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Search // final
Results 1-21 of 21 for ' final ' (0 seconds)
Synopsis: Un tueur « nettoie » minutieusement son passage après la finalisation d’un contrat.
CHANNELS // Drama  Thriller 
Added: 1881 days ago by ASM
Runtime: 405.00 | Views: 30875 | Comments: 0
Not yet rated
Director: Gene Deitch | Producer: William L. Snyder | Production Company: Rembrandt Films | Synopsis: Young Alice, having become a celebrity for her adventures in Wonderland, is in her bedroom dreaming about visiting Paris and sharing adventures with story book girl, Madeline. A talking mouse named Francois rides a bicycle into Alice’s bedroom and wants to conduct a survey about her favorite cheeses. Alice wants to join Francois in his native Paris, so Francois uses a magical mushroom to shrink Alice to rodent size. Together, they ride through Paris, where Francois narrates a series of short stories such as Madeline and the Bad Hat, Madeline and the Gypsies, Anatole, The frowning Prince and Many Moons. In the end, when Alice finally meets Madeline, it turns out that Madeline dreams of being Alice in wonderland.
CHANNELS // Animation  Cartoon  Classics 
Added: 2353 days ago by reservoirfilms
Runtime: 3000.00 | Views: 37713 | Comments: 0
Not yet rated
A cat wakes up surrounded by water and must learn to survive.
This has been my passion project for the last year an a half. It started as vague ideas of a cat, ocean and overcoming fear. Then through numerous battles with the script it shaped up to something similar you can see now. After seven drafts I felt that it was ready to start storyboarding, but the film kept evolving all the way until the sound mix was done. I kept learning about filmmaking everyday, going through all of the different processes. I chose the cat as the main character mainly to save time with exposition, because people know that generally cats are afraid of water. So I could just jump right into action. Plus cat is a fairly small creature and the ocean seems even bigger to him. And of course cats are much easier to draw than humans. The film’s music is by my friend Bertrams Pauls Purviš?is who helped a great deal to tell the story the way it was intended. Music had a lot of to convey in very little time and it came out much better than I could’ve ever expected. I’ve been delaying the release for quite some time, because as I learned by making it, a lot of mistakes made earlier when I didn’t have the experience had to be remade from scratch. I’m glad it’s finally done and I can show it to the world.

Software: Photoshop, Toon Boom Animate Pro, After Effects, Logic Pro, Final Cut Pro, Brushes app
Hardware: iMac, Macbook Pro, Wacom Intuos 4, iPod touch
Array // aqua  cate  wake  surrounded  by  water  broadcast  reservoir  films 
CHANNELS // Animation 
Added: 1421 days ago by reservoirfilms
Runtime: 450.00 | Views: 26666 | Comments: 0
Not yet rated
A Tribute to BLADE RUNNER

An experimental film in tribute to Ridley Scott's legendary futuristic film “Blade Runner” (1982). Created by extracting 167,819 frames from 'Blade Runner's final cut version, then assembling all these images to obtain one gigantic image of colossal dimensions : a square of approximately 60,000 pixels on one side alone, 3.5 gigapixels. A virtual camera was then placed above this big picture which creates an illusion, because contrary to appearances, there is only one image. It is in fact the relative movement of the virtual camera flying over this massive image that creates the animated film, a kind of "zootrope effect", like a film in front of a projector. The whole concept echoes one of the signature scenes from the film where "Deckard" (Harrison Ford) analyzes a photograph via voice recognition software.
CHANNELS // Clips  Science Fiction 
Added: 1484 days ago by reservoirfilms
Runtime: 253.00 | Views: 24720 | Comments: 0
Not yet rated
Synopsis: 36 hours to make a 3-8 minute movie
Added: 3289 days ago by pcfmovies
Runtime: 86.78 | Views: 36095 | Comments: 0
Not yet rated
Director: Yannis Cacaux | Synopsis: Chaque jours, environ 300 espèces animales disparaissent... HOMO FINALIS vous montre les dernières heures d'une espèce qui, malgrés ses défauts, nous tient tant a coeur, la notre... Ne dit-on pas qu'un homme à l'aurée de la mort voit défiler toute sa vie devant ses yeux ? Dans un décors post apocalyptique, un homme qui, survivant à cet enfer grâce à un respirateur et une combinaison étanche, est assaillé par la haine et la culpabilité de toute l'humanité.
Added: 3332 days ago by migou
Runtime: 492.96 | Views: 43865 | Comments: 3
     
Director: John Murray Anderson | Synopsis: This revue presents its numbers around the orchestra leader Paul Whiteman, besides that it shows in it's final number that the European popular music are the roots of American popular music, called Jazz.
Array // king  jazz  paul  whiteman  music  revue 
CHANNELS // Trailers  Classics 
Added: 3363 days ago by reservoirfilms
Runtime: 223.36 | Views: 32721 | Comments: 0
Not yet rated
La chute d'une plume (pèse plus que ta pudeur) is a short (11 minutes) French speaking movie made in stop motion. It is distributed with an Open Source license.
La chute d'une plume (pèse plus que ta pudeur) est un court-métrage de 11 minutes réalisé en animation en volume.

It is avalaible for free download since the 10 Octobre 2010 on this site: http://lachuteduneplume.free.fr/
Il est disponible depuis le 10 Octobre 2010 gratuitement en téléchargement légal sur ce site: http://lachuteduneplume.free.fr/

This short is an open-source movie : all the files needed to create another copy are avaliable licensed under Creative Commons BY-SA.
However, the final copy given here, either the DVD or the HD versions, cannot be sold without our agreement : they are licensed under Creative Commons BY-NC-ND.

Ce court-métrage est un film libre : tous les fichiers source sont disponibles sous licence Creative Commons BY-SA.
Cependant, les copies finales fournies sur ce site, que ce soit le DVD ou la version Haute Définition, ne sont pas commercialisables sans notre accord : elles sont sous licence Creative Commons BY-NC-ND.
CHANNELS // Action 
Added: 1531 days ago by reservoirfilms
Runtime: 624.00 | Views: 21560 | Comments: 0
Not yet rated
Director: William Beaudine | Synopsis: Tough slum girl (Mary Pickford) faces a crisis of the heart when the boy she loves (William Haines) is accused of shooting her cop father. Her brother stalks the accused slayer and finally shoots him down in the street. Mary rushes to the hospital and offers her blood for a life-saving transfusion, even though she thinks she'll die.
Array // little  annie  rooney  slum  girl 
CHANNELS // Trailers  Classics 
Added: 3346 days ago by reservoirfilms
Runtime: 61.59 | Views: 18937 | Comments: 0
Not yet rated
Réalisateur: Frédéric DORNE | Equipe_Technique: Caméra principale, maquillage, continuité par : Delphine Denocq | Un grand merci à : Agnès Yu Caroline Brunet Côme Borsoi Delphine Denocq Emilie Goudin Frédérique Bitton Gabriel Glachant Guillaume Glachant Jimmy Goudin Nicolas Brunet Schmurtz Sylvain Raynaud Thibault Teurki | Acteurs: Avec Côme Borsoi : Soldat Otis Sujor Gabriel Glachant : Capitaine Der Emilie Goudin : Colonel Kali Mam Delphine Denocq : Voix de la radio du QG Thibault Teurki : Pilote Unis Sylvain Raynaud : Copilote et radio Arage | Et en photo Nicolas Brunet : Amiral Ofur Bacalparévo | Synopsis: Sur la ligne de front le soldat Sujor et le capitaine Der défendent un derrick capital depuis leur petit bunker. Lorsque tout risque d'exploser suite à un tir perdu, ils sont obligés de quitter leur abri lors d'une trève pour appeler de l'aide. Ce sera finalement la colonel Kali, amante du capitaine, qui va tenter de venir les sauver avant que tout n'explose.
Array // SF  science  fiction  court  metrage  short  film  space  reservoir  films 
CHANNELS // Science Fiction 
Added: 2619 days ago by Fredddd
Runtime: 612.12 | Views: 37919 | Comments: 0
Not yet rated
At the age of seventeen, I made an independent feature-length film called Oceania.
With the help of friends and family, we filmed in the San Francisco Bay Area on a budget less than $4,000.
I learned about cinematography and editing on-the-spot over many long nights and weekends.
We used a volunteer cast and crew and lots of donated equipment and help.
The film finally hit the big screen at the 2008 Cinequest Film Festival, closing with a sold-out audience.
Oceania has since been released for free under a Creative Commons license.
CHANNELS // Drama  Thriller 
Added: 1505 days ago by reservoirfilms
Runtime: 3240.00 | Views: 20901 | Comments: 0
Not yet rated
Réalisatrice: Laurence Fauvet | Ecrit par Julien Druinaud et Laurence Fauvet | Prise de vue : Laurence Fauvet | Montage : Pierre d'Arcangues et Laurence Fauvet | Prise de son : Benjamin Carlier et Laurence Fauvet | Musique de Damien Elisa | Acteurs: Julien Druinaud: Tomas Dupont - Soren Metral: Mon garçon et frère de Thomas - Rodrigues Rogriguez: The Big Boss du Cinéma - Romain Jemma: Un homme - Bénédicte Bender: Une Femme et pouf de la boîte de Prod - Paul De Laboulaye: un ami -Virginie Degout: une amie -Elysabeth Bescherelle: une amie -Damien Henno:un ami -Alexandra Rouchouze: une amie -Laurence Fauvet: la femme de ménage -Anthony Jarry: l’enfoiré de la boîte de Prod -Marcel Jemma: Papa de Thomas | Synopsis: Thomas Dupont raconte ses tribulations autour de son idée de réalisation, des débuts de l’écriture à la finalisation de son film.
CHANNELS // Comedy 
Added: 2225 days ago by lo75010
Runtime: 389.00 | Views: 27116 | Comments: 0
   
“Sintel” is an independently produced short film, initiated by the Blender Foundation as a means to further improve and validate the free/open source 3D creation suite Blender. With initial funding provided by 1000s of donations via the internet community, it has again proven to be a viable development model for both open 3D technology as for independent animation film. This 15 minute film has been realized in the studio of the Amsterdam Blender Institute, by an international team of artists and developers. In addition to that, several crucial technical and creative targets have been realized online, by developers and artists and teams all over the world. “Sintel” commenced in May 2009, with producer Ton Roosendaal establishing a core team consisting of Colin Levy (director), David Revoy (concept art), Martin Lodewijk (story) and Jan Morgenstern (composer). In August script writer Esther Wouda was approached as a consultant, which resulted in her taking the responsibility for the entire screenplay. Esther then worked in close cooperation with Colin, David and Ton to deliver the final script early November. Meanwhile, Colin and David realized the first storyboards. Based on a public call for artists – with over 150 respondents – the Durian artist team got established in July 2009. They first met in a pre-production week in Amsterdam in August, and all decided to join the project per October 1st. With the final movie budget still unknown, the target then still was to finish the film within 7 months, with a team of 6 artists and 2 developers. At that time the team still had the hopes to be able to realize the script in a 6-8 minute film.
Array // Sintel 
CHANNELS // Animation 
Added: 1627 days ago by reservoirfilms
Runtime: 888.00 | Views: 13607 | Comments: 0
     
Sonata is an animated short film that is a simple exploration of one moment in a man's life where he faces his fears and doubts and decides whether or not to take a chance.
Created in 2006. Ryan McDougal created everything from script to finished film as his final thesis at Vancouver Film School.
CHANNELS // Animation 
Added: 939 days ago by Ryan_McDougal
Runtime: 0.00 | Views: 9148 | Comments: 0
Not yet rated
PostPanic director Mischa Rozema's new short film, Stardust, is a story about Voyager 1 (the unmanned spacecraft launched in 1977 to explore the outer solar system). The probe is the furthest man-made object from the sun and witnesses unimaginable beauty and destruction. The film was triggered by the death of Dutch graphic designer Arjan Groot, who died aged 39 on 16th July 2011 from cancer.
The entire team at PostPanic (the Amsterdam-based creative company) pushed themselves in their own creative post techniques to produce a primarily CG short film crafted with love.
The film's story centers on the idea that in the grand scheme of the universe, nothing is ever wasted and it finds comfort in us all essentially being Stardust ourselves. Voyager represents the memories of our loved ones and lives that will never disappear.
From a creative standpoint, Rozema wanted to explore our preconceived perceptions of how the universe appears which are fed to us by existing imagery from sources such NASA or even sci-fi films. By creating a generated universe, Rozema was able to take his own 'camera' to other angles and places within the cosmos. Objects and experiences we are visually familiar with are looked at from a different point of view. For example, standing on the surface of the sun looking upwards or witnessing the death and birth of a star - not at all scientifically correct but instead a purely artistic interpretation of such events.
Rozema says, 'I wanted to show the universe as a beautiful but also destructive place. It's somewhere we all have to find our place within. As a director, making Stardust was a very personal experience but it's not intended to be a personal film and I would want people to attach their own meanings to the film so that they can also find comfort based on their own histories and lives.'
Rozema turned to his regular audio partner, Guy Amitai, to create the music for the film. 'I approached Guy to make the music because I trust him and knew he would instinctively understand what I wanted to communicate with this film.' Their long-term collaboration over the years helped them explore different musical approaches before finally settling on a musical journey featuring analogue instruments. Amitai explains, 'Once we started working on this project and I told people about Stardust and what Arjan meant to us all, the offers started pouring in. Musician friends and friends-of-friends all wanting to join in and record even the smallest parts. It was an incredibly emotional and personal journey for us all - not something you can professionally detach yourself from.'
Array // stardust  space  voyager  1  broadcast  reservoir  films 
CHANNELS // Clips  Science Fiction 
Added: 1295 days ago by reservoirfilms
Runtime: 240.00 | Views: 23819 | Comments: 0
Not yet rated
The Vision:
Back in October of 2009, I set out to make a film that would push my talents as both a storyteller and a filmmaker. I wanted to create a film that would challenge myself and my audience, meshing both classical and experimental storytelling techniques from music, books, & films that have inspired me in one way or another. I wanted to make a film that didn’t do any spoon-feeding, where my audience would leave with questions as well as answers. It was a long a difficult road to get to this point and there were days where I felt that I was in way over my head but eight months later, I can proudly say I’ve finally completed my film “The Bridge” and it was an experience I would never forget.

The Inspiration:
The story of The Bridge was a story a cousin had told me when I was eight years old. It was a ghost story about two siblings on a bridge. I remember it haunting me for weeks and causing many sleepless nights under my sheets. Obviously, it had a lasting influence in my life. It had always been one of those stories that I wanted to adapt into a short film so when the opportunity finally came one day, I decided to pull to trigger.
When I was in film school, I would constantly fantasize about making some sort of epic period piece, especially one that took place during WW2. So when I decided I was going to make The Bridge, I instantly followed it up with “hell, why not make it into a WW2 movie”? I could have easily made this film as a contemporary piece but where would the fun be in that? I never do things because it’s easy; I do it because it’s hard. I love a challenge. I figured I could keep the same characters, themes, motifs, style, and wrap it around a WW2 setting. So I did.

Pre-production:
So it began. After a quick outline, I started writing the screenplay and, being a one-man crew at the time, I also started doing work on costumes and props. I lived and breathed WW2 24/7. I watched every WW2 movie and documentary I could get my hands on. I even got my hands some real WW2 letters to get a grasp on the era’s language. I felt like a student again and I loved it. I scoured eBay for every WW2 field gear I could afford to buy and the stuff I couldn’t get, I had them custom made cheaply in China. I wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down. I remember coming home one day and having almost a couple dozen eBay packages on front door. It looked like the front door of the post office.

Casting:
The casting of The Bridge was actually one of the smoothest aspects of the entire process. I first went to my good friend Amy and asked her if she would like to help me produce the film. Having worked with each other before, I didn’t really have to ask twice. She was happy to be my first recruit.
For the leading role, I asked my good friend Pablo Soriano to take the part. Having worked with him before, we have a good understanding of each other. He is just a naturally gifted actor and he makes my job as a director so much easier. Plus, his puppy dog eyes make him a perfect protagonist.
For the leading female role, I went looking for a girl who had beautiful, almost hypnotic eyes. That’s when I spotted Leah in one my good friend’s music video. I called up Carlos and basically told him, “I need to have that girl for movie”. A few days later, she was on board.
I owe the discovery of Mike, the character who plays James Connolly, to my producer Amy. She had read the script and recommended him. I remember her telling me “Mike IS James”. Words that any director would love to hear and as usual, Amy was right. So a couple months later, the script was complete, the costumes and props were ready, and the cast was cast. We were ready to shoot!

Production:
With our extremely limited budget, I knew right from day one that we were going to shoot “The Bridge” on DSLRs, specifically the Canon 7D and 5D Mark II. With this in mind, I knew (as also the DP of the film), I was going to push these cameras to its limits. I wasn’t going to let my equipment limit my vision of the film. I knew at the very beginning that I may or may not have a crappy movie in the end but hell, it’s gonna look damn good! We all know about the camera’s limitations but I wasn’t going to bitch and moan about it, I was going to work around it. I took it as a personal challenge to make these cameras work and I did. About 75% of the film was shot with the 7D and the rest with the 5DM2. The main reason I shot with the 7D more was the 24p firmware update wasn’t available for the 5DM2 during the bulk of the shooting. I prefer the 5DM2’s full frame sensor the 7D cropped sensor. Production, like any other shoot, had its ups and downs. Ours was mainly San Francisco’s unpredictable weather. You can blink and the bay area can go from miserable foggy weather (which is what I wanted for the film) to perfect summer beach party weather.
Also, being a guerilla production also has its own set of problems. I remember an actor and I almost getting arrested at a national park because a tourist reported seeing “some soldier carrying a rifle”. We got patted down and escorted off the premises. Before the ranger let us go, she handed me a business card for film permits. I thought that was hilarious.

Post-production:
There wasn’t really a “post-production” for The Bridge. I did post simultaneously during production. I would shoot on a weekend and then do visual effects or picture and sound editing on the weekdays. It was a very indie film workflow. The upside was I always had very polished dailies to show my cast and that kept them motivated to give me their best.
I spent my first two years out of film school as a CG artist. Being able to do my own 3d animation, modeling, surfacing, lighting, and rendering definitely upped the production value of my film. CG artists aren’t cheap and I calculated that if I had paid someone else to do my visual effects, it would have been double the entire budget of the film.
I hate ADR and foleying but if you don’t have a budget, you have to do it yourself. We had two whole scenes where sound was completely unusable (the tunnel scenes) so we had to redo it from scratch. I remember ADR sessions inside automobiles and 2 A.M. foley when my neighborhood is quiet and I don’t have to deal with traffic and barking dogs.
I discovered my composer Justin browsing through some filmmaking forums. He is such a talented musician. He added so much emotion to my film. Being a super control-freak, it’s very difficult for me to hand off any aspect of my film to someone else unless I have 100 percent confidence in that person. Justin is one of those people. In fact, Justin was the only other person who had a hand in post aside from me.
It was tough being a “one man studio” for this film. I acted as DP and director on Sunday, editor on Monday, sound editor on Tuesday, visual effects artist on Wednesday and Thursday, and compositor on Friday. I got some rest on Saturday (while my two computer farm renders). But in the end, when it all comes together… nothing feels more rewarding than seeing the art you’ve created. I can safely say that I created something I’m very proud of.

Full Circle:
So here it is. 8 months work compressed into a 30-minute narrative short. The film I set out to create back in October of 2009. I would like to thank everyone who was a part of it. I couldn’t have done it without you. To my viewers, I hope this film challenges you like it challenged me. Enjoy.
Array // bridge  war 
CHANNELS // Drama 
Added: 1386 days ago by reservoirfilms
Runtime: 1800.00 | Views: 5184 | Comments: 0
Not yet rated
The Pig Farmer is a short animated cartoon by Nick Cross.
A simple tale of a wayward soul, awash in an ocean of tragedy and regret.
Animated using Flash CS3 and a Cintiq 21UX tablet.
Backgrounds done in Photoshop CS4
Composited using After Effects CS5 and Final Cut Pro 5.
CHANNELS // Animation 
Added: 1358 days ago by reservoirfilms
Runtime: 604.00 | Views: 22763 | Comments: 0
Not yet rated
Cel mai important top din Romania in care au fost nominalizati Alexandra Ungureanu, Eugen Ungureanu, Ionut Ungureanu dar si Loredana cu melodia Europa. Piesa O Zi Buna prezentata de Eugen Ungureanu a fost foarte bine primita atat de ascultatori dar si de Titus Andrei-realizatorul Top Pop-Rock-care a cantat impreuna cu solistul pe finalul melodiei. Daca va place acest cantec votati O Zi Buna cu Eugen Ungureanu trimitand mesaj VOT PT O ZI BUNA-EUGEN UNGUREANU la redpoppro@yahoo.com
Added: 3344 days ago by electrostar
Runtime: 396.24 | Views: 23120 | Comments: 0
     
Bodie is by far the best preserved ghost town in the United States.
Gold was discovered back in 1859 by William S Bodey and at its apex, the town had a population of 10,000 residents through the 1880's. Bodie was replete with the makings of old west folklore; gunfighters, saloons, miners, gambling halls and prostitutes, a rough place through and through. But the town's success didn't last and faded from 'glory' prior to World War I and was finally down for the count during WWII once all mining operations were halted due to the war effort. It was effectively abandoned with many of the structures retaining the inhabitants belongings because the roads out were toll and weight based; many people simply decided to leave their belongings behind to avoid large fees so the ghost town was born.
Today, after two fires, around 100 structures remain, (5% of the original town) some of which are filled with furniture, lined and matted with layer up on layer of rotting and sagging wallpaper. Some buildings are seemingly untouched time-capsules to the once treacherous lives of the miners and other inhabitants of the town. Kids toys sitting by the window, a ball peen hammer on the ground, strewn gears in a machine shop, and rusted hangers hanging in a closet. Walking the grounds, particularly the cemetery, I was overcome with a sense of foreboding and the gentle but incessant march of time continuing on. The once important lives buried under a wood tombstone were all but forgotten and those now nameless people who were loved or loved others, brothers, fathers, sisters and mothers, almost never existed unless you look at the uneven ground at a certain angle in the perfect light. We spent a week shooting with access to some of the interiors of the buildings, and the ability to shoot at night. Because it is located in the Sierra Neveda and its unique geography and high elevation, the weather was quite extreme and could change in a matter of minutes; most nights were very cold and the temperature often sat in the low teens and were mixed with snow, wind, and icey rain.
Bodie is kept in a state of "arrested decay" and hangs (sometimes literally) in a sort of desolated limbo, as the dry lumber, rusted nails, and worn masonry, slowly give into the sands of time.
Special Thanks to Ranger Tom Gunther. Thank you for your help!!!
Thanks to Matthews MSE, (Tyler, Bob, Ed) for helping me with some last minute requests and their use of the DC Slider and dolly track.
Array // town  ghosts  usa  bodie  broadcasting  reservoir  films 
CHANNELS // Clips 
Added: 1323 days ago by reservoirfilms
Runtime: 120.00 | Views: 22565 | Comments: 0
Not yet rated
Synopsis: A French narrator jumps from one dramatic scene to another one, confused about the story that he is trying to tell and fighting with himself until he finally finds it.
CHANNELS // Science Fiction 
Added: 1009 days ago by Martin_Rosete
Runtime: 600.00 | Views: 11586 | Comments: 0
Not yet rated
This is a short I directed with Celine Desrumaux at Wyldstallyons for the wwf ( wwf.org )
An ecological project for a viral campaign.
We did everything in a little more than 3 weeks, from the storyboard to the final render.
It's a mix between 2D and 3D.
CHANNELS // Animation 
Added: 320 days ago by yann_benedi
Runtime: 130.00 | Views: 3766 | Comments: 0
Not yet rated

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