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Search // Role
Results 1-15 of 15 for ' Role ' (0 seconds)
Un film écrit, produit et réalisé par : WILLIAM INESTA/ Avec YOANN MOËSS dans le rôle Chino/ BRUNO BIEZUNSKI dans le rôle de Gianni Pintero/ 1er Assistant-Réalisateur : FETHI GRID/ 2ème Assistante-Réalisateur : ANISSA ALLALI/ Scripte : LUCY PONS/ casting : PAULINE JOQUEL/ Directrice de la Photographie : MALORY CONGOSTE/ 1ère Assistante-Caméra : Charlotte VITROLY/ 1er Assistant-Caméra : MATTHIEU AGIUS/ 1er Assistant-Caméra (2ème équipe) : MATTHIEU LEQUINEMER/ Chef Electricien : MATTHIEU PASDELOUP/ Electriciens : AURELIEN THIBAULT, ERIOLA YANHOUI, MATTHIEU SAINT-AMANS/ Machiniste : GABIN SIOL/ Ingénieur du son : JULES POTTIER/ Perchiste : STEPHANE RETHORE/ Régisseur Général : FRANCK LEVASSEUR/ Régisseur Adjoint : YANN FOUILLET/ Régisseur Repérages : MARC-OLIVIER CHARDIN/ Maquilleuse : LEA CHANSIGAUD/ Accessoiriste : ALEXIS HIHN/ Chargé de Back Up : IVRY BRAUN/ Photographe de plateau : RAYMOND EVRARD/ Chauffeur : ALAEDDIN ZAIANE/ Monteur : MAXIME DE TREGLODE/ Infographiste : OLIVIER MERLOT/ Effets Spéciaux : NATHALIE PAIRE/ Générique de fin : FREDERIC POIRIER/ Etalonneur : FLORIAN PAROZ/ Ingénieurs du son studio : ELIOTT HOSANSKI, ALEXIS MARZIN, CAROLINA SANTANA/ Compositeur : VINCENT BREANT/ Didgeridoo : JEREMIE BENAZRA/ Monteur son : CESAR BALLEYGUIER/ Mixeur son : LIONEL GUENOUN/ Assistante de Production : RENATA FONTAINE. | Synopsis: Chino, un jeune réalisateur dynamique, pitche son scénario à un producteur, Gianni PINTERO. Le pitch illustre un personnage, interprété par Chino lui-même, qui à la suite d’une course effrénée en ville de nuit, se retrouve sur une scène face à un public à jouer du…didgeridoo. Gianni juge le personnage du scénario sans intérêt et suggère alors des clichés cocasses pour étoffer le protagoniste. Chino, qui les juge outranciers, s’offusque et rejette les propositions en bloc. Agacé par les refus successifs, Gianni congédie Chino de son bureau. Chino, plus déterminé que jamais, persévère et tente de convaincre Gianni. Mais il s’emporte, injure celui-ci, et se fait sortir de force par deux molosses. Aussitôt après, Gianni empoigne son combiné et joint son associé afin de lui suggérer une idée toute fraîche.
CHANNELS // Comedy 
Added: 2383 days ago by william inesta
Runtime: 540.00 | Views: 33094 | Comments: 0
Not yet rated
Court-métrage de Science-Fiction Réalisé par Hadrien Genest Elie Duponchel. Rôle principal : Sam Brafman-Moutier. Durée : 14’00’’. Année de production : 2006 Synopsis: Dans un hangar isolé du monde, Franck Avery, génial inventeur, vient enfin de recevoir la pile permettant de faire fonctionner son étrange machine...
CHANNELS // Science Fiction 
Added: 3009 days ago by Hadrien Genest
Runtime: 883.00 | Views: 43438 | Comments: 0
     
Director: Bef W. Schnarge | Synopsis: Le classique de Bef. Un film champêtre mais parisien, drôle mais intelligent, bref un vrai régal. De plus, ce film a reçu un visa d'exploitation.
Array // country  boy 
CHANNELS // Comedy 
Added: 3412 days ago by reservoirfilms
Runtime: 1080.00 | Views: 21528 | Comments: 0
Not yet rated
Réalisateur: Cyrille DREVON | Production: BLACK SEA PICTURES | Directeur de Production : Julien DELACRE | Directeur de la Photographie : Frédéric DERRIEN | Cadreur : Michael AYACH | Chef Electricienne : Marion BOUTIN | Electricien : Thibaud JUHEL | Chef Décorateur : Aurélien MAILLE | Accessoiriste : Luc LAFONT | Costumière : Carole POCHARD | Maquillage / Effets Spéciaux : Atelier Trompe l'Oeil, Julien RICHARD, Josselyn REFAUVELET, Cynthia SCIGLIUTO | Pyrotechnie : Steve JAMA | Ingénieur du Son : Guillaume GALLOIS | Perchman : Antoine BRUNET | Scripte : Alexandra TORTEROTOT | Assistant Réalisateur : Julien DELACRE | Régisseur Général : Yohan MARTINEZ | Régisseurs : Isabelle LEONARD, Mélanie PUAUD, Nathanael BESSON-VIGO | Photographe de plateau : Florent SEROR | Montage & Etalonnage : Cyrille DREVON | Montage son & Mixage : Hervé FAULA | Musique originale : Damien DESHAYES | Effets Numériques : Arnaud MATHIEU, Julien DONADILLE, Jérôme AUFFRET, Julien LASSON | Titrage 3D : Nicolas ROZIER | Conseiller Technique / Exports : Nicolas KIRCHHOFFER | Acteurs: Pierre Lefebvre, Gaëlle Jeantet, Daniel Schröpfer, Marie-Pascale Grenier, Guillaume Delaunay | Synopsis: Au douzième coup de minuit, un homme se réveille entouré d'inconnus pour un curieux souper qui dégénère... Un pur délire visuel, une plongée dans un monde à part, au cœur de la folie humaine !
Added: 2250 days ago by Cydre
Runtime: 50.05 | Views: 38624 | Comments: 1
    
À l’occasion de la journée internationale de lutte contre l’homophobie et la transphobie le 17 mai, découvrez le film "Encore des mots, toujours des mots, les mêmes mots…" que j’ai souhaité réaliser pour rappeler que chaque parole a un sens et peut parfois être aussi violente et dangereuse qu’un acte. Des mots qui peuvent heurter, blesser, voire tuer.
Un film et une démarche sans prétention, une petite contribution pour promouvoir un message de tolérance et de lutte contre les discriminations.
CHANNELS // Documentary  Clips 
Added: 373 days ago by lesfilmsavenir
Runtime: 92.00 | Views: 4690 | Comments: 0
Not yet rated
Réalisé par Nasser-Eddine Benalia | Avec: Xavier VILSEK, Stéphanie LAGARDE | Image: FRED GROSSO | Son: KEN YASUMOTO | Maquillage: FRÉDÉRIQUE FOGLIA | Stylisme: FLORENCE | Décor et accessoires: WOUTER ZOON | Musique: RICHARD BONNOT | Montage: SUZIE GILLET | Photographe de Plateau: Nora BENALIA | Synopsis: Jacques, en direct du Paradis (devant un bureau d’une belle bibliothèque) nous narre son histoire. Il est bibliomane. Sa passion depuis son enfance ; acheter des livres. Un jour il rencontre Carole, jeune bouquiniste/libraire qui tombe tout de suite amoureuse de ce bel intellectuel. Elle pénètre l’univers du jeune homme et s’aperçoit qu’il n’a jamais lu aucun des milliers de livres qu’il possède. En revanche il connaît par cœur les titres avec les numéros dans les éditions correspondantes. Exaspérée, et se considérant trompée sur la marchandise, Carole fuit l’univers Kafkaïen de cet énergumène. Les années ont passées et après un dixième déménagements trouvant son but ridicule atteint il décide de ne plus acheter de livres mais de les lire quand tout à coup un rayon de lumière pénètre la pièce. Une dernière place pour un dernier livre.
Array // enfer  bibliophile  Reservoir  Films 
CHANNELS // Drama 
Added: 3189 days ago by pelocheprod
Runtime: 934.63 | Views: 35298 | Comments: 0
Not yet rated
Réalisateur: Olivier GOBERT | Equipe_Technique: Réal: Olivier GOBERT (BPSprod) | Assistant réal: Sabrina FIATTE | Cadrage & SFX: Thomas DUPHIL (Black Pixel) & Olivier GOBERT | Sondier: Julien ROCIPON (Le son des choses) | Musiques: Vincent GOUBEAU (Gooob Sound Design) | Synopsis: Didier et Régis se préparent pour la 17ème édition du tournoi de pétanque de Fenouille en Buchoix. Après avoir reçu une boule de pétanque dans le crâne, Régis, développe des capacités surnaturelles. S’en rendant compte, son vil ami Didier et sa femme s’organisent pour tirer profit au mieux des capacités de Régis.
CHANNELS // Comedy 
Added: 2649 days ago by BPSprod
Runtime: 838.00 | Views: 36384 | Comments: 0
     
Réalisateur: Simon The Pernolitz | Equipe_Technique: Réalisation/Caméra: Simon The Pernolitz | Costumes/Maquillage: Anne Carole Couzon | Montage: Flomotion | Acteurs: Isabelle Desplantes - Stéphane Bilella - Hugues Régnier | Synopsis: Autrefois. La légende raconte qu'un patron mexicain aurait pactisé avec une créature maléfique et fait vivre ses employés dans la peur. Une émeute des ouvriers mis fin à son despotisme dans le sang, mais son âme damnée a réussie à survivre dans une machine. Depuis ce temps, « La machine infernale » passe d'usines en usines en apportant la désolation partout où elle passe. Attention, La machine infernale arrive en France | Once upon a time in Mexico, a boss made a deal with evil forces from another world. He has been stopped by his workers but his evil spirit has been stuck in an evil machine. They call it the infernal machine, always ending in a different factory, bringing pain and disaster. Beware, The infernal machine comes to France
CHANNELS // Horror  Gore 
Added: 2784 days ago by The Pernolitz
Runtime: 138.14 | Views: 38923 | Comments: 0
Not yet rated
Clip des Plumbers Popples. Réalisé par Hadrien Genest. Année de production 2007. Durée : 7’26’’. | Rôles principaux : Sam Brafman-Moutier. Isabelle Jeannin | Synopsis: Sam, un gringo, est perdu en plein coeur de l'Alamo. Pour passer le temps, il gratte quelques notes sur sa guitare tout en marchant. Quand soudain une voiture sort de nulle part. A son volant, une belle et mystérieuse gitane. Elle s'arrête pour le prendre en passager à condition que celui-ci lui joue de son instrument...
CHANNELS // Comedy  Clips 
Added: 3006 days ago by Hadrien Genest
Runtime: 446.00 | Views: 36187 | Comments: 0
Not yet rated
Synopsis: A psychological portrait of two women: one cannot forget what she'd experienced – the other is forgetting against her will. The former is a Polish woman who runs away to the UK from her husband, taking their two daughters with her; the latter is a wealthy Englishwoman , who offers her a job. Each is going through a deeply personal trauma: Teresa is trying to give up the role of a victim and a co-dependent alcoholic wife, while Elizabeth is struggling against memory loss and being abused by her useless son, who lies and steals from her. A sudden visit of Teresa’s husband to the UK will completely change the course of events and cause that their life will not stay the way as it used to be.
CHANNELS // Drama 
Added: 631 days ago by Marcin_Kot_Bastkowski
Runtime: 639.00 | Views: 4235 | Comments: 0
Not yet rated
Court métrage humoristique dans le cadre des poésies et autres fables de Amon...
Array // poesie  humour  drole  ode  rif  errant  vampire  mage  moine  delire  marrant 
CHANNELS // Comedy  Parody  Acting Demo 
Added: 2623 days ago by AmonActeur
Runtime: 286.00 | Views: 31960 | Comments: 0
Not yet rated
AUTEURS: Xyflea Gwad | INTERPRETES: Xyflea Gwad | COMPOSITEUR : Julien Silva alias Fenix (La Boucherie) | SCENARIO / REALISATION / MONTAGE Guillaume Tauveron |PRODUCTION: K-nyon Coast, Tauveron Films | Synopsis: Clip Original tiré du double album T'inkiet de DALTON CREW
Array // rap  hip  hop  rnb  clip  musique  rire  humour  drole  dalton  crew  tauveron 
CHANNELS // Comedy  Clips  Parody 
Added: 3242 days ago by shineiga
Runtime: 263.00 | Views: 32565 | Comments: 0
Not yet rated
The Vision:
Back in October of 2009, I set out to make a film that would push my talents as both a storyteller and a filmmaker. I wanted to create a film that would challenge myself and my audience, meshing both classical and experimental storytelling techniques from music, books, & films that have inspired me in one way or another. I wanted to make a film that didn’t do any spoon-feeding, where my audience would leave with questions as well as answers. It was a long a difficult road to get to this point and there were days where I felt that I was in way over my head but eight months later, I can proudly say I’ve finally completed my film “The Bridge” and it was an experience I would never forget.

The Inspiration:
The story of The Bridge was a story a cousin had told me when I was eight years old. It was a ghost story about two siblings on a bridge. I remember it haunting me for weeks and causing many sleepless nights under my sheets. Obviously, it had a lasting influence in my life. It had always been one of those stories that I wanted to adapt into a short film so when the opportunity finally came one day, I decided to pull to trigger.
When I was in film school, I would constantly fantasize about making some sort of epic period piece, especially one that took place during WW2. So when I decided I was going to make The Bridge, I instantly followed it up with “hell, why not make it into a WW2 movie”? I could have easily made this film as a contemporary piece but where would the fun be in that? I never do things because it’s easy; I do it because it’s hard. I love a challenge. I figured I could keep the same characters, themes, motifs, style, and wrap it around a WW2 setting. So I did.

Pre-production:
So it began. After a quick outline, I started writing the screenplay and, being a one-man crew at the time, I also started doing work on costumes and props. I lived and breathed WW2 24/7. I watched every WW2 movie and documentary I could get my hands on. I even got my hands some real WW2 letters to get a grasp on the era’s language. I felt like a student again and I loved it. I scoured eBay for every WW2 field gear I could afford to buy and the stuff I couldn’t get, I had them custom made cheaply in China. I wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down. I remember coming home one day and having almost a couple dozen eBay packages on front door. It looked like the front door of the post office.

Casting:
The casting of The Bridge was actually one of the smoothest aspects of the entire process. I first went to my good friend Amy and asked her if she would like to help me produce the film. Having worked with each other before, I didn’t really have to ask twice. She was happy to be my first recruit.
For the leading role, I asked my good friend Pablo Soriano to take the part. Having worked with him before, we have a good understanding of each other. He is just a naturally gifted actor and he makes my job as a director so much easier. Plus, his puppy dog eyes make him a perfect protagonist.
For the leading female role, I went looking for a girl who had beautiful, almost hypnotic eyes. That’s when I spotted Leah in one my good friend’s music video. I called up Carlos and basically told him, “I need to have that girl for movie”. A few days later, she was on board.
I owe the discovery of Mike, the character who plays James Connolly, to my producer Amy. She had read the script and recommended him. I remember her telling me “Mike IS James”. Words that any director would love to hear and as usual, Amy was right. So a couple months later, the script was complete, the costumes and props were ready, and the cast was cast. We were ready to shoot!

Production:
With our extremely limited budget, I knew right from day one that we were going to shoot “The Bridge” on DSLRs, specifically the Canon 7D and 5D Mark II. With this in mind, I knew (as also the DP of the film), I was going to push these cameras to its limits. I wasn’t going to let my equipment limit my vision of the film. I knew at the very beginning that I may or may not have a crappy movie in the end but hell, it’s gonna look damn good! We all know about the camera’s limitations but I wasn’t going to bitch and moan about it, I was going to work around it. I took it as a personal challenge to make these cameras work and I did. About 75% of the film was shot with the 7D and the rest with the 5DM2. The main reason I shot with the 7D more was the 24p firmware update wasn’t available for the 5DM2 during the bulk of the shooting. I prefer the 5DM2’s full frame sensor the 7D cropped sensor. Production, like any other shoot, had its ups and downs. Ours was mainly San Francisco’s unpredictable weather. You can blink and the bay area can go from miserable foggy weather (which is what I wanted for the film) to perfect summer beach party weather.
Also, being a guerilla production also has its own set of problems. I remember an actor and I almost getting arrested at a national park because a tourist reported seeing “some soldier carrying a rifle”. We got patted down and escorted off the premises. Before the ranger let us go, she handed me a business card for film permits. I thought that was hilarious.

Post-production:
There wasn’t really a “post-production” for The Bridge. I did post simultaneously during production. I would shoot on a weekend and then do visual effects or picture and sound editing on the weekdays. It was a very indie film workflow. The upside was I always had very polished dailies to show my cast and that kept them motivated to give me their best.
I spent my first two years out of film school as a CG artist. Being able to do my own 3d animation, modeling, surfacing, lighting, and rendering definitely upped the production value of my film. CG artists aren’t cheap and I calculated that if I had paid someone else to do my visual effects, it would have been double the entire budget of the film.
I hate ADR and foleying but if you don’t have a budget, you have to do it yourself. We had two whole scenes where sound was completely unusable (the tunnel scenes) so we had to redo it from scratch. I remember ADR sessions inside automobiles and 2 A.M. foley when my neighborhood is quiet and I don’t have to deal with traffic and barking dogs.
I discovered my composer Justin browsing through some filmmaking forums. He is such a talented musician. He added so much emotion to my film. Being a super control-freak, it’s very difficult for me to hand off any aspect of my film to someone else unless I have 100 percent confidence in that person. Justin is one of those people. In fact, Justin was the only other person who had a hand in post aside from me.
It was tough being a “one man studio” for this film. I acted as DP and director on Sunday, editor on Monday, sound editor on Tuesday, visual effects artist on Wednesday and Thursday, and compositor on Friday. I got some rest on Saturday (while my two computer farm renders). But in the end, when it all comes together… nothing feels more rewarding than seeing the art you’ve created. I can safely say that I created something I’m very proud of.

Full Circle:
So here it is. 8 months work compressed into a 30-minute narrative short. The film I set out to create back in October of 2009. I would like to thank everyone who was a part of it. I couldn’t have done it without you. To my viewers, I hope this film challenges you like it challenged me. Enjoy.
Array // bridge  war 
CHANNELS // Drama 
Added: 1380 days ago by reservoirfilms
Runtime: 1800.00 | Views: 5142 | Comments: 0
Not yet rated
This is a not-at-all official music video for Heads Will Role by the Yeah Yeah Yeahs. It's a re-edit of my short film "The Dance of Death" co-produced with the National Film Board of Canada. You can check out the original short here. https://vimeo.com/12882206
Array // The  Dance  of  Death  Heads  Will  Role  by  the  Yeah  Yeah  Yeahs  Julian  van  Mil  broadcasting  reservoir  films 
CHANNELS // Clips 
Added: 822 days ago by julian_van_mil
Runtime: 221.00 | Views: 14405 | Comments: 0
Not yet rated
"Alfred Hitchcock Presents" The Sorcerer's Apprentice (1962) | Synopsis: The Great Sadini finds a young man passed out from hunger on the carnival grounds and takes him inside to his trailer. The boy, Hugo, proves to be simple. His first thought on waking is that he is dead and that Sadini and his wife are the devil and an angel. He's nearly right -- but he has the roles reversed. Sadini's compassion prompts him to take the kid under his wing and teach him about magic. The wife's cold heart leads her to beg the manipulable boy to commit murder
CHANNELS // Drama  Classics 
Added: 2603 days ago by reservoirfilms
Runtime: 1500.00 | Views: 22385 | Comments: 0
Not yet rated

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