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Director: Georges Méliès |
Synopsis: A Trip to the Moon (French: Le Voyage dans la lune) is a 1902 French black and white silent science fiction film. It is loosely based on two popular novels of the time: From the Earth to the Moon by Jules Verne and The First Men in the Moon by H. G. Wells. It was written and directed by Georges Méliès, assisted by his brother Gaston. The film runs 14 minutes if projected at 16 frames per second.
A Trip to the Moon was extremely popular in its day and is the best-known of the hundreds of fantasy films made by Méliès. It is also considered by many to be the first science fiction film, and utilizes innovative animation and special effects.
3379 days ago by
Runtime: 708.81 | Views: 26504 |
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Directed by Giovanni Bucci
Filmed and Edited by Giovanni Bucci
Design & Animation: Giovanni Bucci, Paola Rocchetti
Styling & Make Up: Paola Rocchetti
Filmed at Strani Rumori Studio
Audio Design & Music Production by Marco Morano
Written by Giovanni Bucci and Marco Morano
c 2011 Hoxtonlab and Giovanni Bucci Ltd
p 2011 Hoxtonlab and Giovanni Bucci Ltd
Links to artists’s personal website
Giovanni Bucci: giovannibucci.com
Paola Rocchetti: urdigital.net
Marco Morano: hoxtonlab.com
AWARDS / SCREENINGS:
LAMA - Los Angeles Movie Awards - 2011
Los Angeles, US
Category: Music Video
Winner: Award of Excellence and Best Costume Design
Las Vegas Film Festival - 2012
Las Vegas, US
Winner: Golden Ace Award
4th Annual Zero Film Festival - 2011
New York, US
Pause Fest - 2012
UK Film Festival - 2012
NXNE - North by Northeast Festivals and Conference - 2012
New York International Film Festival in LA - 2011
Sherman Oaks, US
3rd Annual New Media FIlm Festival - 2011
San Francisco Bay Area, US
Shockfest Film Festival of Hollywood - 2011
Los Angeles, US
Official Selection - Opening Nightmare Screening
X FEST Film Festival - 2011
Cape Town, South Africa
Bideodromo - 2011
Kinofest - 2011
Prix Ars Electronica - 2012
IMF - International Motion Festival - 2012
Visioneca - Festival of Experimental Film - 2012
Freshwater, Isle Of Wight, UK
ECU' - The European Independent Film Festival - 2012
Category: Featured, Music Video
8th Cologne International Videoart Festival - 2012
Carnival of e-Creativity 2013
Festival Internacional de Videoarte - 2012
Ex Teresa Arte Actual -Museum of experimenta Art -2012
Mexico City, Mexico
FIVA II - Festival Internacional de Video Arte - 2012
Buenos Aires, Brazil
1450 days ago by
Runtime: 120.00 | Views: 27370 |
Not yet rated
A cat wakes up surrounded by water and must learn to survive.
This has been my passion project for the last year an a half. It started as vague ideas of a cat, ocean and overcoming fear. Then through numerous battles with the script it shaped up to something similar you can see now. After seven drafts I felt that it was ready to start storyboarding, but the film kept evolving all the way until the sound mix was done. I kept learning about filmmaking everyday, going through all of the different processes.
I chose the cat as the main character mainly to save time with exposition, because people know that generally cats are afraid of water. So I could just jump right into action. Plus cat is a fairly small creature and the ocean seems even bigger to him. And of course cats are much easier to draw than humans.
The film’s music is by my friend Bertrams Pauls Purviš?is who helped a great deal to tell the story the way it was intended. Music had a lot of to convey in very little time and it came out much better than I could’ve ever expected.
I’ve been delaying the release for quite some time, because as I learned by making it, a lot of mistakes made earlier when I didn’t have the experience had to be remade from scratch. I’m glad it’s finally done and I can show it to the world.
Software: Photoshop, Toon Boom Animate Pro, After Effects, Logic Pro, Final Cut Pro, Brushes app
Hardware: iMac, Macbook Pro, Wacom Intuos 4, iPod touch
1421 days ago by
Runtime: 450.00 | Views: 26658 |
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Synopsis: In this episode of the Caminandes cartoon series we get to know our hero Koro even better! It's winter in Patagonia, food is getting scarce. Koro the Llama engages with Oti the pesky penguin, in an epic fight over that last tasty berry.
Synopsis (fr): Dans ce nouvel épisode du cartoon Caminandes nous allons connaitre beaucoup mieux notre héro Koro. C'est l'hiver en Patagonie, la nourriture est devenue rare. Koro le lama participe avec Oti le sale pinguin à un combat pour récupérer la dernière baie.
This short 'Free Culture' animation film was made with the free 3D software Blender and funded by the subscribers of the Blender Cloud platform. Already since 2007, Blender Institute successfully combines film and media production with improving a free and open source 3D creation pipeline.
Currently a lot of extra material and tutorials is being produced, to share the full production with the cloud subscribers.
Special thanks goes to the music by Torin Borrowdale, the sound effects by Sander Houtman and the render power of RenderStreet.
405 days ago by
Runtime: 149.00 | Views: 5672 |
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Synopsis: A traumatized woman is shadowed by a mysterious other in this award-winning psychological thriller in the Twilight Zone tradition.
"Great story, great performances, top level production values, thoughtful. Great film."
– Frazer Churchill, filmmaker, visual effects supervisor (CHILDREN OF MEN, SCOTT PILGRIM VS. THE WORLD)
Brenda Banet, Jaclyn Carmichael, Susan Charalambous, Avery Clyde, Cameron Covell, Brahm Gallagher, Theresa Ravnikar
904 days ago by
Runtime: 1020.00 | Views: 13977 |
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Synopse: Millionaire playboy Fredrick Loren hosts a party for his 4th wife Annabelle Loren at the "House On Haunted Hill," a house that has seen seven murders, Fredrick invites 5 guests: Lance Schroeder,a pilot, Ruth Bridges, a journalist, Watson Prichard, the owner of The House On Haunted Hill, Nora Manning, a worker for one of Fredrick Loren's companies, and David Trent, a psychiatrist. Fredrick will offer each of them $10,000 to spend a night in The House On Haunted Hill. They all want the money. At midnight, the caretakers lock to doors, and the terror begins!
Synopsis: Un milliardaire loue une maison hantée pour y donner une réception à la demande de sa femme.
Production: William Castle (producer), Robb White (associate producer)
Original Music: Von Dexter
Cinematography: Carl E. Guthrie(director of photography)
Film Editing: Roy V. Livingston (as Roy Livingston)
Art Direction: Dave Milton (as David Milton)
Set Decoration: Morris Hoffman
Makeup Department: Jack Dusick (makeup artist), Gale McGarry (hair stylist)
Production Management: Edward Morey Jr. (production manager)
Second Unit Director or Assistant Director: Jack R. Berne (assistant director)
Art Department: Ted Mossman (property (as Teddy Mossman)), James West (construction supervisor)
Sound Department: Ralph Butler (sound recording engineer), Charles G. Schelling (sound editor (as Charles Schelling))
Special Effects: Herman E. Townsley (special effects (as Herman Townsley)), Daniel Hays (special effects technician (uncredited))
Camera and Electrical Department: Bernie Schwartz (grip)
Costume and Wardrobe Department: Norah Sharpe (wardrobe: ladies), Roger J. Weinberg (wardrobe: men)
Music Department: Von Dexter (conductor), Jerry Irvin (music editor)
Other crew: Virginia Mazzuca (set continuity)
Vincent Price: Frederick Loren
Carol Ohmart: Annabelle Loren
Richard Long: Lance Schroeder
Alan Marshal: Dr. David Trent
Carolyn Craig: Nora Manning
Elisha Cook Jr.: Watson Pritchard (as Elisha Cook)
Julie Mitchum: Ruth Bridgers
Leona Anderson: Mrs. Slydes
Howard Hoffman: Jonas
1477 days ago by
Runtime: 106.00 | Views: 23715 |
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Behind-the- scenes look at some of the best bloopers and light hearted moments during the production of the INVINCIBLE IRON MAN.
THE INVINCIBLE IRON MAN is a non commercial fanfilm inspired by the famous Marvel Comic character
and directed by David Guivant with the help of a few friends and with practically No Budget. |
---- IRON MAN CAST & CREW -----
Iron Man............................Iron Man # 569
Anthony Stark.......................Paul Lasserre
Virginia Potts......................Tiphaine Bousquet
Harold Hogan........................Olivier Houdan
Natasha Romanoff....................Rosanne Ringenbach
Nicholas Fury.......................Fabrice Wenger
Carol Danvers.......................Emilie Denis
Gene Khan...........................Jean Pierre Perreira
Storyboard Artist..............................David Guivant
Special Effects.....................David Guivant
Director's Assistant....................Julien Leconte
Director's Assistant................Stéphane Rigal
3384 days ago by
Runtime: 234.17 | Views: 30381 |
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Réalisateur: STEPHANE SPATAFORA |
Equipe_Technique: Réalisation : Stéphane Spatafora | Scénario : Philippe Michaud / Stéphane Spatafora | Directeur de production : Philippe Michaud | Chef opérateur / Cadreur : Alexandre Hardouin | Assistante Caméra / Machinerie : Magali Leclercq | Chef Electricien : Guillaume Barbe | Ingénieur du son : Jean Luc "Gen Lock" Régisseur Général / Assistant Son : Ghislain Clottes Montage / Post Prod / Etalonnage : Stéphane Spatafora | Sound Effects : Jessica Foucher | Doublage Voix Post Prod : Clémence Gueidan Maquillage / Habillage : Karine Genet Casting : Philippe Michaud / Stéphane Spatafora | Photographe Plateau : Alexandre Hardouin | Graphisme : Bruno Guerzoni | BANDE ORIGINALE : Gilles Amore / The Portalis |
Acteurs: Agnès Manas, François Le Goazigo, Huguette Pillou |
Synopsis: Un jeune homme rencontre une fille à un arrêt de bus. Il a le coup de foudre dés la première seconde où il l'a voit mais n'ose pas l'aborder. Le bus arrive alors et la jeune fille s'en va; le jeune homme se reprend et décide de la retrouver...
2600 days ago by
Runtime: 438.00 | Views: 41561 |
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Official Selection for "Best Music video" at ANIMA - Córdoba International Animation Festival.
Official Selection at Clermont-Ferrand International Short Film Festival 2012
When an extremely dangerous and highly secretive pair of undergarments with the power to destroy the world fall into the wrong hands, the call goes out to the only team who can stop the villain in her tracks Yuki 7 and the Gadget Girls! Can they recover the lethal lingerie in time, or will world succumb to the evil will of this fashion fiend?
PRE-ORDER THE BOOK + DVD NOW!
Brand new short film we finished early March 2011.
like "A kiss from Tokyo" it's all 2D and All After Effects (we've got some precious help from Sung-Jin Ahn who produced some amazing dance animations in flash) .
Cyrille Marchesseau created a great score inspired by an old Japanese pop song.
This release goes along with the opening of the pre-ordering of the new book "Looks that kill" by Kevin Dart and Elizabeth Ito.
1456 days ago by
Runtime: 142.00 | Views: 22792 |
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Incube present Precut Girl |
France -- 2009 -- Color |
Dvcam -- 16/9 - Stereo. |
Duration : 19 minutes 49 sec. |
Languages : japan, french |
Cast : Karin Shibata, Alexandre Leycuras |
Scenario & Directing : Eric Dinkian |
Image : Thomas Robin, Franck Vrignon |
Sound : Vincent Defaye |
Music : Vincent Jacq |
Special effects makeup : Djinn Studio |
Editing : Eric Dinkian |
Computer Graphics : Eric Blanchet, Nicolas Martineau |
Mixing : John Berry |
Calibration : Vincent Cuneo |
Synopse: A young Japanese suicide discovers she can not die.
She inevitably revives in a garbage dump.
Then comes the idea of exploring the moment of the transition to death in killing himself repeatedly while trying to stay conscious for as long as possible. |
Synopsis: Une jeune japonaise suicidaire découvre qu'elle ne peut mourir. Elle ressuscite immanquablement dans une décharge publique. Lui vient alors l'idée d'explorer l'instant du passage à la mort en se tuant à répétition tout en essayant de rester consciente le plus longtemps possible.
2061 days ago by
Runtime: 1200.00 | Views: 25252 |
Not yet rated
Directed by Phil Tucker |
Starring George Nader, Claudia Barrett, Selena Royle, John Mylong, Gregory Moffett, Pamela Paulson, George Barrows |
Synopsis: Robot monster is a 1953 American science fiction film made in 3-D by Phil Tucker. Like the more famous Plan 9 from Outer Space it is known in bad-film fandom for being "so bad, it's good" and has the dubious honor of being considered one of the "worst films ever".Its cliched storyline and cheesy special effects has helped it attain status as a cult film.
2394 days ago by
Runtime: 76.61 | Views: 26481 |
Not yet rated
Back in October of 2009, I set out to make a film that would push my talents as both a storyteller and a filmmaker. I wanted to create a film that would challenge myself and my audience, meshing both classical and experimental storytelling techniques from music, books, & films that have inspired me in one way or another. I wanted to make a film that didn’t do any spoon-feeding, where my audience would leave with questions as well as answers. It was a long a difficult road to get to this point and there were days where I felt that I was in way over my head but eight months later, I can proudly say I’ve finally completed my film “The Bridge” and it was an experience I would never forget.
The story of The Bridge was a story a cousin had told me when I was eight years old. It was a ghost story about two siblings on a bridge. I remember it haunting me for weeks and causing many sleepless nights under my sheets. Obviously, it had a lasting influence in my life. It had always been one of those stories that I wanted to adapt into a short film so when the opportunity finally came one day, I decided to pull to trigger.
When I was in film school, I would constantly fantasize about making some sort of epic period piece, especially one that took place during WW2. So when I decided I was going to make The Bridge, I instantly followed it up with “hell, why not make it into a WW2 movie”? I could have easily made this film as a contemporary piece but where would the fun be in that? I never do things because it’s easy; I do it because it’s hard. I love a challenge. I figured I could keep the same characters, themes, motifs, style, and wrap it around a WW2 setting. So I did.
So it began. After a quick outline, I started writing the screenplay and, being a one-man crew at the time, I also started doing work on costumes and props. I lived and breathed WW2 24/7. I watched every WW2 movie and documentary I could get my hands on. I even got my hands some real WW2 letters to get a grasp on the era’s language. I felt like a student again and I loved it. I scoured eBay for every WW2 field gear I could afford to buy and the stuff I couldn’t get, I had them custom made cheaply in China. I wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down. I remember coming home one day and having almost a couple dozen eBay packages on front door. It looked like the front door of the post office.
The casting of The Bridge was actually one of the smoothest aspects of the entire process. I first went to my good friend Amy and asked her if she would like to help me produce the film. Having worked with each other before, I didn’t really have to ask twice. She was happy to be my first recruit.
For the leading role, I asked my good friend Pablo Soriano to take the part. Having worked with him before, we have a good understanding of each other. He is just a naturally gifted actor and he makes my job as a director so much easier. Plus, his puppy dog eyes make him a perfect protagonist.
For the leading female role, I went looking for a girl who had beautiful, almost hypnotic eyes. That’s when I spotted Leah in one my good friend’s music video. I called up Carlos and basically told him, “I need to have that girl for movie”. A few days later, she was on board.
I owe the discovery of Mike, the character who plays James Connolly, to my producer Amy. She had read the script and recommended him. I remember her telling me “Mike IS James”. Words that any director would love to hear and as usual, Amy was right.
So a couple months later, the script was complete, the costumes and props were ready, and the cast was cast. We were ready to shoot!
With our extremely limited budget, I knew right from day one that we were going to shoot “The Bridge” on DSLRs, specifically the Canon 7D and 5D Mark II. With this in mind, I knew (as also the DP of the film), I was going to push these cameras to its limits. I wasn’t going to let my equipment limit my vision of the film. I knew at the very beginning that I may or may not have a crappy movie in the end but hell, it’s gonna look damn good! We all know about the camera’s limitations but I wasn’t going to bitch and moan about it, I was going to work around it. I took it as a personal challenge to make these cameras work and I did.
About 75% of the film was shot with the 7D and the rest with the 5DM2. The main reason I shot with the 7D more was the 24p firmware update wasn’t available for the 5DM2 during the bulk of the shooting. I prefer the 5DM2’s full frame sensor the 7D cropped sensor.
Production, like any other shoot, had its ups and downs. Ours was mainly San Francisco’s unpredictable weather. You can blink and the bay area can go from miserable foggy weather (which is what I wanted for the film) to perfect summer beach party weather.
Also, being a guerilla production also has its own set of problems. I remember an actor and I almost getting arrested at a national park because a tourist reported seeing “some soldier carrying a rifle”. We got patted down and escorted off the premises. Before the ranger let us go, she handed me a business card for film permits. I thought that was hilarious.
There wasn’t really a “post-production” for The Bridge. I did post simultaneously during production. I would shoot on a weekend and then do visual effects or picture and sound editing on the weekdays. It was a very indie film workflow. The upside was I always had very polished dailies to show my cast and that kept them motivated to give me their best.
I spent my first two years out of film school as a CG artist. Being able to do my own 3d animation, modeling, surfacing, lighting, and rendering definitely upped the production value of my film. CG artists aren’t cheap and I calculated that if I had paid someone else to do my visual effects, it would have been double the entire budget of the film.
I hate ADR and foleying but if you don’t have a budget, you have to do it yourself. We had two whole scenes where sound was completely unusable (the tunnel scenes) so we had to redo it from scratch. I remember ADR sessions inside automobiles and 2 A.M. foley when my neighborhood is quiet and I don’t have to deal with traffic and barking dogs.
I discovered my composer Justin browsing through some filmmaking forums. He is such a talented musician. He added so much emotion to my film. Being a super control-freak, it’s very difficult for me to hand off any aspect of my film to someone else unless I have 100 percent confidence in that person. Justin is one of those people. In fact, Justin was the only other person who had a hand in post aside from me.
It was tough being a “one man studio” for this film. I acted as DP and director on Sunday, editor on Monday, sound editor on Tuesday, visual effects artist on Wednesday and Thursday, and compositor on Friday. I got some rest on Saturday (while my two computer farm renders). But in the end, when it all comes together… nothing feels more rewarding than seeing the art you’ve created. I can safely say that I created something I’m very proud of.
So here it is. 8 months work compressed into a 30-minute narrative short. The film I set out to create back in October of 2009. I would like to thank everyone who was a part of it. I couldn’t have done it without you. To my viewers, I hope this film challenges you like it challenged me. Enjoy.
1385 days ago by
Runtime: 1800.00 | Views: 5181 |
Not yet rated
The Pig Farmer is a short animated cartoon by Nick Cross.
A simple tale of a wayward soul, awash in an ocean of tragedy and regret.
Animated using Flash CS3 and a Cintiq 21UX tablet.
Backgrounds done in Photoshop CS4
Composited using After Effects CS5 and Final Cut Pro 5.
1358 days ago by
Runtime: 604.00 | Views: 22759 |
Not yet rated
Réalisé par François Descraques/Short Film directed by François Descraques |
Synopsis: Un Ange et un Démon se battent pour une psp./An angel and a demon fight for a psp.
Attention, ce film est autoproduit avec les sous de ma poche (1000 Euros).
Sony n'a rien à voir avec ce court métrage.
Fond vert acheté sur eefx.com.
Tourné en DVCPRO50 (HVX-200)en 2 nuits.
Effets Spéciaux sous After Effects et Cinema 4D en...9 mois.
3139 days ago by
Runtime: 149.56 | Views: 37973 |
Not yet rated