weather.
Also, being a guerilla production also has its own set of problems. I remember an actor and I almost getting arrested at a national park because a tourist reported seeing “some soldier carrying a rifle”. We got patted down and escorted off the premises. Before the ranger let us go, she handed me a business card for film permits. I thought that was hilarious.

Post-production:
There wasn’t really a “post-production” for The Bridge. I did post simultaneously during production. I would shoot on a weekend and then do visual effects or picture and sound editing on the weekdays. It was a very indie film workflow. The upside was I always had very polished dailies to show my cast and that kept them motivated to give me their best.
I spent my first two years out of film school as a CG artist. Being able to do my own 3d animation, modeling, surfacing, lighting, and rendering definitely upped the production value of my film. CG artists aren’t cheap and I calculated that if I had paid someone else to do my visual effects, it would have been double the entire budget of the film.
I hate ADR and foleying but if you don’t have a budget, you have to do it yourself. We had two whole scenes where sound was completely unusable (the tunnel scenes) so we had to redo it from scratch. I remember ADR sessions inside automobiles and 2 A.M. foley when my neighborhood is quiet and I don’t have to deal with traffic and barking dogs.
I discovered my composer Justin browsing through some filmmaking forums. He is such a talented musician. He added so much emotion to my film. Being a super control-freak, it’s very difficult for me to hand off any aspect of my film to someone else unless I have 100 percent confidence in that person. Justin is one of those people. In fact, Justin was the only other person who had a hand in post aside from me.
It was tough being a “one man studio” for this film. I acted as DP and director on Sunday, editor on Monday, sound editor on Tuesday, visual effects artist on Wednesday and Thursday, and compositor on Friday. I got some rest on Saturday (while my two computer farm renders). But in the end, when it all comes together… nothing feels more rewarding than seeing the art you’ve created. I can safely say that I created something I’m very proud of.

Full Circle:
So here it is. 8 months work compressed into a 30-minute narrative short. The film I set out to create back in October of 2009. I would like to thank everyone who was a part of it. I couldn’t have done it without you. To my viewers, I hope this film challenges you like it challenged me. Enjoy.
Array // bridge  war 
CHANNELS // Drama 
Added: 1323 days ago by reservoirfilms
Runtime: 1800.00 | Views: 4600 | Comments: 0
Not yet rated
Director: Ford Beebe, Ray Taylor |Producer: Henry MacRae | Production Company: Universal Pictures | Cast: Gordon Jones, Wade Boteler, Anne Nagel, Keye Luke, Phillip Trent, Cy Kendall | Synopsis: "Britt Reid," the millionaire publisher, dons a mask and goes out to fight crime in his famous automobile, "The Black Beauty." "Kato," the Korean science wizard, whom "Britt" saved from attackers years ago, has now pledged his life to serving "Reid" any way he can. Each chapter opens with the familiar Green Hornet theme, "Flight Of The Bumblebee."
Array // green    hornet    kato    short    films    broadcast  diffusion  reservoir    films   
CHANNELS // Super Heros  Classics 
Added: 2301 days ago by reservoirfilms
Runtime: 1200.00 | Views: 24229 | Comments: 0
Not yet rated
Pillar Of Flame (1940) | Director: Ford Beebe, Ray Taylor |Producer: Henry MacRae | Production Company: Universal Pictures | Cast: Gordon Jones, Wade Boteler, Anne Nagel, Keye Luke, Phillip Trent, Cy Kendall | Synopsis: "Britt Reid," the millionaire publisher, dons a mask and goes out to fight crime in his famous automobile, "The Black Beauty." "Kato," the Korean science wizard, whom "Britt" saved from attackers years ago, has now pledged his life to serving "Reid" any way he can. Each chapter opens with the familiar Green Hornet theme, "Flight Of The Bumblebee."
Array // green  hornet  kato  short  films  reservoir  films 
CHANNELS // Super Heros  Classics 
Added: 2355 days ago by reservoirfilms
Runtime: 38.27 | Views: 28030 | Comments: 0
Not yet rated
Synopsis: A stylistic, low-poly 3D short that sees the Gods of Olympus descend upon central London to battle it out in a trial of athleticism to light the torch.
CHANNELS // Animation 
Added: 659 days ago by Masters_of_Pie
Runtime: 241.00 | Views: 4601 | Comments: 0
Not yet rated
Bodie is by far the best preserved ghost town in the United States.
Gold was discovered back in 1859 by William S Bodey and at its apex, the town had a population of 10,000 residents through the 1880's. Bodie was replete with the makings of old west folklore; gunfighters, saloons, miners, gambling halls and prostitutes, a rough place through and through. But the town's success didn't last and faded from 'glory' prior to World War I and was finally down for the count during WWII once all mining operations were halted due to the war effort. It was effectively abandoned with many of the structures retaining the inhabitants belongings because the roads out were toll and weight based; many people simply decided to leave their belongings behind to avoid large fees so the ghost town was born.
Today, after two fires, around 100 structures remain, (5% of the original town) some of which are filled with furniture, lined and matted with layer up on layer of rotting and sagging wallpaper. Some buildings are seemingly untouched time-capsules to the once treacherous lives of the miners and other inhabitants of the town. Kids toys sitting by the window, a ball peen hammer on the ground, strewn gears in a machine shop, and rusted hangers hanging in a closet. Walking the grounds, particularly the cemetery, I was overcome with a sense of foreboding and the gentle but incessant march of time continuing on. The once important lives buried under a wood tombstone were all but forgotten and those now nameless people who were loved or loved others, brothers, fathers, sisters and mothers, almost never existed unless you look at the uneven ground at a certain angle in the perfect light. We spent a week shooting with access to some of the interiors of the buildings, and the ability to shoot at night. Because it is located in the Sierra Neveda and its unique geography and high elevation, the weather was quite extreme and could change in a matter of minutes; most nights were very cold and the temperature often sat in the low teens and were mixed with snow, wind, and icey rain.
Bodie is kept in a state of "arrested decay" and hangs (sometimes literally) in a sort of desolated limbo, as the dry lumber, rusted nails, and worn masonry, slowly give into the sands of time.
Special Thanks to Ranger Tom Gunther. Thank you for your help!!!
Thanks to Matthews MSE, (Tyler, Bob, Ed) for helping me with some last minute requests and their use of the DC Slider and dolly track.
Array // town  ghosts  usa  bodie  broadcasting  reservoir  films 
CHANNELS // Clips 
Added: 1260 days ago by reservoirfilms
Runtime: 120.00 | Views: 21133 | Comments: 0
Not yet rated
Technical Specs
Year: 2012
Format: 35mm
Aspect: 1:2,35 (Scope)
Duration: 10’

Synopsis
I-will-not-tell-you-whose voice leads us through three extreme situations that are actually the same… Will you survive?

Highlights
Firstly and foremost, a great story. A good script always makes a good movie and this is a fine, exquisite, original, breathtaking one.
Luiso Berdejo; the lad who used to make shortfilms in Spain and now directs Kevin-Costner-starred movies in Hollywood pens the script.
He is one of the finest suspense writers in the industry and has entrusted to Kamel Films one of the best short stories he has written. Ever.
Array // voice  over  making  of 
CHANNELS // Making Of 
Added: 946 days ago by Martin_Rosete
Runtime: 629.00 | Views: 5690 | Comments: 0
Not yet rated
A lone astronaut on an endurance mission is forced to cope with an intrusive force which threatens to derail the operation.
During the space race of the 1960's, the Soviets and Americans were at each other's throats, vying for a foothold in galactic exploration. Simultaneous to the superpower's struggle, a wealthy eccentric by the name of Arthur Whitman set out to search for his own stellar glory. His self-financed voyage would see him try to break the record for the longest single-manned space mission, and remain in orbit for 1 week.
This is a story of one man's struggle against the forces of nature, and the more powerful forces that lay within his own psyche.
CHANNELS // Action  Science Fiction 
Added: 518 days ago by Takashi_Doscher
Runtime: 645.00 | Views: 2887 | Comments: 0
Not yet rated
Synopsis: In the aftermath of an apocalypse, a mans tragic loss leads him to an unequivocal decision.

The film was shot at the demilitarized zone between Israel and Jordan, as a sophomore project for Sapir Academic College, Israel.

Festival highlights:
Sitges Film Festival 2009
Imagine: Amsterdam Film Festival 2010
FanTasia International Film Festival 2010.
Audience Award - Shorts@Fringe, Azures Festival 2014
CHANNELS // Drama  Science Fiction 
Added: 637 days ago by Dan_Sachar
Runtime: 394.00 | Views: 4115 | Comments: 0
Not yet rated
Eusong Lee (director) Visual Development, Story, Animation
Julian Kleiss (composer & musician)
Dario Barrera(Voice)
Paul Fraser (Sound Designer)
Tomio Ueda (co-arrangement & mixing)

OPEN SHOW (2012)
PRODUCERS' SHOW (2012 WALTER AND GRACIE LANTZ ANIMATION PRIZE)
San Diego Asian Film Festival 2012
TAAFI 2012
Array // will  9  11  september  flight  broacasting  reservoir  films 
CHANNELS // Animation 
Added: 1345 days ago by reservoirfilms
Runtime: 270.00 | Views: 20605 | Comments: 0
Not yet rated
Production and Directing: Guillaume Bergère / Guillaume Coudert / Maria Glinyanova / Bruno Guerra / Charlotte Jammet | Synopse: It is a dead, lightless world, where a little girl, despite her father's renunciation and despair facing the death of his wife, maintains their dream of building a machine powered by magic winds to fly and reach the sun./ Synopsis: C'est un monde mort, sans lumière où une petite fille, en dépit du renoncement de son père face à la mort de sa femme, a toujours le rêve de construire une machine volante (qui fonctionne avec des vent magiques) pour atteindre le soleil.
CHANNELS // Animation 
Added: 1956 days ago by WindMills
Runtime: 440.00 | Views: 24007 | Comments: 0
    

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