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A film by Fabrice Poirier & Philippe Macaigne (2010) | Real world image shooting & direction: Fabrice Poirier | Computer Graphics design & storyboarding: Philippe Macaigne | Editing : Fabrice Poirier | Technical advisor : Pascal Macaigne | Actors : Nina Roberts , Pascal Macaigne | Camera : Didier Feldmann | Lights : Adrien Gontier | Director Assistant : Luc Tison | Script : Leslie Lazzara | Catering : David Blumen | Special thanks to the SNCF Vaires/Marne yards staff. To enjoy this clip in its stereoscopic glory, use RED/CYAN glasses. Free 3D glasses here: fabrice.poirier (AT) gmail.com
Array // poirier  nina  roberts  mac  macaigne  space  soyuz  pravda  sue 
CHANNELS // Clips  Science Fiction 
Added: 2550 days ago by Fabrice_Poirier
Runtime: 189.96 | Views: 30172 | Comments: 0
Not yet rated
Réalisateur: Vincent Moubeche | Procédé: 3D Couleur | Année: 2011 | Durée: 3 min 9 | Equipe technique: Vincent Moubeche (image), Alain Drouin (son). | Synopsis: Alors que sa journée commence plutôt mal, Phil, vendeur de télévision, se fait voler un de ses produits phare. N'ayant peur de rien, il se met alors à la poursuite du voleur afin de récupérer par tous les moyens ce qui lui appartient.
CHANNELS // Comedy  Animation 
Added: 2254 days ago by vincentmoubeche
Runtime: 230.00 | Views: 36435 | Comments: 0
Not yet rated
Synopse: Azureus Rising is an action adventure epic chronicling the origin of the freedom fighter known as Azureus. Based on the award winning short film, Azureus Rising is a 3D animated feature film concept that is unlike anything ever produced for the screen. A passion project of director David Weinstein, the concept was inspired by The Lion King and the original Star Wars trilogy.
Array // azureus  animation 
CHANNELS // Animation  Science Fiction 
Added: 1284 days ago by david_weinstein
Runtime: 336.00 | Views: 20089 | Comments: 0
Not yet rated
Synopsis: In this episode of the Caminandes cartoon series we get to know our hero Koro even better! It's winter in Patagonia, food is getting scarce. Koro the Llama engages with Oti the pesky penguin, in an epic fight over that last tasty berry.
Synopsis (fr): Dans ce nouvel épisode du cartoon Caminandes nous allons connaitre beaucoup mieux notre héro Koro. C'est l'hiver en Patagonie, la nourriture est devenue rare. Koro le lama participe avec Oti le sale pinguin à un combat pour récupérer la dernière baie.

This short 'Free Culture' animation film was made with the free 3D software Blender and funded by the subscribers of the Blender Cloud platform. Already since 2007, Blender Institute successfully combines film and media production with improving a free and open source 3D creation pipeline.
Currently a lot of extra material and tutorials is being produced, to share the full production with the cloud subscribers.
Special thanks goes to the music by Torin Borrowdale, the sound effects by Sander Houtman and the render power of RenderStreet.
CHANNELS // Animation 
Added: 520 days ago by Pablo_Vazquez
Runtime: 149.00 | Views: 8148 | Comments: 0
Not yet rated
Réalisateur: Cyrille DREVON | Production: BLACK SEA PICTURES | Directeur de Production : Julien DELACRE | Directeur de la Photographie : Frédéric DERRIEN | Cadreur : Michael AYACH | Chef Electricienne : Marion BOUTIN | Electricien : Thibaud JUHEL | Chef Décorateur : Aurélien MAILLE | Accessoiriste : Luc LAFONT | Costumière : Carole POCHARD | Maquillage / Effets Spéciaux : Atelier Trompe l'Oeil, Julien RICHARD, Josselyn REFAUVELET, Cynthia SCIGLIUTO | Pyrotechnie : Steve JAMA | Ingénieur du Son : Guillaume GALLOIS | Perchman : Antoine BRUNET | Scripte : Alexandra TORTEROTOT | Assistant Réalisateur : Julien DELACRE | Régisseur Général : Yohan MARTINEZ | Régisseurs : Isabelle LEONARD, Mélanie PUAUD, Nathanael BESSON-VIGO | Photographe de plateau : Florent SEROR | Montage & Etalonnage : Cyrille DREVON | Montage son & Mixage : Hervé FAULA | Musique originale : Damien DESHAYES | Effets Numériques : Arnaud MATHIEU, Julien DONADILLE, Jérôme AUFFRET, Julien LASSON | Titrage 3D : Nicolas ROZIER | Conseiller Technique / Exports : Nicolas KIRCHHOFFER | Acteurs: Pierre Lefebvre, Gaëlle Jeantet, Daniel Schröpfer, Marie-Pascale Grenier, Guillaume Delaunay | Synopsis: Au douzième coup de minuit, un homme se réveille entouré d'inconnus pour un curieux souper qui dégénère... Un pur délire visuel, une plongée dans un monde à part, au cœur de la folie humaine !
Added: 2371 days ago by Cydre
Runtime: 50.05 | Views: 40831 | Comments: 1
    
Extrait de l'EP "INSPIRATION", disponible sur tous les sites de téléchargement. iTunes : https://itunes.apple.com/fr/album/ins... Bandcamp : http://eska-officiel.bandcamp.com/alb... Suivez Eska sur http://www.facebook.com/eskaofficiel et http://twitter.com/EskaOfficiel Musique composée par Cori. Voix additionnelle : Ladybug and the Wolf - http://www.facebook.com/ladybugandthe... Morceau enregistré et mixé par Tony Bakk au Studio MG, masterisé par Cori. Booking/contact presse : david.wab@live.fr - http://www.facebook.com/weartbetter Réalisateur: Thomas Heurtier
Chef opérateur: Alexandre Berry ass.
Caméra: Océanne Skarica ass.
Réalisateur: Judit Escoda
Montage: Amélie Massoutier - Thomas Heurtier
Chef électro: Elyan Charvet
Chef machino: Jonas Costecalde
Maquillage: Gaëlle Hollaender
Régie générale: Elsa Lavignasse
Photographe de plateau: Nicolas Aune
Acteurs: Constance Pizon
Format de prises de vues: vidéo
Procédé: R3D
Année: 2013
Durée: 3 minutes 30
CHANNELS // Clips 
Added: 1414 days ago by Garraty
Runtime: 37.24 | Views: 26523 | Comments: 0
Not yet rated
Production: Christophe Loyer | Réalisation: Sébastien Hubaut | Cameramen: Tof, Ben, Dom | 1er prix pro au "Festival Zot Movie" Sélection officielle au "Festival Mondial de l'Image Sous-Marine" | Logiciels: Gimp(retouche photo) - Blender(3D) - After effect(effets Vidéo) - Première(montage) | La fusion entre l'air et l'eau au travers de deux disciplines que sont le parachutisme et la natation synchronisée
Array // feng  shui 
CHANNELS // Clips 
Added: 2125 days ago by tofrun
Runtime: 230.00 | Views: 20030 | Comments: 0
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Réalisateur: Stéphane Esse et Audrey Lange Equipe_Technique: Chef opératrice - cadreuse AUDREY LANGE Création des personnages et des costumes STEPHANE ESSE & AUDREY LANGE Montage et post-production STEPHANE ESSE Effets spéciaux 3D VINVENT BUI & DAVID LECORVEC Animation 2D THOMAS PENIN Musique – sound design & mixage ANTHONY « JAK » GICQUEL & ROMAIN DUBOIS Assistant réalisateur JEROME CASSIGNOL Régisseur VINCENT VERDIER Photographe de plateau CYRIL WULGUE Produit par L’agence EVE - STEPHANE ESSE & AUDREY LANGE Remerciements à Mr ROUVELLAT de la SEMIP ART-TEASER DANIELLE SABATHE SAMUEL BEN HAIM NACIM ZAOUANI Acteurs: STEPHANE ESSE, CHLOE GREGORIO, SAMUEL BEN HAIM | Synopsis: Dans un futur lointain, la surface de la Terre est recouverte d’un gaz toxique. Trois survivants, équipés de masques de protection - sorte de seconde peau - errent dans cet enfer qui n’est plus que désolation. Ils fouillent le béton à la recherche de résidus végétaux, de nourriture quand soudain, ils font une découverte des plus inattendue…
Array // fleur  de  beton 
CHANNELS // Drama  Science Fiction  Fantastic 
Added: 2847 days ago by Esse
Runtime: 600.00 | Views: 33952 | Comments: 0
     
REALISATEUR : Charles OSSOLA. 1ère ASSISTANTE REAL : Bojana MOMIROVIC. 2ème ASSISTANT REAL : Ari SELLEM. IMAGE : Timo PLOGSTEDT. 1er ASSISTANT IMAGE : T1 Raphaël AUBERT. 1er ASSISTANT IMAGE T2 : David JACQUES. 2ème ASSISTANT IMAGE T1 : Elodie HAMMOND. 1er ELECTRO T1 : Damien DOUCHEZ. 2ème ELECTRO T1 : Xavier BAILLE. 3ème ELECTRO T1 : Anton LUCCHINI. 4ème ELECTRO T2 : Pierre-Marie PAUBEL. SCRIPTE : Violaine DAQUET. INGE SON T1 : Ivan LE BORGNE. INGE SON T2: Arnaud JULIEN. PERCHMAN T1 : Benjamin LECALVE. PERCHMAN T2 : Nassim EL MOUNABBIH. CHEF DECO : Damian KOVACEVIC. ACCESSOIRISTE : Alexander VAN AS. MAKE UP Effets spéciaux : Yannice DARNAL. REGISSEUR GENE T2 : Elodie HAMMOND. 1er REGISSEUR T1 : Stéphan HAMRERAS. 2ème REGISSEUR T1 : Alexandre HEIN. 3D Générique/Effets spéciaux/Création affiche/Ligne graphique : Jérémie GAUTIER. GAC GROUPE ACTION CINEMA : Jean-Charles MANUEL & Dominique CACHE. GAC Conseiller, costumes & accessoires : Jean-Charles MANUEL. GAC Conseiller technique: Yan M & Matthieu T. RAID Cascade : Jean-Philippe BOURSIER. Assistant cascade : Christophe CHAMPION. Coach Jean : Akéla SARI. Effet spéciaux (Impact balle) : Jean-Philippe BOURSIER. PHOTOGRAPHE: Andreas CARAISCO. REAL MAKING OF: Charlotte VECCHIET. ETALONNAGE“RETAKE”: Christophe ROBLEDO. MONTAGE : Sameh CHAABANE. MONTAGE BA : Rodolphe ABSOLUT DE LA GASTINE. MIXAGE SON : Marc AIMAR. MUSIQUE Originale : Jacques BASTELLO. DESIGN SONORE : Gerome FAUREL. TRADUCTION (Sous titrage Anglais) Bojana MOMIROVIC. | Acteurs: Charles Philipe OSSOLA – Hugo MARY – Brigitte LO CICERO – José DA SILVA – Anne CART – Denis LEROY – Vincent PERRIN. Voix Off : Patrick BETOUNE | Synopsis: L’histoire se situe par une nuit de pleine lune dans un immeuble de l’Est parisien où un couple en plein sommeil aux alentours de 3 heures du matin est brutalement réveillé par leurs voisins du dessus. Les voisins semblent tirer des coups de feu ! Intrigué et à la fois totalement excédé par tout ce raffut, l’homme décide d’aller rendre visite à ses voisins, fermement décidé à mettre fin à tout ce vacarme. Une surprise « mortelle » au sens propre et figuré du terme l’attend… | The action takes place during a full moon night in a building in the East of Paris. A couple is awakened in the middle of the night by terrifying noise coming from their upstairs neighbour’s apartment - they seem to be firing shots! Intrigued and upset by this row the man decides to go upstairs and make the neighbours stop the noise. He cannot guess that a surprise is waiting for him...
CHANNELS // Thriller 
Added: 2556 days ago by charles
Runtime: 68.68 | Views: 34728 | Comments: 0
Not yet rated
Réalisateur: Philippe Bastet | Procédé: 3D | Année: 2011 | Durée: 3.10 | Court métrage de fin d'année | Réalisation solo
Array // movie  spider  3d  animation  grass  short  film 
Added: 2211 days ago by
Runtime: 0.00 | Views: 22706 | Comments: 0
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Réalisation, scénario, infographie et animation 3D : Cyrille Drevon, Nelly Durieux, Amel El Kamel - D'après une histoire originale de Cyrille Drevon - Musique : Damien Deshayes - Montage et Son : Cyrille Drevon | Production: Supinfocom | Synopsis: Mille et une façons d'endormir un vilain petit garnement ! / One thousand ways of putting to sleep a naughty young boy ! - Prix ARTE - Prix de la Première Oeuvre de l'INA - Prix du Meilleur Film d’Animation (Festival Animamundi, Brésil) - Prix du Public (Festival de Tournus, France) - Prix du Public (Festival de Grenoble Une Nuit Trop Courte, France) - Grand Prix du Jury (Festival des Lionceaux de Arles, France)
CHANNELS // Animation  Fantastic 
Added: 2298 days ago by Cydre
Runtime: 330.00 | Views: 32035 | Comments: 0
     
Réalisateur: Pascale Callier, Yann Lacour, Nicolas Louvet, Sophie Taddei, Thomas Zambetta | Synopsis: Sur l'île Aléoute, le climat fait preuve d'une rudesse inégalée. A la pointe de l'évolution, les Mitoufflés ne cessent d'inventer et de s'adapter. Dommage...
CHANNELS // Animation  Cartoon  Parody 
Added: 2918 days ago by Manwor
Runtime: 272.00 | Views: 35674 | Comments: 0
Not yet rated
Production: Carol Aplogan, Francesco Virgilio & Michael Guerraz | Réalisation, montage & vfx : Michael Guerraz | Animation des squelettes 3D : Benjamin Deschamps | Photographies de nuit: Carol Aplogan | Chefs opérateurs : Nathalie Lao & Michael Guerraz | Assistant caméra : Laurent Ferrière | Maquillage : Claire Arnou | Stylisme : Dominique Demoniere | Corset : Marion B. Wuthier | Photographe de plateau : Christophe Alvarez-Luego | Groupe: mokroie.com | Synopsis : Une femme raconte ses nuits d'insomnie
CHANNELS // Clips 
Added: 2263 days ago by MiK
Runtime: 226.00 | Views: 34855 | Comments: 0
Not yet rated
Réalisatrice: Sibylle de Château-Thierry | Synopsis: Tirée d'une vieille legende bretonne, voici l'histoire de Fanch ar Floch', pauvre forgeron simple et travailleur, un soir de Noël ...
Array // sibou  animation  3d  bretagne  legende  reservoir  films 
CHANNELS // Animation  Fantastic 
Added: 2255 days ago by 3boules
Runtime: 230.00 | Views: 29979 | Comments: 0
Not yet rated
Synopsis: A hungry mouse discovers that the one who laughs at the end, gets the best laugh.
Array // mouse  Pancho  animation  3d 
CHANNELS // Animation 
Added: 3064 days ago by redorb333
Runtime: 193.00 | Views: 26063 | Comments: 0
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A 3D animated short film by ak3d.de Selfillumination a 3d animated short film in stereo 3d
This is a 3d animated shortfilm of my character "Selfillumination". It tells a short story on how you sometimes have to “change your head” to become really independent.
Array // self  3D  animated  short  film  broadcasting  reservoir  films 
CHANNELS // Animation 
Added: 1222 days ago by ak3d
Runtime: 330.00 | Views: 16305 | Comments: 0
Not yet rated
“Sintel” is an independently produced short film, initiated by the Blender Foundation as a means to further improve and validate the free/open source 3D creation suite Blender. With initial funding provided by 1000s of donations via the internet community, it has again proven to be a viable development model for both open 3D technology as for independent animation film. This 15 minute film has been realized in the studio of the Amsterdam Blender Institute, by an international team of artists and developers. In addition to that, several crucial technical and creative targets have been realized online, by developers and artists and teams all over the world. “Sintel” commenced in May 2009, with producer Ton Roosendaal establishing a core team consisting of Colin Levy (director), David Revoy (concept art), Martin Lodewijk (story) and Jan Morgenstern (composer). In August script writer Esther Wouda was approached as a consultant, which resulted in her taking the responsibility for the entire screenplay. Esther then worked in close cooperation with Colin, David and Ton to deliver the final script early November. Meanwhile, Colin and David realized the first storyboards. Based on a public call for artists – with over 150 respondents – the Durian artist team got established in July 2009. They first met in a pre-production week in Amsterdam in August, and all decided to join the project per October 1st. With the final movie budget still unknown, the target then still was to finish the film within 7 months, with a team of 6 artists and 2 developers. At that time the team still had the hopes to be able to realize the script in a 6-8 minute film.
Array // Sintel 
CHANNELS // Animation 
Added: 1741 days ago by reservoirfilms
Runtime: 888.00 | Views: 15858 | Comments: 0
     
The Vision:
Back in October of 2009, I set out to make a film that would push my talents as both a storyteller and a filmmaker. I wanted to create a film that would challenge myself and my audience, meshing both classical and experimental storytelling techniques from music, books, & films that have inspired me in one way or another. I wanted to make a film that didn’t do any spoon-feeding, where my audience would leave with questions as well as answers. It was a long a difficult road to get to this point and there were days where I felt that I was in way over my head but eight months later, I can proudly say I’ve finally completed my film “The Bridge” and it was an experience I would never forget.

The Inspiration:
The story of The Bridge was a story a cousin had told me when I was eight years old. It was a ghost story about two siblings on a bridge. I remember it haunting me for weeks and causing many sleepless nights under my sheets. Obviously, it had a lasting influence in my life. It had always been one of those stories that I wanted to adapt into a short film so when the opportunity finally came one day, I decided to pull to trigger.
When I was in film school, I would constantly fantasize about making some sort of epic period piece, especially one that took place during WW2. So when I decided I was going to make The Bridge, I instantly followed it up with “hell, why not make it into a WW2 movie”? I could have easily made this film as a contemporary piece but where would the fun be in that? I never do things because it’s easy; I do it because it’s hard. I love a challenge. I figured I could keep the same characters, themes, motifs, style, and wrap it around a WW2 setting. So I did.

Pre-production:
So it began. After a quick outline, I started writing the screenplay and, being a one-man crew at the time, I also started doing work on costumes and props. I lived and breathed WW2 24/7. I watched every WW2 movie and documentary I could get my hands on. I even got my hands some real WW2 letters to get a grasp on the era’s language. I felt like a student again and I loved it. I scoured eBay for every WW2 field gear I could afford to buy and the stuff I couldn’t get, I had them custom made cheaply in China. I wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down. I remember coming home one day and having almost a couple dozen eBay packages on front door. It looked like the front door of the post office.

Casting:
The casting of The Bridge was actually one of the smoothest aspects of the entire process. I first went to my good friend Amy and asked her if she would like to help me produce the film. Having worked with each other before, I didn’t really have to ask twice. She was happy to be my first recruit.
For the leading role, I asked my good friend Pablo Soriano to take the part. Having worked with him before, we have a good understanding of each other. He is just a naturally gifted actor and he makes my job as a director so much easier. Plus, his puppy dog eyes make him a perfect protagonist.
For the leading female role, I went looking for a girl who had beautiful, almost hypnotic eyes. That’s when I spotted Leah in one my good friend’s music video. I called up Carlos and basically told him, “I need to have that girl for movie”. A few days later, she was on board.
I owe the discovery of Mike, the character who plays James Connolly, to my producer Amy. She had read the script and recommended him. I remember her telling me “Mike IS James”. Words that any director would love to hear and as usual, Amy was right. So a couple months later, the script was complete, the costumes and props were ready, and the cast was cast. We were ready to shoot!

Production:
With our extremely limited budget, I knew right from day one that we were going to shoot “The Bridge” on DSLRs, specifically the Canon 7D and 5D Mark II. With this in mind, I knew (as also the DP of the film), I was going to push these cameras to its limits. I wasn’t going to let my equipment limit my vision of the film. I knew at the very beginning that I may or may not have a crappy movie in the end but hell, it’s gonna look damn good! We all know about the camera’s limitations but I wasn’t going to bitch and moan about it, I was going to work around it. I took it as a personal challenge to make these cameras work and I did. About 75% of the film was shot with the 7D and the rest with the 5DM2. The main reason I shot with the 7D more was the 24p firmware update wasn’t available for the 5DM2 during the bulk of the shooting. I prefer the 5DM2’s full frame sensor the 7D cropped sensor. Production, like any other shoot, had its ups and downs. Ours was mainly San Francisco’s unpredictable weather. You can blink and the bay area can go from miserable foggy weather (which is what I wanted for the film) to perfect summer beach party weather.
Also, being a guerilla production also has its own set of problems. I remember an actor and I almost getting arrested at a national park because a tourist reported seeing “some soldier carrying a rifle”. We got patted down and escorted off the premises. Before the ranger let us go, she handed me a business card for film permits. I thought that was hilarious.

Post-production:
There wasn’t really a “post-production” for The Bridge. I did post simultaneously during production. I would shoot on a weekend and then do visual effects or picture and sound editing on the weekdays. It was a very indie film workflow. The upside was I always had very polished dailies to show my cast and that kept them motivated to give me their best.
I spent my first two years out of film school as a CG artist. Being able to do my own 3d animation, modeling, surfacing, lighting, and rendering definitely upped the production value of my film. CG artists aren’t cheap and I calculated that if I had paid someone else to do my visual effects, it would have been double the entire budget of the film.
I hate ADR and foleying but if you don’t have a budget, you have to do it yourself. We had two whole scenes where sound was completely unusable (the tunnel scenes) so we had to redo it from scratch. I remember ADR sessions inside automobiles and 2 A.M. foley when my neighborhood is quiet and I don’t have to deal with traffic and barking dogs.
I discovered my composer Justin browsing through some filmmaking forums. He is such a talented musician. He added so much emotion to my film. Being a super control-freak, it’s very difficult for me to hand off any aspect of my film to someone else unless I have 100 percent confidence in that person. Justin is one of those people. In fact, Justin was the only other person who had a hand in post aside from me.
It was tough being a “one man studio” for this film. I acted as DP and director on Sunday, editor on Monday, sound editor on Tuesday, visual effects artist on Wednesday and Thursday, and compositor on Friday. I got some rest on Saturday (while my two computer farm renders). But in the end, when it all comes together… nothing feels more rewarding than seeing the art you’ve created. I can safely say that I created something I’m very proud of.

Full Circle:
So here it is. 8 months work compressed into a 30-minute narrative short. The film I set out to create back in October of 2009. I would like to thank everyone who was a part of it. I couldn’t have done it without you. To my viewers, I hope this film challenges you like it challenged me. Enjoy.
Array // bridge  war 
CHANNELS // Drama 
Added: 1500 days ago by reservoirfilms
Runtime: 1800.00 | Views: 5864 | Comments: 0
Not yet rated
Synopsis: A stylistic, low-poly 3D short that sees the Gods of Olympus descend upon central London to battle it out in a trial of athleticism to light the torch.
CHANNELS // Animation 
Added: 836 days ago by Masters_of_Pie
Runtime: 241.00 | Views: 7315 | Comments: 0
Not yet rated
This is a short I directed with Celine Desrumaux at Wyldstallyons for the wwf ( wwf.org )
An ecological project for a viral campaign.
We did everything in a little more than 3 weeks, from the storyboard to the final render.
It's a mix between 2D and 3D.
CHANNELS // Animation 
Added: 434 days ago by yann_benedi
Runtime: 130.00 | Views: 5330 | Comments: 0
Not yet rated

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