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Search // James
Results 1-8 of 8 for ' James ' (0 seconds)
Director: Stanley Kubrick | Synopsis: Based on Kubrick's pictorial for Look Magazine (January 18, 1949) entitled "Prizefighter," "Day Of The Fight" tells of a day in the life of a middleweight Irish boxer named Walter Cartier, particularly the day of his bout with black middleweight Bobby James. This 16-minute short opens with a short (about 4 minutes) study of boxing's history, narrated by veteran newscaster Douglas Edwards in a no-nonsense, noir tone of voice. After this, we follow Walter (and his twin brother Vincent) through his day as he prepares for his 10:00 P.M. bout. After eating breakfast, going to early mass and eating lunch, he starts arranging his things for the fight at 4:00 P.M. By 8:00, he is waiting in his dressing room, where he undergoes a mental transformation, turning into the fighting machine the crowd clamors for. At 10:00, he faces James, and soon, he comes out victorious in a short match which was filmed live on April 17th, 1950. / Ce documentaire, premier film de Kubrick, est consacré au boxeur poids moyen irlandais Walter Cartier sur lequel le cinéaste avait fait un reportage photo, intitulé "Prizefighter", pour le magazine Look.
CHANNELS // Documentary  Classics 
Added: 3503 days ago by reservoirfilms
Runtime: 949.51 | Views: 19265 | Comments: 0
Not yet rated
Réalisateur: Julien Ratel | Equipe_Technique: Philipp Mayrhofer (cadrage, montage) Marion Alles (maquillage) | Acteurs: Ariane Zantain, Anne-Elisabeth Cherpion, Vincent Marie, Julien Ratel | Synopsis: Le clip-hommage à Phil Barney et à James Blunt. Par Juyen et les purées de cerveau. "Leur rencontre, on se demandait si c'était du lard ou du cochon. Leur histoire d'amour devait tourner en eau de boudin. Elle finira d'ailleurs comme elle avait commencé : en boucherie." | Format_de_prises_de_vues: DV PAL | Procédé: couleur | Année: 2008 | Durée: 4:28
Array // boucherie  faim  juyen 
CHANNELS // Comedy  Clips 
Added: 3034 days ago by juyen
Runtime: 268.84 | Views: 25236 | Comments: 0
Not yet rated
Synopse: Millionaire playboy Fredrick Loren hosts a party for his 4th wife Annabelle Loren at the "House On Haunted Hill," a house that has seen seven murders, Fredrick invites 5 guests: Lance Schroeder,a pilot, Ruth Bridges, a journalist, Watson Prichard, the owner of The House On Haunted Hill, Nora Manning, a worker for one of Fredrick Loren's companies, and David Trent, a psychiatrist. Fredrick will offer each of them $10,000 to spend a night in The House On Haunted Hill. They all want the money. At midnight, the caretakers lock to doors, and the terror begins!
Synopsis: Un milliardaire loue une maison hantée pour y donner une réception à la demande de sa femme.

Production: William Castle (producer), Robb White (associate producer)
Original Music: Von Dexter
Cinematography: Carl E. Guthrie(director of photography)
Film Editing: Roy V. Livingston (as Roy Livingston)
Art Direction: Dave Milton (as David Milton)
Set Decoration: Morris Hoffman
Makeup Department: Jack Dusick (makeup artist), Gale McGarry (hair stylist)
Production Management: Edward Morey Jr. (production manager)
Second Unit Director or Assistant Director: Jack R. Berne (assistant director)
Art Department: Ted Mossman (property (as Teddy Mossman)), James West (construction supervisor)
Sound Department: Ralph Butler (sound recording engineer), Charles G. Schelling (sound editor (as Charles Schelling))
Special Effects: Herman E. Townsley (special effects (as Herman Townsley)), Daniel Hays (special effects technician (uncredited))
Camera and Electrical Department: Bernie Schwartz (grip)
Costume and Wardrobe Department: Norah Sharpe (wardrobe: ladies), Roger J. Weinberg (wardrobe: men)
Music Department: Von Dexter (conductor), Jerry Irvin (music editor)
Other crew: Virginia Mazzuca (set continuity)

Casting:
Vincent Price: Frederick Loren
Carol Ohmart: Annabelle Loren
Richard Long: Lance Schroeder
Alan Marshal: Dr. David Trent
Carolyn Craig: Nora Manning
Elisha Cook Jr.: Watson Pritchard (as Elisha Cook)
Julie Mitchum: Ruth Bridgers
Leona Anderson: Mrs. Slydes
Howard Hoffman: Jonas
Skeleton: Himself

CHANNELS // Horror  Trailers  Classics 
Added: 1593 days ago by reservoirfilms
Runtime: 106.00 | Views: 25819 | Comments: 0
Not yet rated
Synopsis: Alors que James Monnay, huissier acharné, effectue une saisie dans un vaste château, il touche un objet magique qui le propulse dans un monde parallèle. A peine arrivé, il tombe amoureux de Catherine, la promise du Roi et devient donc l’ennemi mortel de ce dernier. James et Catherine tentent de s’échapper pour retourner dans le monde de Monnay. Mais le Roi, qui a besoin de Catherine pour un projet mystérieux et inter-galactique va tout faire pour les en empêcher.
Synopse: As James Monnay, merciless usher, is operating in a splendid French castle, he accidentally touches a magic object which propulses him straight into another world. Just arrived, he falls in love with Catherine, the King‘s promised wife… becoming in this way his first loathed enemy. Feeling in danger, James and Catherine tries to escape from the castle, decided to go back to the other world. But the King needs Catherine for a mysterious inter-galactic project, and is ready to do everything to prevent them from escaping.
CHANNELS // Fantastic 
Added: 1809 days ago by ASM
Runtime: 1300.00 | Views: 27394 | Comments: 0
Not yet rated
Synopse: This short film presents the first striking stages of Regis Loisel’ s work ‘Peter Pan’ where he puts forward his dark vision of the world in the way of a fairy tale for adults. The film displays Peter as a child, years before Sir James Matthew Barrie’s one. We all know that Peter Pan is an eternal child who hates adults and whose sworn enemy is captain Crochet. But how did he come to this ? London in 1887 hunger coldness and poverty provide the setting.
Brought up by a tyrannical and alcoholic mother Peter finds his salute only in the dreams and tales which free his imagination. One night, after a violent quarrel with his mother he takes refuge on the docks. There a small and attractive fairy who needs help will take him to the imaginary country.
Thus begins the fabulous story of Peter a child from the poor area of White-Chapel who will later become Peter Pan. He will have to face the awful captain Hook in an everlasting fight for the treasure and survival of the island.

Synopsis: Elevé par une mère tyrannique et alcoolique, Peter ne trouve son salut que dans les rêves et les contes qui libèrent son imagination. Un soir, l’enfant, après une violente dispute avec sa mère, se refugie sur les docks. C’est alors que lui apparaît une jolie petite fée qui l’emmène au Pays Imaginaire afin qu’il devienne leur sauveur.
Array // peter  pan  london  1887  fairy  tale  dark  vision  broadcast  reservoir  films 
CHANNELS // Action  Fantastic 
Added: 1332 days ago by Nicolas_Duval
Runtime: 720.00 | Views: 23790 | Comments: 0
Not yet rated
Réalisateur: Jules THENIER | Equipe_Technique: Générique : Musique : Franck Lebon Image : Juan Siquot | Assistant opérateur : Rémi Mestre | Chef électricien : Stéphane Bloum | Electricien : Renaud Bertrand | Chef machiniste : Benoît Féréol | 1ere assitante réalisateur : Virginie Audouard | 2ème assistante réalisateur : Vanessa Bigot | 2ème assitant réalisateur : Nicolas Carchenilla | Scripte : Amélie Wencker | Producteur éxécutif : Jules Thénier | Directeur de production : Thomas Spony | Coproduit par DBE Films : Damien Bernard | Ingénieur son : François Régny | Perchman : Jérôme Petit | Chef décoratrice : Eva Julhe | Assistants déco : Antoine Fenske Johann Chassignol Galien Malferiol Sven Marion | Chef costumière : Julie Vigouroux | Chef maquilleuse : Léa Mauchamp | Régisseur général : Nicolas Mesnard | Régisseuse : Claudia Plisson | Régisseuse : Émilie Doan | Montage image : Jules Thénier Jérôme Renkly | Montage son : Samy Barnet | Effets spéciaux numérique fait à Stations services Infographistes : Jérôme Rotfarb François Grassard | Infographie du générique : Charles Michaudet | Acteurs: Anne-Elisabeth Blateau, Jean Vocat, Hubert Drac | Synopsis: Abandonnée il y a longtemps par son cher Peter Pan, parti depuis belle lurette avec la charmante Wendy, la Fée Clochette noie sa rancœur dans un sombre bar de la Terre. Inlassablement, elle ressasse ses souvenirs au grand dam de James le barman. Mais ce soir, les choses prennent une tournure différente: lorsque Peter débarque pour proposer à Clochette de repartir dans le Pays Imaginaire …
Array // peter  pan  clochette  barman  wendy   
CHANNELS // Comedy  Action 
Added: 2830 days ago by Aqrm
Runtime: 660.00 | Views: 33533 | Comments: 0
  
Ecrit et réalisé par Arnold de Parscau | Musique originale: Cyrille Marchesseau | Directeur de la photographie: Jonathan Bertin | Premier assistant réalisateur: Edouard Paoli | Cadreur: Martin Keruzoré | Maquillage: Marie Gombaud | Acteurs: Christian Erickson, James Nield, Nicolas Hawtrey, Christopher Craig, Ollie Crawford | Synopsis: In a lovely mansion lost in the middle of country-side, runs a game of poker played between four cheaters, at the end of which there could be losers only./ Dans une belle propriété perdue dans la campagne anglaise, se déroule une partie de poker entre tricheurs qui pourrait bien ne donner que des perdants.
CHANNELS // Thriller 
Added: 2350 days ago by adod
Runtime: 956.00 | Views: 40170 | Comments: 1
Not yet rated
The Vision:
Back in October of 2009, I set out to make a film that would push my talents as both a storyteller and a filmmaker. I wanted to create a film that would challenge myself and my audience, meshing both classical and experimental storytelling techniques from music, books, & films that have inspired me in one way or another. I wanted to make a film that didn’t do any spoon-feeding, where my audience would leave with questions as well as answers. It was a long a difficult road to get to this point and there were days where I felt that I was in way over my head but eight months later, I can proudly say I’ve finally completed my film “The Bridge” and it was an experience I would never forget.

The Inspiration:
The story of The Bridge was a story a cousin had told me when I was eight years old. It was a ghost story about two siblings on a bridge. I remember it haunting me for weeks and causing many sleepless nights under my sheets. Obviously, it had a lasting influence in my life. It had always been one of those stories that I wanted to adapt into a short film so when the opportunity finally came one day, I decided to pull to trigger.
When I was in film school, I would constantly fantasize about making some sort of epic period piece, especially one that took place during WW2. So when I decided I was going to make The Bridge, I instantly followed it up with “hell, why not make it into a WW2 movie”? I could have easily made this film as a contemporary piece but where would the fun be in that? I never do things because it’s easy; I do it because it’s hard. I love a challenge. I figured I could keep the same characters, themes, motifs, style, and wrap it around a WW2 setting. So I did.

Pre-production:
So it began. After a quick outline, I started writing the screenplay and, being a one-man crew at the time, I also started doing work on costumes and props. I lived and breathed WW2 24/7. I watched every WW2 movie and documentary I could get my hands on. I even got my hands some real WW2 letters to get a grasp on the era’s language. I felt like a student again and I loved it. I scoured eBay for every WW2 field gear I could afford to buy and the stuff I couldn’t get, I had them custom made cheaply in China. I wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down. I remember coming home one day and having almost a couple dozen eBay packages on front door. It looked like the front door of the post office.

Casting:
The casting of The Bridge was actually one of the smoothest aspects of the entire process. I first went to my good friend Amy and asked her if she would like to help me produce the film. Having worked with each other before, I didn’t really have to ask twice. She was happy to be my first recruit.
For the leading role, I asked my good friend Pablo Soriano to take the part. Having worked with him before, we have a good understanding of each other. He is just a naturally gifted actor and he makes my job as a director so much easier. Plus, his puppy dog eyes make him a perfect protagonist.
For the leading female role, I went looking for a girl who had beautiful, almost hypnotic eyes. That’s when I spotted Leah in one my good friend’s music video. I called up Carlos and basically told him, “I need to have that girl for movie”. A few days later, she was on board.
I owe the discovery of Mike, the character who plays James Connolly, to my producer Amy. She had read the script and recommended him. I remember her telling me “Mike IS James”. Words that any director would love to hear and as usual, Amy was right. So a couple months later, the script was complete, the costumes and props were ready, and the cast was cast. We were ready to shoot!

Production:
With our extremely limited budget, I knew right from day one that we were going to shoot “The Bridge” on DSLRs, specifically the Canon 7D and 5D Mark II. With this in mind, I knew (as also the DP of the film), I was going to push these cameras to its limits. I wasn’t going to let my equipment limit my vision of the film. I knew at the very beginning that I may or may not have a crappy movie in the end but hell, it’s gonna look damn good! We all know about the camera’s limitations but I wasn’t going to bitch and moan about it, I was going to work around it. I took it as a personal challenge to make these cameras work and I did. About 75% of the film was shot with the 7D and the rest with the 5DM2. The main reason I shot with the 7D more was the 24p firmware update wasn’t available for the 5DM2 during the bulk of the shooting. I prefer the 5DM2’s full frame sensor the 7D cropped sensor. Production, like any other shoot, had its ups and downs. Ours was mainly San Francisco’s unpredictable weather. You can blink and the bay area can go from miserable foggy weather (which is what I wanted for the film) to perfect summer beach party weather.
Also, being a guerilla production also has its own set of problems. I remember an actor and I almost getting arrested at a national park because a tourist reported seeing “some soldier carrying a rifle”. We got patted down and escorted off the premises. Before the ranger let us go, she handed me a business card for film permits. I thought that was hilarious.

Post-production:
There wasn’t really a “post-production” for The Bridge. I did post simultaneously during production. I would shoot on a weekend and then do visual effects or picture and sound editing on the weekdays. It was a very indie film workflow. The upside was I always had very polished dailies to show my cast and that kept them motivated to give me their best.
I spent my first two years out of film school as a CG artist. Being able to do my own 3d animation, modeling, surfacing, lighting, and rendering definitely upped the production value of my film. CG artists aren’t cheap and I calculated that if I had paid someone else to do my visual effects, it would have been double the entire budget of the film.
I hate ADR and foleying but if you don’t have a budget, you have to do it yourself. We had two whole scenes where sound was completely unusable (the tunnel scenes) so we had to redo it from scratch. I remember ADR sessions inside automobiles and 2 A.M. foley when my neighborhood is quiet and I don’t have to deal with traffic and barking dogs.
I discovered my composer Justin browsing through some filmmaking forums. He is such a talented musician. He added so much emotion to my film. Being a super control-freak, it’s very difficult for me to hand off any aspect of my film to someone else unless I have 100 percent confidence in that person. Justin is one of those people. In fact, Justin was the only other person who had a hand in post aside from me.
It was tough being a “one man studio” for this film. I acted as DP and director on Sunday, editor on Monday, sound editor on Tuesday, visual effects artist on Wednesday and Thursday, and compositor on Friday. I got some rest on Saturday (while my two computer farm renders). But in the end, when it all comes together… nothing feels more rewarding than seeing the art you’ve created. I can safely say that I created something I’m very proud of.

Full Circle:
So here it is. 8 months work compressed into a 30-minute narrative short. The film I set out to create back in October of 2009. I would like to thank everyone who was a part of it. I couldn’t have done it without you. To my viewers, I hope this film challenges you like it challenged me. Enjoy.
Array // bridge  war 
CHANNELS // Drama 
Added: 1501 days ago by reservoirfilms
Runtime: 1800.00 | Views: 5874 | Comments: 0
Not yet rated

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